
Oliver Hadlow Martin
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About Oliver Hadlow Martin
- Birthday 11/26/1985
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Occupation
2nd Assistant Camera
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Location
UK
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Freelance Living Wage
Oliver Hadlow Martin replied to Maxim Ford's topic in Business Practices & Producing
Wow just read the rest of this thread. Some serious hand bag throwing going on here. *quietly walks out the room* -
Freelance Living Wage
Oliver Hadlow Martin replied to Maxim Ford's topic in Business Practices & Producing
Well I couldn't have said it better. -
Lighing my smoke doesn't work...
Oliver Hadlow Martin replied to Alessandro Vasapolli's topic in Lighting for Film & Video
Use a haze machine not a smoke machine. Smoke is smoke (will look like a fire on camera if there is a lot of it). Haze will give you the shafts of light you are after. -
One benefit which was not mentioned is if the lights are being used on location through a 13a mains plug (uk) the start up draw would be less if switched on one after each other. Rather than one big start up draw. I believe thats true anyway, maybe someone else knows differently. Oh wait if you are in the us I think it's 1800w max per breaker (15a?) anyway so that kinda makes that pointless anyway.
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How to gain a raindrops shadow effect ?
Oliver Hadlow Martin replied to Daniel Dziuban's topic in Lighting for Film & Video
What a lovely shot. I should probably watch that movie. -
http://www.advantagegrip.com/fabric%20specifications.htm This site is good for description of diffusion type materials. Handy info. :)
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1st Camera Assistant knowledge
Oliver Hadlow Martin replied to a topic in Camera Assistant / DIT & Gear
http://en.wikipedia.org/wiki/Circle_of_confusion In simple terms its where a cone of light converges onto the sensor at a single point where it resolves at an acceptable focus sharpness. Each sensor size has a different circle of confusion which then has an effect on the depth of field (the near and far distance calculations change depending on the COC). It is handy for planning some shots in pre-production. It helps you work out the acceptable distance you can push that T-Stop before your shot goes out of focus. Steadicam shots for example where the dynamic movement of the person can change a lot. I don't know what a DCS is though but I presume from the context it is some type of DIT or technical assistant. -
More like one of these?
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Looks great. I look forward to seeing what people do with it. Having said that and despite him saying it holds highlights better than film I still find the aesthetic roll off of film more pleasing? But amazing camera none the less. Id assume Arri are the type of company to just release the camera and not do all the hype before hand? A 4k (at least) camera seems a little overdue by now.
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240v 32amp 10k gen with distro box. Use a qualified electrician.
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- HMI
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http://www.ryanewalters.com/SP/sekonicprofiles.html Scroll down to the profiles. Load Epic/ Scarlet settings it into you light meter. Job done.
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- sekonic
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Muslin like diff that doesn't waste light?
Oliver Hadlow Martin replied to Bar Solomon's topic in Lighting for Film & Video
Interesting idea.