Delorme Jean-Marie

yes it's all very good add : topazu (japan) all kitano's work (japan) kim ki-duk work (korea) tran han hung is excellent and to me one of the most facinating : Hsiao-hsien Hou (taiwan)

the tune "que sera" is from wax tailor ;)

and the "jerky" stuff on the large shot of the girl was done on sticks on the roof top of the truck, the move is done in post

hi "Now, your demo reel. Is that just your operator's reel or your DP reel?" it's both isnt'it clear? i may change this as weel. thank you for your comments

hi and thank you max but forget about great budget in north africa but for this region it was a big one. first film was 4 days filming in 3 different locations and we had a weather day (it ran in the sahara!!!!!!) plus 3 days travelling around the country. second film was shot in 1 day and we also had a weather day on this one total budget for the tow films was around 300.000?

hi you can now check the clip in the "critic my work" section it's "my reel" post talk to you soon i'm curently filming in maroco and i'll do some aerials for tom stern in tcheky next week

Thanks again for your comments : andrew the stock used in the opening is 5205 and the face a minus one stop there is no color corections. the tune is "que sera" from (another computer than the one i'm typing) i'll look for it Micheal thanks verry much for your coments, i agree with you. i did a first version less dynamic but with more compositions and longer movements but it was hard to edit : i'm mixing diferents formats 1:66 1:85 2:35 and comercials in 1:33 it's already a lot of compromises. Do you think it should be less long and less music video editing style? i'll see what i can do Pascal some very nice images pascal and it's hard as well to mix a doco with drama on a reel

yes it's only 35 and HD sony 750 and ajhdx400 for the monochromatic stuff thanks

your opinion matters very much to me thank you for taking 2 minutes to look at it. it's my first reel. the other links are comercials for algeria http://www.aleksis.fr/DEMO.mov http://www.aleksis.fr/PUB1.mov http://www.aleksis.fr/PUB2.mov

good cinematography takes you to the right mood of the movie : - the mood for love, hate, fear.... that's just my opinion

hi becoming a gaffer requires a lot of time, passion and tools. you have to start as an electrician to learn about all there nuts and bolts. when you are confortable with the tool you will work the light with the gaffer or the DOP depend of the country culture and the size of the crew. then you'll be in a position to become a gaffer, you'll meet dop and productions who will want you. but a gaffer will tell you better than me what is needed

hi registration issues on an sr3 is certainly a problem os mag. do you have a camra report that says what mag it is about? usualy there are camera test done prior to filming, thoses test will prevent from these kind of problem. the trap is the intermitent problem but it's covered by insurences. was the incriminated mag tested by the rental house after the shoot? can you discribe the registration issue, is it on the neg? good luck

thanks, that's what i'm looking for

Hi i just baught a "brand new" bell & Howell camera it's verry nice but i wonder what i have to look for as a mag : is it a cartridge? a mag a can find? build. will it roll S16 stock? here is a link to the cam : it's the B&H Magazine Camera 200 T Auto Load16mm http://www.movie-camera.it/belle.html but with no turret does 16mm cartridge still existe? thanks for reply

maybe you have also in the matrix table or elswhere two gammas named V105 and V110. i wwold recomend those hypergamas is you want to achieve the look with the grading. those hypergamas gives you the flatest curves. if you prefer to choose your gamma yourself chek them as keylight tests with actors faces, costumes, make up lighting and a macbeth color chart. record your tests and go to grading. you can choose between std and film (4 choices) then for the gamma select the matrix table and look for the best matrix for your image. some like to see the final image on stage others relies to the grading there are no rules experiment so you understand what you are doing.

congrats ! now yo also learn how important it is to have peaple in your team you trust and you can rely on. a good AC is also a man/woman with a crew.

that's the msm 15/70 imax camera designe by martin mueller it's the last kind of imax cams used today with it's new set of lens withe a dove tail mount. it roll a 1000ft or a 500ft mag horizontaly on a 15 perf gate it's 65mm hight film : IMAX = image maximum

it looks strage to me to partly film in imax there is a terrible lack of film to screen in imax (non documentary) that's why they developed the DMR projector, a smaller projector to match a blow up of 35 feature films. don't forget imax is before all a projector manufacturer. i don't totaly agree to say you can't use a cinematography grammar with 15/70, it's what everybidy thought befor "wing of courage" je jean jacques anaud movie featuring val kimler, it was shot like a regular film with close ups .... and it works good (and it was 3D 15/70) the pb with those uge screen is the rythme of the editing, it takes a while to see whats in the frame so to many cuts are anoying. i'll film a doco in 15/70 next week, it's a wile i didn't do any i'll let you know about it.

what do you mean by " a compositor as a color corrector"?

well i use it in a post production house with the soft : velocity

hi i'm doing most of my color timing for shorts in HD with this software i'm interested about your opinion

hi i was camera assistant for 10 years on major productions it's now 2 years i'm filming shorts so this was the first time a producer would trust in me. the production is a leader in algeria. now i'm in my learning process of managing a crew and a director i'm not familiar with in the verry special context of a commercial . the transition wasn't that hard as i had to load mags ! to fasten the process and bcause the camera assistant didn't had the level required, as well as most of the local crew. i was only safe on the grip side because he came with me. i operate the camera. the first film was 100% on crane the second film was both hand held (with an easy rig) and on crane. a last setup

ok dominic i understant that when you film at 24 when the sound is at 24 when the script book reports says it's 24 why should anyone start to telecine or do whatever at 25 who's responsability is that?

oops a mistake sea shore in tipaza

last pict : the time laps sunrising on algier bay