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Stephen Perera

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Everything posted by Stephen Perera

  1. No problem.....so it will take just one major director/DP to use it in a big film and it will start selling 'properly' I assume.....
  2. no worries thats sufficient and thanks for your time Im sure many people here will find this interesting.....
  3. well I think it looks great - notwithstanding the way YouTube tries to 'correct' film grain etc - it bodes well that we have an alternative to Kodak out there albeit I can only go to 16mm format (one man band) thus this test for me is simply my subjective appreciation.....perhaps you could make the footage available or visible in a way that none of these platforms screw with it? Vimeo perhaps?
  4. would be great if anyone have any more photos or whatever to add to this thread of perhaps stuff they have done themselves...thanks to everyone for the message much obliged
  5. I have no idea nor can imagine anything of what you have just said hahaha...but I am sure its accurate and correct and I thank you for your message
  6. ...and this is when making the contact print to project right? so like colour grading before computers.....
  7. Hi all, obviously, as a 'nobody' in this world my experience in motion picture film is simply that it's scanned once processed for me......in stills I shoot, process film and print myself in the darkroom if I want or else scan the negatives but I really dont know much about what the 'printer lights' system, can someone give us the definitive 'printer lights' for dummies guide in this thread complete with images or videos or whatever? Is it kind of like printing colour in the darkroom where you adjust the RGB 'filters' on the enlarger...for example, setting it at 70 yellow, 50 magenta and 0 cyan.
  8. hey Mark great you're not pissed off I posted this for you in here haha thanks man. Also glad Cinelab is your lab with Sonji, Aarti and the gang doing their thing for you.
  9. interesting! anyway I don't know if Mark Wiggins is in this forum...would be great to have him come on. As for price (in 16mm) it's ball park Vision3 500T so....but the texture looks great in that clip he posted
  10. https://www.orwo.shop/products/orwo-nc500-colour-cine-35mm After 50 years, Orwo has finally returned with a colour cine stock to take your productions to the next realm of adventure. Proudly still produced in Bitterfeld-Wolfen on the original site where film manufacture has been a tradition since 1910, our new NC500 Colour Cine stock allows for DOPs, Directors and Post-Productionist alike to create a versatile range of looks and provide a clear blank canvas for anyone to build any story upon. With a lack of Remjet layer, you can now also rely on any form of processing, whether it be ECN2 or C41 making your productions faster, reliable and greener! We are not trying to imitate current stocks available on the market, we are creating an alternative, something with different characteristics and a different palette. Additional Information Film Type: Colour Negative Film Development: ECN2 & C41 ASA: 400 Reel Lengths: 100ft & 400ft
  11. Hi all, came across this. I hope Mark is around and he can share more interesting facts etc
  12. It's a great idea to record the camera rolling.....ingenious really for us down here at the one man band end of things!
  13. Not started yet thanks for the input appreciate all comments from everyone other than why shoot film haha as that is blasphemy to my ears hahaha come on sense of humour time please
  14. Tyler, is that DaVinci Resolve full version or the free one can do that too?
  15. ahh great I will look into that thank you very much
  16. thanks Tyler will watch that piece as I did at the time when you first started helping me getting my Aaton back working with your battery adapter which you 3D printed, not forgetting the 'perfect loop' as well I got from you.
  17. Go for it Jon, film is king, always.....thanks for commenting
  18. excellent advice thank you, I had not thought about recording the Aaton only in the room to 'profile' it.....can you explain how this is done?
  19. My raison d'ĂȘtre is to shoot on film amigo.....36 years shooting film and counting (photographic mostly of course). Im shooting a guy who makes guitars for a living he's not an actor nor am I asking him to act so its a different set of rules I apply to this in my mind, I can do plenty of 1 takes for sure
  20. Thanks for all the advice....yes it's simply me all the way through so I will go for announcing the take before rolling that way I save film and don't have to shoot a slate. I'm shooting a luthier making a guitar not playing it til later prob at the very end when it's ready...... I'm having a guitar made by hand by a luthier as a family heirloom that I want to pass down hopefully to inspire a grandchild to play it and at the same time see ME in the process via this short film or whatever it turns out to be! The funny thing is I can't play for sh*t and my sons are too young (20 and 22) and don't even have girlfriends at the moment so it's hopefully still a long time away Hahaha..... I met this luthier busking in Gibraltar some time ago and I invited him to play in my home in a get together with some friends and he played this guitar he made by hand which was beautiful and that sparked off the idea
  21. ......thanks Mark yeah a handclap is what I was thinking of cos I don't have film to burn, I will prob shoot a ratio of 1:1 mostly and maybe 2:1 if I change angles for the same given the person is not 'acting' but Im shooting him doing his thing...the mic tapped with a pencil is a great idea haha
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