
Charles Cadkin
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About Charles Cadkin
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Rank
Profile Information
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Occupation
Cinematographer
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Location
Chicago, IL
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My Gear
Aaton XTR
Recent Profile Visitors
2432 profile views
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I would prefer not to. I imagine it would be too costly.
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Still for sale. Hoping to sell for $200 + shipping.
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Charles Cadkin started following 2 perf and S16, FS Expired 16mm Film, XTR Plus Full Frame Inching Shutter Speed and 4 others
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Selling the following sealed film, stored in a cool closet. Expiration dates unknown. (4) 100' daylight spools of Kodak EXR 200T 7293 (2) 100' daylight spools of Kodak Plus-X Negative Film 7231 (1) 100' daylight spool of Kodak Ektachrome High Speed Daylight Film 7251 Photos Please make offers. Willing to split the film up but would prefer to sell everything to one person.
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Never mind, I found my answer. For those who are curious, I believe the shutter speed is 1/4 second.
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I'm beginning to work on a project shooting individual frames with my XTR Plus using the inching button on the handle and I'm wondering what the shutter speed is every time you inch the film? At first I assumed that it may be 1/48 but now I'm wondering if it is slower than that because the camera takes time to get up to speed. Is there any information on what the shutter might be or if it is consistent every time you inch the film?
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XTR Plus Viewfinder Image is Flipped 90 Degrees
Charles Cadkin replied to Charles Cadkin's topic in Aaton
Thanks for the help, Tyler. That was exactly the problem. I honestly have no idea how it happened because I never took the eye piece off and the pin isn't broken, but it must have slipped into a different position at some point. Anyway, if it happens again I'll know what to do. -
I have a potentially stupid question with hopefully an easy answer that I'm just overlooking. I haven't used my XTR in a few months and when I last used it, it was completely fine. However, I recently took it out to shoot and looked through the viewfinder to see that the ground glass with all frame lines as well as the image that I was seeing were flipped 90 degrees. I've linked to some images to show what it looks like to look through the viewfinder. It doesn't look like anything has broken or that the ground glass has slipped. I tried adjusting the viewing horizon, which only moves t
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Lens Model: Rokinon Cine 85mm T1.5 (Canon EF mount) Lens Body Condition: The 85mm has some really slight tension to the focus ring in the middle range that prevents it from smoothly turning from around 2 feet to 6 feet. Otherwise, focus rings and aperture rings turn extremely smoothly. Lens Glass Condition: Great, no problems. Sale Includes: Lenses and lens hood Price: 85mm - $260 + PP fees & shipping (or best offer) Payments Accepted: PayPal Possible Trades: None Shipping Methods Available (Ships From): USPS Shipping Available To: Continental US Item l
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Looking for a used Canon C100 with the dual pixel af update. US based.
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Person to Person, which comes out in about a week and stars Michael Cera and Abbi Jacobson, was shot on Super 16 - http://www.imdb.com/title/tt5247026/
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Aaton Mount to Nikon or Arri Adapter
Charles Cadkin replied to Charles Cadkin's topic in Cine Marketplace
PM'd you -
Exposing Sound Negative In Camera??
Charles Cadkin replied to Sundar Raghavan's topic in Film Stocks & Processing
Any idea where to get 400' lengths of 3378 or similar hi con film? Kodak sells in a minimum of 2000' and I no longer have the resources to spool down that much film. -
Exposing Sound Negative In Camera??
Charles Cadkin replied to Sundar Raghavan's topic in Film Stocks & Processing
Perfect, that's just what I was looking for. Thank you! -
Based on my limited experience and self-taught knowledge, I've always used normal black and white still photography chemicals (d76 developer, kodak fixer, water for a stop bath). The method that I've always done is to go into a darkroom and pull the film out of the Super 8 cartridge (or I think you can open it or break it open to avoid scratching the film, but I've never done this as you're going to scratch it anyway) and then you take your big jumbled mess of film that you've pulled out and put it into your developing tank. You then develop the film fairly normally, like you would black and w
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