Tanveer mir

Bala ji Jan is absolutely right. You gotta decide That part coz there are lots of governing factors. 1. What's your budget coz you can just go on with drones in the the market, what we face problem in India is no one wanna give his red or alexa on drone fearing of damage and crash. I can probably understand what you are looking at keeping in mind the place you belong to. You should probably use Dji inspire raw 4K for your shoot.

your source has to be always justified,so it is always situation based,shadows are as important as your light is.though in the pic. you could reduce the intensity of the key to get a soft wrap.to make it pleasing you can hold a poly on the fill side and accentuate the light coming from the same key or with a different source to get a glint in the eye and a softer shadow.

Hello um shoting my diploma from 19th may...i will be shooting outdoor mostly on a beach... um doing some day for night in a forest where um getting some sunpatches here and there,shall i use this sunlight as the back light or use it as the frontal moonlight,hw much shud i keep my charecter underexposed? there is one on shot time transition from day to night which i am shooting during night on location in a hut,um planning to use the tungesten stock where um commiting the lantern which is there during day n night both,um using the tungsten lights to create the day,when um transiting to night wt will happen to my lantern,should i correct the lights which um using to simulate the lantern n how much. stock-250d,400t(fuji) um - i am n - and any suggestions if u can give plz..

um shoting my diploma from 19th...i will be shooting outdoor mostly on a beach um trying day for night, on shot time transition is there from day to night(shoud i use day or tungsten stock i am commiting the tungsten lamp in the shot it is a block shot. the stock um using is fuji 400t and 250d um shoting on arri 3 on 35mm film any suggestions if u can give plz...

The best time to shoot day for night is the magic hour.....wn u have kind a even spread of light....u can go down by 2 stops to get the look......... in rang de basanti they shot in mid afternoon one bike sequence which they later worked in D I.

roger dickens and sven nyqwist