I have just landed landed a lighting gig on an indy feature, which will be shot on and from a couple of house boats. In very preliminary talks with the cinematographer he has suggested that he would like to use Wall'o s and other kino flos, along with china balls.
Could anyone offer any advice when lighting from a boat, working with a lot of water or offer any advice about previous experiences/problems when working in this situation?
It will be shot HD and a 5k-10k generator will be carried on one of the boats (fun!)
Thank you very much!