Bruno Alzaga

Hi guys! Say what you have to say. Gracias!!!

This has benn very very useful. Thank you very much!!! Muchisimas gracias!!!!

i try to get one Thank you

I mean a travelling, i used the mini skater. And it was a slow movement, and i shot in the setting cine like Thank you

I was shooting a packshot last monday with this camera. When i made a travelling in a very close up shoot i see (i don´t know the technical name in english) the product move, like the fields of the image. So i change to 50i and i solve it, but i want to know what happend and why. Thank you and sorry for my english.

I think that you already have the solution., soft light for the talent anf the background. Good luck

That´s what I have been reading. I can´t find much use to. Thank you

I´ve heard about the EV scale, it is in my new light meter, but i can not understand how it works and what purpuse it has. If anyone can explain to me i would be very happy. Thank you

Any suggestions to achieve that look??? Thank you

I am about to shoot a commercial next friday. Blue chroma and a talent. The director want a soft lit all over the talent. I think this set up: 4 spacelights, 4K each, to lit the chroma and create a nice ambient light. Then add two 5k frensel through silk to lit the talent (both 45°). And two 2k with 250 for the backlight (maybe with plus green), so i can have some light in the talent´s shoulders. The talent moves so i have to lit he for every angle. This is the ref: http://motionographer.com/2009/01/23/bns-office-max/ And some thumbnails of the ref

I want to know the techique of the blue light use in the interior night of the car, when the lawyer arrives home. Is that a minikino bounced in the roof of the car? Thans a lot!!!!!

I once use that effect. I just use water but you can use coffee or a black liquid to dark the shadows. Pay attention on the shadows edges

With 3200 stock if the sources are 3200, use nothing. I don´t thing that the supermarket use 5600 light. In this case you have to put 85 on the lights of the supermarket. Regards

Recently I have to light some shelves. Thats was simple, i solve that with some Kino. But i was wondering if i have to light an entire shelve and the aisle with a talent. I usually shoot with a Panaconic P200, HD. So, I think that i need a lot of diffused light to simulate the supermarket light and to have no shadows in the floor and in the shelves. Can someone tell me a method to simulate a supermarket lighting. Thanks and i will try to find some frames of what i mean

This is the scene.

WALTER, That´s seems quite real. What technique did you use to achive that result. Thanks

I meant other scene. Is almost at the end of the trailer. The actor shoot to the air. You can see the the HMI 575 reflected on the tree at the left. Thanks

Thanks to both of you. I´m not a native english speaker so some word are diffucult to me. A flicker box is like a dimmer?? The second question, Dan when you said "I like to shoot films with as much natural light and location sets as possible", do you mean that if you can u will use fire? If this is right, Do you have any read in your photometer? Thanks a lot

I have just saw 300, and in the scenes at night fire is very used. In some shots you can´t see the fire but the flames lighting the actor. So i want to know who to do this effect. Thanks

Be brave. If you want a warm look you know what to do, so do it. But there are different ways to do it. The DoP wich i work always tell me that it is beter to have all rhe colours, so i agree with those who say don´t use the coral, and warm it up in post, where you can warm it up at your willThe pola is a good idea to saturate colours a litlle bit, and i will correct with 1 1/3.

Simple. I have a comercial next friday. Lock down camera. Food. So, i need the typical soft light for the food. But i need to simulate some atmosphere: day, night, fancy saloon, etc. So my idea was to set up a basic soft light for all the different "moments" and have a light, in this case is the Key light, to recreate all the different atmospheres. Any idea?

One time, shooting at night, the DoP needs to simulate a gun shot. But the gun was on camera. So he use a HMI 575w with 85 half and in front of the light que put a frame with several stripes of steel. This thing have a system, so when you pull up a stick the stripes open and the light pass throug and when you pull the stripes close. I have to said that a tree was near the light so the effect is more realistic because the light bounce in the tree. You can see the effect in the trailer. PLease visit http://www.paristexas.com.uy/EL_COJONUDO/trailer.html

Que tal Alberto. Yo hablo español perfectamente y soy Gaffer y DoP. Quizas te pueda ayudar. Asi que plantea en español el problema asi nos evitamos errores, aunque mas o menos lo entendi. Tuve un experiencia hace poco en donde tenia que simular la salida del sol. El plano era un taza de cafe que estab en sombra y de a poco el sol que sali, la empezaba a iluminar. El efecto fue hecho con una bandera negra que cubria el luz que iba a iluminar la taza. Poco a poco, el Gaffer iba sacando la bandera y parecia que salia el sol. Realmente quedo muy pero muy bien.