I was 1st AC on a tv drama which was set in Finnish Lapland in wintertime and we shot there for three months, mostly exteriors. I did some homework about the subject back then, here are some tips which I found helpful.
-The main think is to keep your batteries warm: if they get too cold they drop charge and will not recharge before warming up. We did this by having the batteries (when not in camera) in Styrofoam boxes used by the catering companies and opening the lids only when necessary. One big box (like this https://www.amazon.co.uk/Insulated-Styrofoam-Polystyrene-Gastrobox-Transport/dp/B01DAI5MQ0 )for all the chargers and one smaller (these https://www.etola.net/Tuote/keittio/kylmalaukut/epp-termo-1-4gn-15-l) for full batteries. One small box was also for Anton Bauer Cine VCLX block battery, just cut a hole for the power cable. The chargers keep the big case warm and no additional heating is required.
-If a battery gets too cold and won't charge it's good to have a way to warm it up. We had a car fridge similar to this https://www.amazon.com/Fridge-Refrigerator-Cooler-Dual-use-Household/dp/B06W9JFSJT and used the heating function to warm things up. Don´t have it on all the time, put the cold battery in and then turn it on: the temperature will rise steadily, you shouldn't warm up the battery too quickly or too high temperature.
-For cameras we had Porta Brace POL -series cold weather covers (https://www.portabrace.com/catalogsearch/result/?q=POL) The heat generated by the camera (and especially the Teradek Bolt video transmitter, it runs hot) kept things warm and no additional heating was needed. If you don't have access to these you can use a rain cover, it will keep at least some of the warmth near the camera.
-Know your lenses! For example Zeiss High/Super Speeds have lubrication oils which make the lens barrels very stiff and in some cases impossible for the lens motor to turn. If you use vintage lenses check from your rental house if they can change the lubrication to a sort which doesn't freeze up, or do some testing if your lenses get sluggish. The High/Super Speeds are constructed in a way that the front element moves, and a clip on mattebox adds weight which the lens motor has to turn. To make sure it might be better to use rod mounted matteboxes with this kind of lenses.Modern lenses rarely have these problems. We had Leica Summicrons and didn't experience any problems because of the cold.
-Remove heat sinks from your equipment if possible, for example TV Logic monitors. One way to keep your monitors warm (and not have the picture lagging) in the extreme cold is to get some cheap foam camping mat (like https://www.amazon.com/ALPS-Mountaineering-Foam-Camping-Mat/dp/B006H1Z18M )hot glue gun and gaffer's tape. Cut the foam to have a box without a lid, and then you push it to the back of the monitor. Make it snug enough and you won't need anything to hold it, it will stay. The warmth generated by the monitor will keep the unit warm. You can do these boxes for other things as well, I did them for Movi Pro batteries when they are installed to the Movi.
-The silica gel packs you mentioned are handy at the end of the day, when the lenses are cold as ice: You remove the front and back caps from the lenses, throw a couple of the silica gel packs to the lens case and leave the lid open just slightly for the night. You don't want the temperature change too quickly and have condensation build up to the lenses.mIf you are in a situation where you have to move from very cold outdoors to indoors to shoot, try to get the lenses, filters (remember to open the caps and filter pouches) and camera inside as soon as you can, aftet that start taking in rest of the gear. You wan't the lenses to warm up as soon as possible. Usually in these situations you have no choice but to warm up lenses quickly, which is why you should have a travel hair dryer in you AC kit.
-Ultrasonic distance meters: For example the Cinetape starts to give false readings when used in very cold (from -15c to -30c) for a time. Things get stiff inside the sensor unit and the reading starts to travel, at first just from a centimeter, to for example 15 centimeters. Cinematography Electronics say that the Cinetape compensates the temperature, but I suspect there is a limit to this and they didn't take in to account that their product would be used in something like -25c... Arri UDM-1 takes the cold better, I suspect because of the more robust construction of the sensor unit. Cine RT Focusbug seems to compensate for the cold and works well in freezing conditions, well done Canadians!
A solution which I have used with the Cinetape and UDM-1 is to have a disposable hand warmer Bongo tied to the sensor unit, demonstrated here in making of photo from Steven Sodenbergh's The Knick. It will work for some hours, longer if you construct an insulation box from foam which i talked earlier.
Hope you find something helpful here and good luck!