Premium Member Vincent Sweeney Posted December 23, 2010 Premium Member Share Posted December 23, 2010 Link to comment Share on other sites More sharing options...
Frank Glencairn Posted December 23, 2010 Share Posted December 23, 2010 As I said, that camera is an ergonomic nightmare. At the night scenes you can see all that micro shakes (plus the normal handheld shake of course) because of the awkward way you have to hold it. Picture quality is hard to judge at Vimeo compression, but the skintones need some extra work. Frank Link to comment Share on other sites More sharing options...
Tim Tyler Posted December 23, 2010 Share Posted December 23, 2010 At the night scenes you can see all that micro shakes... Perhaps the op was shivering in the cold? The camera's diminutive form factor seems like it could accommodate any sort of handheld rig one might require for a stable shot. This camera is hardly more than an extended lens mount. Who knows what level of CC they performed on that Vimeo clip, but a 12-bit raw CinemaDNG image will be very flexible in post and will allow extreme color manipulations with minimal image degradation. Link to comment Share on other sites More sharing options...
Brian Drysdale Posted December 23, 2010 Share Posted December 23, 2010 Shake can vary from operator to operator, you really need to see how well the camera suits you and the style of the film you're trying to make. Link to comment Share on other sites More sharing options...
Kristjan Jaak Nuudi Posted May 23, 2011 Share Posted May 23, 2011 some new footage: http://iaug.freeforums.org/index.php Link to comment Share on other sites More sharing options...
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