James Compton

The links that I posted before don't work properly. This link works : http://www.4shared.com/folder/M-x9mlDT/FUJICA.html

Ok. This links works. http://www.4shared.com/folder/M-x9mlDT/FUJICA.html

I have 2 ReLoadable FUJICA Single 8 carts for sale 2 for $50. PAYPAL Accepted. http://www.4shared.c...Photo-0120.html http://www.4shared.c...Photo-0121.html http://www.4shared.c...Photo-0122.html http://www.4shared.c...Photo-0124.html http://www.4shared.c...Photo-0125.html http://www.4shared.c...Photo-0126.html

2 - 50ft FUJICA Single 8mm Film Cartridges This is the earlier variety that can be reloaded with KODAK VISION Color Negative film or any other type of Super 8mm/ Sinle 8mm Film. 2 cartridges - $50 http://www.4shared.com/photo/IQ5ELUoq/Photo-0120.html http://www.4shared.com/photo/ZElL0sWt/Photo-0121.html http://www.4shared.com/photo/lYfWqbZ6/Photo-0122.html http://www.4shared.com/photo/NQp6tJLB/Photo-0124.html http://www.4shared.com/photo/3SCaBgNn/Photo-0125.html http://www.4shared.com/photo/SNlK_bGg/Photo-0126.html

FUJICA Single 8 Z600 Camera In good working condition. $40 PAYPAL accepted. Lens: Fujinon Zoom 1.8 / 8 - 48mm (Filter thread: 62mm) Auto/ manual zoom Focus method: micro prism Exposure: TTL EE, EE-Lock, exposure adjustment (+1, +2 stop) Film Speed Setting: ASA25, 50, 100, 200, 400 Frame rates: 18, 24fps and single frame Other features: built-in rewind crank controlable shutter angle rewind meter Shutter angle: 160°

I watched a 35mm print of the twice. The IMAX 15/70 has been sold out everyday, but I plan to see it in IMAX soon. Wally Pfister made some daring exposure decisions in this film, yet it payed off well. The night chase scenes at the beginning of the film were very dark, but tastefully so. Action scenes with IMAX cameras and lenses at F2??!! The result looked great in the 35mm print. The tunnel scenes where Batman confronts Bane really showed off how much better 5219 is rhan 5218 at repoducing shadow detail. I watched the cinematographic exposition of the film carefully, the film does not disappoint. I plan to watch a 4k screening of the film also, but I already know I will like the 'teeth' of the 35mm version better. The editing and pacing had a different feel than the other films. I sometimes had the feeling that I was watching the 'directors' cut of a film'. I am not complaining. It had a rawness and not the slick transitions with sound and music that I normally see in A Nolan movie.

Here are pictures of the anamorphic part; http://www.4shared.com/photo/4XYKOqM0/KINOR_35C_VIEWFINDER_PART_3.html? http://www.4shared.com/photo/1VZdXa-2/KINOR_35C_VIEWFINDER_PART_7.html?

The Anamorphic insert for the KINOR 35C/35S 35mm Camera viewfinder. This part desqueezes the anamorphic image from the LOMO anamorphic lenses. A VERY, VERY RARE part. $239 PAYPAL accepted.

I watched the 2D version of the film last Friday, and I enjoyed it. The ALEXA imagery still does nothing for me. The slow motion scenes were shot on an ARRI 435, and you could tell. The one particular scene that showed it, was toward the end when Captain America and Thor are side by side fighting alens in the streets of New York. One minute the usual ALEXA imagery and then - BAM!! 35mm to save the day in Slow Mo! The image suddenly had a 'bigness'. I will say this movie had the most comic book-like camerawork of the many superhero movies made. The acting was enjoyable, the LOKI beat down by the HULK was hilarious. It's easy to see why the film broke a box office record the first weekend. Good acting, good staging and a decent story.

Until The Killing Season 3 begins shooting. Then you'll be shooting 35mm again. Are the driving scenes shot on a process trailer or in a studio? Which locations are sets? I was wondering about the Darren Richmond's hospital room scenes. Is that in a studio with a Translite outside the windows? Thanks!

AMERICAN HORROR STORY on FX shot by Michael Goi and John Aronson would be another new film based TV show. Regarding the testing involved with 5219 and emulating the feel of 5229, did you test pull processing? KODAK 500T 5230 seems to be midway between 5219 and 5218. Were you able to test that filmstock, if so what is your opinion regarding its shadow detail? Regarding the change from shooting '29 to '19, were the lighting setups changed very much? Whenever I watch that show, those overcast Vancouver skies puts me back in the early seasons of the THE X-FILES. Many thanks for your valuable insight.

I really enjoyed the first two episodes this season. What film stocks are you using now that 5229 is no longer available? Speaking to new shows shot on film, there is definitely an agenda to force digital acquisition on everyone, but I see the exception being the producer having enough influence to greenlight a film show. HBO and AMC are the only networks that I know of shooting new TV shows on film.

KONVAS 400ft magazine. $128.00 USD In good shape. Always well maintained. Serviced 10 months ago. I will include 1 free 400ft roll of KODAK VISION3 50D. Factory Sealed and Fresh. I accept payment via PAYPAL. Shipping free in the USA.

KODAK EXR 5248, 5298 and 5245. I would like to order those film stocks. I'd be interested to see what old school cinematographers that like the look of the older film would do, knowing they now have this option. Janus Kaminski could probably get Spielberg to order some of the stuff for their next film.

