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Daniel Anthony Porto

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About Daniel Anthony Porto

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  1. recently re-scanned in 4K and re-edited. film is king konvas 1m kodak 5218 short ends MiniDV aswell ๐Ÿ™‚
  2. Cool. I guess my original wording of โ€˜handcrankโ€™ doesnโ€™t quite reflect to how longer exposures at lower frame rates looks. Iโ€™m just excited that I am understanding camera techniques more and will be able to implement these concepts into creatively expressing a script ๐Ÿ™‚
  3. Thanks everyone Iโ€™m starting to understand more ๐Ÿ™‚ the time base you capture at is so so so crucial.... check this To further illustrate... 3fps played back at 24fps : https://youtu.be/rlHX4nyid-Y And 3fps played blacked at 3fps: https://youtu.be/DPYXTrx1-68 Very interesting you truly do learn something new everyday ๐Ÿ™‚
  4. ok.... correct my understanding if I am wrong but if you shoot at 1fps the camera will capture that one frame for the whole 1 second, and 24fps will do exactly the same but capture 24 frames in 1 second.
  5. Hmmm still don't entirely understand. But basically when comparing capturing and projecting at 24fps for one shot and capturing and projecting at 25fps for the other, there is not going to be much difference, correct?
  6. Hey Im an old member that cant log into his account... Excuse my ignorance but can anyone explain the maths behind this number in terms of flicker? In particular I want to know how you can get .3 of a frame... how can you capture anything but a whole frame? Wanting to do a speed ramp most probably with a 435 and RCU but if there are any digital options :p
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