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Matias Nicolas

Basic Member
  • Content Count

    203
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About Matias Nicolas

  • Rank

  • Birthday 02/04/1977

Profile Information

  • Occupation
    Cinematographer
  • Location
    Buenos Aires, Argentina
  • Specialties
    Direction of photography
    Photo art
    Painting
    Music
    Travelling
    Reading

Contact Methods

  • Website URL
    http://www.matiasnicolas.com
  • Skype
    movimatt
  1. I shot this take in Africa in a documentary, and with REC709 when ponting to the sun, it went solarize... Do you know why? This is a footage from 3 years ago... We shot it with slog2, and in slog without the the lut we saw this problem. If I sotpped the image darker, obvoiusly dissapeared... Now im going again, but with Slog3.. jeje... Did you have this issue with the sun in slog2? or with f55? or what are your thoughts??
  2. Ok, so I ll go SDI. Why do you find best to go SLogcine3? only beacaue of the roll of on the highlights? or what more you find its better? And, another doubt I have, wich hand held grip would you recommend? Like sth very lighweight: left hand in the focus, and rigth hand in the grip ..
  3. Ok, so I ll go SDI. Why do you find best to go SLogcine3? only beacaue of the roll of on the highlights? or what more you find its better? And, another doubt I have, wich hand held grip would you recommend? Like sth very lighweight: left hand in the focus, and rigth hand in the grip ..
  4. mmmm I Im shooting with Sony F55 ... better SDI no? or HDMI? What are yo thoughts? And, a doubt: If I use the waveform, from the small hd to monitor the image coming from the F55, in this case Slog 2 - .709 . Its accurate? or better use the Zebra of the camera?
  5. Im not sure if its HDMI or SDI. I will be nadheld aprox 80% of the shotting, and I love the Small Hd, cause its small. And the bright spec for exteriors. Now that you are asking me about the nits, really I don't now how many nits I really need for exteriors. I think the more nits, the best. I cheeked B&Hphoto for that info and didn't find it. And as we are shooting for 20 days the prod is going to buy 2 monitors. I see that you post 1000 nits, so I think we are ok with 1000 nits... I will check prices and tech specs of the other ones! Thanks !!
  6. Hi, Im gonna shoot a documentary. I need to buy these SmallHD 702 Bright on camera-camera monitor 7' . the thing is our producer, is asking me for cheaper options. Can you help me?
  7. I also found this.. https://store.steampowered.com/app/904960/Cine_Tracer/
  8. ok! Im cheking it right now.. thanks!
  9. Hi! I wanna know which digital tool, do you use or you know dp's use in big budget feature films or big comercials to design the lighting of a studio or big set. For ej: (you can correct me!!) in the AC mag sometimes you see that in some movies the have a loke an architecture plan in some type of scale, with all the ligths, and measures of the set, for big planning studios shots. I been watching also a plug in called the "cine designer" which is a plug in for cinema 4D from Cinematograhpy Database, where you can also plan your shot in 3D. Which I was amazed. Please, let me know every thing you know! thanks..
  10. Well! Finally I shot the project.. Im starting tomorrow some color Correction for sdr and hdr, and Its like you said. Thanks!
  11. Does someone know, were I can I get more info about HDR or Dolby Vision. not referred to still photograhpy, but yes to tv series...
  12. Hi! Im going to shoot a miniature: a tree falling down breaking a fence on the woods scale 1:10. The art dept is building rhe maquet. I read in the AC manual that for scale 1:10 I need to shoot al 75 fps to feel real a miniature tree falling. But what about lenses and T stop? And light? How should I do to feel It realistic and natural?
  13. Hi! I have to shoot a miniature: a tree falling down and crashing to the floor in scale 1:10. I read in the AC manual that that I should shoot it al 75 fps. But whixh lense docyou recomend? Wide angle? Normal? Which T stop? Distance ro object? What about light?
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