Rodrigo Llano

Have you seen the 35mm version? Stephen actually this is what I'm looking for. If somebody with some experience have seen 35 mm projections.. we could read a lot of stuff about how good or which problems the prototype could have, but how really looks ? Rodrigo

Does anybody know a 35 mm blow up experience from Red? rodrigo

Merlyn.. the answer is simple.. HD is more than HDV . Lens is a problem , but also is a hook for those who have a kind of indecision. the industry is no focused in develop 1/3 ccc lenses for a couple of specific cameras.. because of that 35 mm adapter are so popular. Take your time,, check the technical specifications and check image test and finally take a choice. Good luck Rodrigo

Mis respetos Rodrigo

I have my spectra IV A for ten years . simply the best partner at this time.. in the other hand, last year I did a calibration in burbank (not because did wrong readings just because a good friend need a "Spa-vacation").. spectra guys are very professional ... ask for Gabriel Perez if you need support .. Rodrigo

Peter.. I haved a couple of questions in term of your procedure . What was the original format of the picture? Why did you choose JEPG to import in avid ? Why not a TIFF or other less compress format? I feel with those details you could have a totally different image quality and readings. Respectfully Rodrigo

Nadie dispuso en las reglas de este foro que debiamos escribir en Ingles, pero por na cuestion de respeto hacia nuestros colegas de todo el mundo, esta se ha vuelto una lengua que nos une en nuestros pensamientos e inquietudes.. Pero que ocurre cuando algun hispano-hablante desea resolver una duda, crecer profesionalmente o simplemente plantear su opinion en algun foro y es impedido debido a barreras ideomáticas? Creo que en algunos de los ultimos post que hemos leido, esto se ha vuelto mucho mas visible.. El talento artistico, tecnico o humano , no tiene lengua. Quiza de esta forma podamos incorporar a mas de nuestros pares a una universalidad del conocimiento y de la defensa de nuestro oficio. Esto no quiere decir que no sigamos entregando nuestras visiones en sitios tan importantes como cinematography.com , sino que hacerlo mas extenso a mas gente. Quiza en una primera instancia todos los hispanoparlante debieramos hacer un esfuerzo y escribir nuestros comentarios en ambos idiomas. Un abrazo a todos Rodrigo pd. I invite all anglo-speakers (and other languages people) to make an effort and open theirs language frontiers and support this... Sometimes our english could be really bad, but all opinions are important. Thanks cinematography.com for this space

La tarea esta lanzada .....

I think you are right Tim. They decided use color film not because a contrast or grain option (in first option) but an production requirement. The "production" don't believe in B&W movies and don't want to give money for B&W stock but Coen Bro. know how the picture must look like.. Deakins did a great job working in color to desaturate in post.. Rodrigo

All my energy John!!! Rodrigo

Francisco be clear, don't get stress, check flange focus, tie your cables, enjoy it and good luck!! Rodrigo

Estoy de acuerdo contigo Alberto.. esa tecnica es muy usada incluso en exteriores simulando amaneceres o atardeceres... (no seria malo comenzar a realizar nuestros post en ambos idiomas... ) un abrazo Rodrigo

Hey matt.. great job.. looks simple and effective.. all the best dog Rodrigo

Hey friends.. don't spend more time in this lens-e- discusion.. Go spanish.. "LENTE" HAVE NO CHOICES is simple and universal.. Cheers Rodrigo (spanish speaker) Llano

miguel Just check the gate plate pressure and go to Gama to develop the footage (actually if you can do the test in both labs) In my experience you'll find huge differences between Chilefilms and Gama specially in sharping. if you need any advise, just call me Rodrigo

David. which percentage did you use to bleach the negative and printers?

Interesting point. Certainly this is one of the big differences between the digital and film works.

Hey David As always , thanks for sharing your knowledge and showing us how resolve your shoots.. all the best Rodrigo

great solutions!!.. cheers

As a latino I had a second last name.. in my case Muñoz.. Rodrigo Llano M. (another option for the M circle) B) all the best Rodrigo

in Producing terms and simple words HD footage or programs open a big market wideworld.. all the best Rodrigo Llano

Alfredo.. Call Miguel Angel Aponte .. he ould help you in all what you need. Work as a DP for Northern Light Productions. +1 (857) 540-9720 or maponte@nlprod.com All the best Rodrigo Llano

I'd test it last week, and i was surprised with the low sensivity of hvx 200, around 160 ISO. A huge difference if Panasonic try to sell this camera as a second camera for Varicam shots. Respectfully Rodrigo BTW.. Depend of the mode the HVX 200 have big ligth response differences. IS NOT the same exposure for 720 60p or 720 24np .. Obviously some settings make some differences.. rodrigo

I just need the video levels (mean waveform-vectorscope). I get the scopebox trial version and i'll test it tomorrow or tuesday (but i think that 600 bucks for a scope software is a little expensive).. thanks everybody... i'll post how scopebox and FCP works for this proposal.. Respecfully Rodrigo

"1080 psf 25 is progressive" sorry Gunleik but any resolution at "PSF" IS NOT progressive is based in Interlaced images. PSF means Progressive Simulated Frames and is the technology used by many manufacturers including Sony to get "progressives" images from a Interlaced capture. Respectfully Rodrigo Llano