Alexander Boyd

Hi y'all, I'm shooting a performance on both 35mm film (500T, pushed 1) and digitally. I'm looking for suggestions on what digital camera would be the best/easiest to match to the film footage. I'm leaning towards the Alexa 35 or Mini, but curious to hear your thoughts. Since the whole performance will be cut down to about 5 minutes, I'm also considering having the digital footage printed on 35mm and re-scanned. The same lenses will be used on both cameras. Thank you in advance for sharing your thoughts!

still available. Located in LA, asking $3500 obo. recent pictures can be found here: https://losangeles.craigslist.org/lac/pho/d/los-angeles-bolex-h16-rex-with-13x/7839014484.html

SOLD.

SOLD.

I‘m selling a total of 14 cans (250ft each, making it a total of 3,500ft) of Kodak Vision3 5219 500T. These short ends come from a production earlier this year and were stored in a fridge ever since. Price: $125/can (250ft) or $1500 for all 14 cans (3,500ft) Pickup in LA or shipping within US. Feel free to get in touch with any questions. Private sale.

I‘m selling a total of 14 cans (250ft each, making it a total of 3,500ft) of Kodak Vision3 5219 500T. These short ends come from a production earlier this year and were stored in a fridge ever since. Price: $150/can (250ft). A total of 14 cans is available. Willing to give a discount if you buy several cans. Pickup in LA or shipping within US. Feel free to get in touch with any questions. Private sale.

Still looking? I have 14 cans (each is 250ft) of Vision3 500T 5219: https://losangeles.craigslist.org/lac/ele/d/los-angeles-kodak-vision-35mm-short/7830488650.html

still available: https://losangeles.craigslist.org/lac/ele/d/los-angeles-canon-1014-xl-super8-camera/7830352836.html

still available.

Yeah I doubt that that'd be a realistic solution, both in terms of time and money.

Thanks Robin. The more accurate and closer to the 3perf S35 1.78 GG that we used on the 235 the better of course. But I don’t think such a GG exists for 2C cameras? And yes, the 2C we‘re using is S35.

Hi y'all, I shot 95% of a project on a 235 in 3perf S35. For the last 5%, really just pick-ups, we're using an Arri 2C camera set up in 4perf S35. What would be the best way to frame for the smaller 3perf S35 image while shooting on 4perf S35? I don't think a 3perf GG for the 2C exists? Is there an GG or aspect ratio close enough that could be used to guesstimate the 3perf f35 frame? Thanks in advance for sharing your thoughts!

Looking for a place - preferably in Europe - that would service and calibrate a Sekonic L-758 Cine meter. Nothing wrong with it, but could use a service/calibration after several years of usage. Thanks in advance for any tips or suggestions.

This is amazing, thank you so much Simon. I was actually considering sending the camera to you, but it looks like you no longer take in cameras for this year anymore?

I'm looking for some guidance/tips on how to adjust the shutter and pulldown timing on a Bolex REX 5. Running it via the motor, once I let go of the run-/start-button the shutter stops in an open position (fully retracted), leaving the negative exposed. I did the test often mentioned here, marking the film and moving it manually. Film does not move, hence shutter and pulldown seem to be in synch relatively to each other. But would be nice to learn how to adjust the pulldown timing too, just in case. Thank you in advance for your help!