Borja Llorens

Already resolved my problem and have been happily shooting with the camera since then. I took it to the masters of System Grip Madrid. Their diagnose was that the whole movement was not moving smooth and it was dropping the frame rate between 24 and 25, this variation of time was causing the frame to overexpose. At the beginning i thought it was the an alimentation problem, but that was not the cause. They opened the camera and cleaned the whole movement system and after turning it on the movement was not even starting, that made the guy realize that it was a motor problem, the motor had lost power and efficiency after being 15 years on a shelf. Luckily the guys had some other Arri IIIs in the place, and they replaced me the whole motor. After that the camera has been working perfectly, ive shot 4, 5 projects since. Movement Motor down left

Bump to 16.000 Eur

Hello, i have one i am looking to sell! But it is located in Spain

Bump 17.500 Eur

Selling a set of four Zeiss Standard Prime 2.1, lenses 16mm, 24mm, 32mm and 50mm. With and old case included. Got a revision here in System Grip Madrid, and have been used recently a couple times, they work perfectly. Located at the moment in Barcelona, Spain. But i can ship them here in Europe. Priced at 19,500 Eur. Here is a link to some pictures of the lenses. https://drive.google.com/drive/folders/1aX6kXelMjIUWCXw3sHoST8GZJjrG2ehs?usp=sharing

I have managed to get some 35mm Fujifilm Eterna Vivid 160 (8543) supposedly well refrigerated and stored. I will be doing soon a proper test but i would like to know what things should i be aware off and what things should i test. I will be doing exterior and interior test with tungsten and daylight and sub and over exposing the film from -3 up to +3, and also using a color chart. What else could i try to have a rigorous test? I have also read the problems of getting rid off the remjet during fujifilm processing but this is another chapter. I will be sharing here the results after the test! Thanks in advance.

Hello fellow cinematographers, i am looking to buy a single Zeiss Standard Prime 85mm or a 100mm T2.1. Any information get in touch with me!

I just recently got an old Arriflex III 35mm camera without Crystal Sync Base and got a flickering problem on most of the footage. Before buying it i rolled some film to test it, connecting the camera to the domestic current, with an electric conversor (which right know i dont know what voltage outputs). After the test, i went out to film a project, plugging the camera to a 14.4V Vlock battery, with the 4 pin XLR connector, apparently the camera was working and sounded allright, but i got a red dot on the viewfinder all the time. And when i got thhe footage i had this non-constant flicker, which seems a problem related to the voltage and the power of the camera motor. I heard a 16V ground battery could do better to the camera. What could have been the problem? Should i get a Crystal sync base, or it is not related to this problem? Thanks. https://vimeo.com/739738366/c36e2b67e8

A week ago we released this shortfilm we shot on just one day on location, filmed near Barcelona on Spain. We were using a Ronin 2 with an Arri SR3, with 50D stock on exteriors and 200T on the interiors. The sequence soon inside the locker room was illuminated with mirrors and one big Nanlite source, and some Nanlite led tubes on the showers. Looking for constructive Criticism! Thanks!