Shane Martin Smith Posted May 8, 2011 Share Posted May 8, 2011 What would I have to do, to shoot 35mm @ 2:35 aspect ratio, on a Arri Lite & Arri Studio camera? Would it be as simple as changing the ground glass, or is it more complicated? Link to comment Share on other sites More sharing options...
Fred Neilsen Posted May 8, 2011 Share Posted May 8, 2011 The rental house should be able to configure it for you, just ask for 3 perf super 35 with the 2.35:1 ground glass. That being said, 3 perf s35 is boring... have you considered anamorphic or 2 perf? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted May 8, 2011 Premium Member Share Posted May 8, 2011 The rental house should be able to configure it for you, just ask for 3 perf super 35 with the 2.35:1 ground glass. That being said, 3 perf s35 is boring... have you considered anamorphic or 2 perf? Why is 3-perf 2.35 boring but 2-perf 2.35 isn't??? Link to comment Share on other sites More sharing options...
Shane Martin Smith Posted May 8, 2011 Author Share Posted May 8, 2011 Why is 3-perf 2.35 boring but 2-perf 2.35 isn't??? So as far as camera is concerned, I would only have to change the ground glass? Then I could take 2:35 out of 4 perf 35mm, but it would be cheaper and make more sense to take it from 2 & 3 perf? Which makes sense, because I read that with 2 Perf, you save nearly 25% of money & film in the end? Link to comment Share on other sites More sharing options...
Francesco Bonomo Posted May 8, 2011 Share Posted May 8, 2011 Why is 3-perf 2.35 boring but 2-perf 2.35 isn't??? I was about to ask the same thing...besides, how can a format be "boring"? Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted May 8, 2011 Premium Member Share Posted May 8, 2011 So as far as camera is concerned, I would only have to change the ground glass? Then I could take 2:35 out of 4 perf 35mm, but it would be cheaper and make more sense to take it from 2 & 3 perf? Which makes sense, because I read that with 2 Perf, you save nearly 25% of money & film in the end? Shooting a 2-perf tall frame means that you shoot half as much film as with 4-perf. Yes, it's a great cost-saver if you can find a 2-perf camera to rent. The 4-perf 35mm Full Aperture is 1.33 : 1, so the 2-perf 35mm Full Aperture is naturally 2.66 : 1. 3-perf is about 1.78 : 1. You can frame any of them for extracting a 2.40 frame but obviously you waste the most negative if using 4-perf... Unless you shoot with anamorphic lenses. Link to comment Share on other sites More sharing options...
Shane Martin Smith Posted May 8, 2011 Author Share Posted May 8, 2011 Shooting a 2-perf tall frame means that you shoot half as much film as with 4-perf. Yes, it's a great cost-saver if you can find a 2-perf camera to rent. The 4-perf 35mm Full Aperture is 1.33 : 1, so the 2-perf 35mm Full Aperture is naturally 2.66 : 1. 3-perf is about 1.78 : 1. You can frame any of them for extracting a 2.40 frame but obviously you waste the most negative if using 4-perf... Unless you shoot with anamorphic lenses. Okay, that really cleared up my confusion. I appreciate your time & wisdom good sir. Thanks David... Link to comment Share on other sites More sharing options...
Premium Member Will Montgomery Posted May 13, 2011 Premium Member Share Posted May 13, 2011 Keep in mind that 2-perf also leaves zero margin for error in framing or (eeek!) a hair or dust bunny in the gate. 3-perf gives you a little more flexibility in post. Link to comment Share on other sites More sharing options...
Shane Martin Smith Posted May 15, 2011 Author Share Posted May 15, 2011 Keep in mind that 2-perf also leaves zero margin for error in framing or (eeek!) a hair or dust bunny in the gate. 3-perf gives you a little more flexibility in post. Thanks for the note Will. Link to comment Share on other sites More sharing options...
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