The 2nd part of the post : This would include the infrastructure for processing, probably at a single lab, either in Rochester NY, or sub-contracted. "On demand" could conceivably include any film that Kodak has ever manufactured. Someone in the audience asked the inevitable question: "Including Kodachrome?" Her answer: "Yes, including Kodachrome". She added that while small runs of Kodachrome were unlikely, it was not out of the question, since they have had numerous inquiries.

Beverly Pasterczyk, a R&D Film chemist spoke at a SMPTE meeting in Los Angeles last week. She has some very interesting things to say regarding possible short runs of just about any modern KODAk motion picture film. This is a repost from another forum : Ms. Pasterczyk is a chemist with film R & D at Kodak, and she mentioned that Kodak Research is currently engaged in the continuing design and implementation of new emulsions, such as the new version of the Vision III product. "Regarding consumer films, she said that they are considering restructuring a new approach aimed at producing these at a reasonable cost in much smaller volumes than in the past. She said that new technology will permit them to continue to produce these in "boutique quantities" using single coating machines rather than the huge multiple coaters of the past. She said that basically, as long as they had sufficient orders for a minimum of a single master roll "54 inches (almost 1-1/2 meters) wide by whatever length - no minimum stated", they would consider examining production in terms of the economics involved. Future production would primarily be on an "on demand" basis."

KELLY CINE 35mm DOF calculator 35mm Depth-of-Field Calculador. Imperial Scale. Spherical- Super 35- Anamorphic The Professional Cinematographers Depth- of-Field and Hyperfocal Distance In very good condition. $55 Free Shipping in the USA. PAYPAL accepted at : shootm235 - at - yahoo.com When your iPhone iPad battery dies and your are miles from civilization. What will you use to calculate Depth of Field accurately? This DOF calculator works for 35mm film, Super 35mm and Anamorphic 35mm. It also works for any digital camera that uses a 35mm or Super 35mm sensor.

4 - rolls of KODAK 5218 500T IN 35MM SLR Still film loads - $35 - Free shipping in the USA . $12.75 for shipping to EUROPE. http://www.4shared.com/account/dir/9rqDm4cb/_online.html?rnd=52#dir=174584450 PAYPAL ACCEPTED at : shootm235 -at-yahoo.com I also have these other film stocks in STILL CAMERA LOADS, and 35mm motion picture rolls; KODAK 5277 320T - SLR loads in 35mm SLR canisters for still film use - $35 for 4 FREE SHIPPING KODAK 5246 5246 250D - SLR loads in 35mm SLR canisters for still film use - $35 for 4 FREE SHIPPING KODAK 5203 50D VISION3 35mm - 800ft (2-400ft rolls) New sealed-$70 each or $125 for both 400ft 35mm rolls Shipping $14.25 in the USA. $25.68 SHIPPING TO EUROPE KODAK 5248 100T 35mm 400ft - 1 sealed can - $30 KODAK TRI-X 7266 16mm 200ft - 2 sealed 100ft cans- $ 25 for both All film is refrigerated and has been refrigerated since purchase. PAYPAL ACCEPTED.

Call REEL GOOD FILM in L.A.. (323)-876-5427 http://www.reelgoodfilm.com/ Ask for Roger. He can get you a good price on 5230. They have great prices on both, KODAK AND FUJI.

2R means 2 perforations. 1 on each side of the image. 1R means single perforation. Regular 8mm 2R, Super 8mm 1R, Regular 16mm 2R, Super 16mm 1R.

Charles, I think you misunderstood his original question and my reply. He wants to use the 16mm camera in a JK 104 optical recording setup. Ihat is why I showed the KODAK catalog number for print film. He wants to make a print from Super 8 Color negative. There is only one color print film available with 16mm perforations on both sides - KODAK VISION 3383.

KODAK VISION Color Print Film / 3383 / VCP452 / 16 mm x 3000 ft roll / On Core / 2R-3000 Catalog number 1465988 $190.21 each. KODAK 1.800.621.3456 Take the 3000ft roll to your local lab tell them what you are doing and ask them to cut 7 400ft and 1 200ft roll for you. Let them know you will return with the exposed rolls for processing. ----OR---- You could shoot on 400ft rolls of KODAK 7285 100 ASA EKTACHROME . KODAK EKTACHROME 100D Color Reversal Film / 7285 / SP457 / 16 mm x 400 ft roll / On Core / Winding B / 1R-2994 Catalog number-1263722 $141.92 each.

i also have 1-35mm 160T REVERSAL FILM 100ft load. Very rare TUNGSTEN Slide reversal film looks great with or without crossprocess. http://www.flickr.com/photos/derekcorneau/6370061269/ All film is refrigerated and has been refrigerated since purchase. I accept PAYPAL.

8 rolls of 5277 320T 4 rolls of 5246 250D

KODAK 5203 50D VISION3 35mm - 800ft (2-400ft rolls) New sealed- $80 each or $155 for both 400ft 35mm rolls KODAK 5248 100T 35mm 400ft - 1 sealed can - $30 KODAK TRI-X 7266 16mm 200ft - 2 sealed 100ft cans- $ 25 for both KODAK 5277 320T - SLR loads in 35mm SLR canisters for still film use - $8 each or 2 for $10. KODAK 5246 5246 250D - SLR loads in 35mm SLR canisters for still film use - $8 each or 2 for $10. All film is refrigerated and has been refrigerated since purchase. I accept PAYPAL.