Timothy Gassen Posted August 5, 2005 Share Posted August 5, 2005 Hi, I have a couple unusual telecine needs & questions: I have 20-year old cut 35mm negative A/B rolls. I once had a 35mm print, but it is missing (along with the timing sheets from the A/B rolls). So I was wondering if I can have the A/B rolls transferred to video? I have heard that, unlike an optical printer which the rolls were designed for, the traditional telecine won't transfer the cut negs smoothly. True? I don't want to have to strike another print just to transfer to video, and I don't have the timing sheets for fades/dissolves anyway! Also, I'd like to transfer some original fullcoat mag track in interlcok for better sound quality. Of original material, all I found was a 16mm fullcoat mix (though I do have the separate 35mm optical track)! I also want to transfer some positive 16m prints along with their mag track in interlock -- any telecine recommendation for the west coast/ LA? Thanks for any help! :) Link to comment Share on other sites More sharing options...
Premium Member Stephen Williams Posted August 6, 2005 Premium Member Share Posted August 6, 2005 Hi, I have 20-year old cut 35mm negative A/B rolls. I once had a 35mm print, but it is missing (along with the timing sheets from the A/B rolls). So I was wondering if I can have the A/B rolls transferred to video? I have heard that, unlike an optical printer which the rolls were designed for, the traditional telecine won't transfer the cut negs smoothly. True? <{POST_SNAPBACK}> Hi, Telecine's will jump slightly at a neg join. 20+ years ago all news was shoot on reversal and telecined live with joins. As the material is A/B cut you may be lucky in that the handles on each scene will be long enough, so as not to be a problem. You will have to try it out! Stephen Williams Lighting Cameraman www.stephenw.om Link to comment Share on other sites More sharing options...
Dirk DeJonghe Posted August 7, 2005 Share Posted August 7, 2005 A worse problem might be that the negative may be notched. A small shape may be cut out on the side of the film to trigger the scene-to-scene correction on the printer. This practice was later (mid 1970'ies) replaced by metallic foil patches and still later (1980'ies) with FCC ( computerized frame count cueing). When this notch passes the telecine gate it will give a noticeable sideways jump. Easiest but not cheapest would be to strike a low contrast 35mm print and transfer this to video. You could even do a separate print from the A and B-roll, transfer to video and make the final color correction and dissolves on a digital color grading system such as Baselight. Link to comment Share on other sites More sharing options...
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