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Antoine Pret

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  1. Can confirm that Emil's matte boxes are great!!
  2. Well that would be a very misleading info coming from them, I guess it covers in the viewfinder but does not translate to real frame size. The 17 -68 and 17,5 -70 are S16 for sure, I shot with them. I also heard about a 0.7x Angénieux Wide attachement that makes them around 12.5 - 49mm ! Visual products claims it's S16. https://visualproducts.com/product/angenieux-17-5-70mm-t2-5-wide-angle-zoom-lens/ Just found one of those 0.7x for sale so I'll definitely try it.
  3. Just got an email response from the guys at Du-All saying that it covers super16 on their Bolex. Don't know what to believe now ahah
  4. Hello, Has anyone ever used this lens with a super 16 camera ? Is it S16 safe or will it vignette ? Thanks !
  5. anyone ?
  6. Hi, If anyone can tell me what camera/lens this was shot on. I'm thinking about old P2 Panasonic cameras like the HVX200 but well graded to film like look. Could also be another digital camera with a S16 zoom.... My guess is as good as yours.
  7. You can try to shoot 2 perf 35mm and crop it to 1:66:1. The negative size gets closer to S16, yet you can use S35 lenses. That's what was done one Sick of Myself by DP Benjamin Loeb. https://www.afcinema.com/Benjamin-Loeb-FNF-discusses-the-making-of-Sick-of-Myself-by-Kristoffer-Borgli.html?lang=en Look for images of the film, It might be closer to what you are looking for.
  8. Mainly looking at the Harrison pup tent for loading s16 mags only, might consider a bag if I can't find one !
  9. Hi, I'm looking for a used Harrison Film Changing tent, small size is ok as long as it's a tent and not a bag. Preferably located in Europe/UK. Thank you !
  10. Here's the setup I came up with :
  11. Thank you for the infos Tyler !
  12. We had a Rainbow III to be exact, and really it was not very useful- very very grainy and was just draining the batteries more than anything. The videotap was the one included with the Xtera (Aaton VHR 16 I think it's called), I just checked the manual and it says that the connector on the tap is a BNC analog video output yep. Not even sure about this, because the output is only BNC, and on the TVlogic monitors the 720P has the YUV inputs, the 1080p only has SDI but handles SD-SDI. My understanding of BNC / SDI is that BNC is the type of connector and SDI is the video signal. So I thought that a BNC composite would just be a SD-SDI, but I guess it's not the case. I saw a bunch of ARRI SR/416 that used the TVLOGIC monitors (720p I think), I don't know how the videotaps are made on these cameras, but that's the kind of setup I'd like to do next time I get to shoot on a camera like this. So I guess for the Xtera it would need a converted BNC composite to SD-SDI or YUV but I'm not even sure this is possible ?
  13. Bumping this, I used a transvideo on a old video tap that came with a Xtera which was terrible, I wanted to know if a model like the TV Logic VFM-055A ( the 1080p version of the 720p Tvlogic 5,6). It has no YUV but it is noted in the spec sheets that it supports SD-SDI ( SMPTE 125 480i (59.94) and ITU-R BT.656 576i (50) ). Anyone can confirm that this should work ? Thanks
  14. Do you have any footage with the lens ? At what focal lenght does it starts to vignette ? Thanks
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