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Ryan Fleet

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About Ryan Fleet

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  • Birthday 01/15/1991

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  • My Gear
    Bolex Rex 4
  • Specialties
    Video Editor - Colorist

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  1. My Sony A7siii Pre-Order came through finally but I can't keep it. I opened it up and looked at the new menu layout shot some video clips and then put back in box, didn't shoot any photos and then I reset camera to factory settings. I didn't use anything other than the camera since I had extra Sony batteries from my A7iii. Everything is as it arrived brand new and it's ready to ship this morning. Purchased from B&H. Google drive link to photos let me know if you want more - https://drive.google.com/drive/folders/1MheZQsnPtvXtbVl-_l2oBxpr-bZqs2FB?usp=sharing
  2. I also have a Fotodiox pro Canon FD to C mount adapter that I will throw in too.
  3. SOLD - Kern Switar 1.6/10mm H16 RX C Mount Still for sale is.... - Bolex rex 4 (Serviced by Du-All Camera in 2018) - 1550 Pelican Case (Currently Stored in this case) - x2 100' rolls of Kodak 500t stored in freezer for 12 months (still in my freezer) NEW PRICE FOR EVERYTHING IS $1,650 + Shipping
  4. Selling my Bolex Rex 4 that I purchased from Du-All in 2018. The camera was fully serviced by the Du-All team and put up for sale by them and I bought it from them. Since purchased I've shot 500ft of film through it. All of which can be seen at the links below. I've ran into no issues with this camera but just don't shoot with it so I'm looking to sell. Selling everything below for $1,900+ Shipping (I'll ship it anywhere) - Bolex rex 4 (Serviced by Du-All Camera in 2018) - Kern Switar 1.6/10mm H16 RX C Mount - 1550 Pelican Case (Currently Stored in this case) - x2 100'
  5. Selling a mint condition professionally serviced Cine-mod with aperture declicked and metabones speedbooster compatible Zeiss Contax 35-70 F3.4 MMJ Lens. eBay Link - https://www.ebay.com/itm/153897713507?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 Used this lens entirely for this styled wedding - BMPCC 4K + Metabones Speedbooster XL And then also used it on this styled wedding (everything except the gimbal wide shots) BMPCC 4K + Metabones Speedbooster XL Serviced by Bernie at Super16inc - $244.69 Simmod EF conversion mount
  6. Selling my Last Kern Switar lens -- I last used this on a Bolex Rex 4 about a year ago to shoot this https://vimeo.com/364691404 It has been sitting unused for about a year in a pelican case. The lens has small dust inside when you shine a light through and the aperture blades are starting to show signs of oil on them other than that it looks good. eBay listing - https://www.ebay.com/itm/153880531794
  7. Mark, Thanks for the link! I’ll buy this and test it out. This set up is for a very specific scenario where I don’t necessarily need the monitor to tilt and I cant use a shoulder rig. I want to keep it really minimal for a travel film. However, I would love to be able to swivel it so i can line it up directly in line with the top handle. This option I’ve actually been eyeing and could work if it doesn’t slip when I put pressure on it. The downfall is it looks like that it’s going to add a decent amount of height to the rig. I just ordered it and I’ll let you know. I wish
  8. I’m sure there is a simple fix to this but I’m having a tough time finding some solutions. I figured someone here could point me in the right direction of some items I haven’t looked at yet. Currently I’m using a double sided 3/8 screw mount to screw into my tilta camera cage handle and then into my VL35 monitor. I’m creating a cheap EVF for my BMPCC 4K camera for another point of contact (see images). It’s super sturdy and works great, however every time I screw it on the monitor ends up facing the wrong way. I have to cycle through a bunch of different screws until one of them kind of g
  9. Great info, I'll look to bring more travel pop up negative fill. I was thinking of throwing one directly over top of the talent and then one on the side to create some shadow then using a really soft light to fill in and maybe add an eye light. I did some digging and I think I found the spot you're talking about. Was it for Vice? Looks like you kept it tight and shallow and then the grade was a little desaturated probably because of the mixed lighting? Thanks Robin, yes, i'm from the US, I'll use 1/60 shutter to be safe!
  10. Thanks for the feedback, very helpful! Max, this is going to end up on their social channels and played at an annual internal conference. I have some Dracast Daylight LED panels I'll bring one of them with a soft-box, gels, and V mount to Power. I'll have some negative fill and bounce on hand. Most of these stores are in a mall setting with no windows so that is my biggest concern. It may or may not be that big of a deal because generally malls have giant windows on the roof that by placing the subject closer to the store opening I should be able to get some of that daylight coming i
  11. I'm shooting some retail interior store interviews during store hours. Most are located inside store malls. I'm told I can't disrupt traffic in the store so turning off some of the lights might not be an option. I'll be shooting with two Sony A7sii and some Zeiss Milvus lenses. 25, 35, 50, 85 F1.4 Trying to figure out what I can pack for lighting that I can easily travel with and fly with - with a solo crew. Keeping a small footprint in the store is going to be some what important. The stores are not going to be the giant stores like a Macy's or Jc Penney's. I'm told it will be a sm
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