Damon Hoydysh

I am seeking a Zeiss 50mm T1.3 Distagon T* in Arri B-mount. The glass should be clean, with no haze, cleaning marks, or fungus. Should say FOR SUPER 16 on the lens mount. I am only looking for a good specimen.

I have several Schneider-Kreuznach Xenon and Zeiss Planars that need some love—all Arri-standard mount primes. The focus is stiff when mounted to the camera. If you are a tech or know someone who can work on these lenses, please reach out. Or any recco's greatly appreciated. Thanks in advance, Damon

I just sent you a PM.

Thanks - just sent you a PM.

Interested in any lens 10mm and wider for my Arrriflex 16 pkg. That includes a 10mm. Any make and model, as long as it is Arri Standard mount, or B-mount, or adaptable to either. Please let me know if you have anything to sell me. Thanks, Damon

Kodak sells 100 ft rolls of 35mm color negative - they do require a few weeks of lead time - and that could be much longer now that the supply chain is strained. Not sure if they offer Ektachrome in 100ft, but it might be worth asking if you're not in a rush.

Looking for a 3-perf movement for this camera. Thanks in advance.

Would like to buy a Cooke 20-60m T3.1. Please send me an PM if you have one for sale. Thanks, Damon

Looking for a Tobin motor for a H16 Rex-5 Bolex. Please send me a PM. Thanks, Damon Hoydysh

I'm interested in your ARRI S-3 Shoulder Rig. Please let PM if you still have it. Thanks, Damon

Bolex 400 ft mag for sale. This is just the mag on it's own, no motor and no rollers. It's my spare that I'm not using, so I'm selling. It's in excellent working condition. $225 - buyer pays shipping. I'm located in NYC (Chelsea) if you want to stop by. Thanks, Damon

I found a mag & motor. Thanks!

I'm looking for a working Bolex 400ft mag w/ motor for a Rex-5. If you need to sell, please contact me. Thanks, Damon

I would like to shoot a timelapse of a building going up in Manhattan, and I'm looking for some technical consultation. Does anyone have any experience shooting a timelapse that takes place over a 6month period. I'm thinking that I would use a still camera - with a timelpase function. How many frames per day would be adequate? Construction goes from about 7am until 4pm everyday so I would need the shots during this time period, daily, for 6months. Any advice would be greatly appreciated. Thanks, Damon Hoydysh http://www.highlinestudios.com

They used the following cameras: Aaton Minima, the Aaton Super in Super 16mm and the Arricam LT on 35mm. Everything was shot on Kodak film. Great performances and great cinematography.