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$22,000 $27,000 w/ Lens Hello, Bought an XTR Prod from Visual Products back in May. Did not get any use out of it with the strike. It was purchased and has sat in its case. Looking to recoup some of the funds spent. It has been fully serviced by VP and not used since. I also have a Canon 8mm-64mm Hurt Locker Zoom that I can bundle in as the case contains a spot for it. Here is a link to the Sharegrid listing. Price isn’t updated. It is $22,000. Cheers! Aaton XTR Prod w/ PL Mount (2) Custom Flight Cases (1) 1.78 Viewing Screen (1) Visual Products HD Color Tap (3) 400’ DX Magazines (3) 12v Onboard Battery and Abel Charger (1) Walnut Handgrip and Cable (2) Standard 15mm Steel Rods (2) Short 15mm Steel Rods

Zeiss Superspeed Mark ii 16mm lens set includes four focal lengths - 9.5mm, 12mm, 16mm and 25mm. Please note the 16mm has some light internal haze beginning, this can be cleaned by a lens tech during service. The set is in great cosmetic condition and elements are free from scratches or chips. I can provide them with serviced for €12k, $13k or £10k. or without service and then buyer can take to their own lens tech for €10.5k, $11.4k or £9k lenses are in London, uk.

Hello Everyone, Well last year I was selling a bunch of gear before moving to South America. Some of it never sold and I'm back in the States for a short visit and still need to go ahead and try to get rid of it instead of letting it sit in my storage unit. I need to have all this sold before May 12th. I've tried to price them as low as I can to get rid of them quickly. There is some wiggle room for some of the more expensive items. Reasonable deals can be made if buying several items. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories - $800 + $50 shipping It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp - $400 + $50 shipping 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. If you want to buy the Arriflex SR16 and the Sound Blimp together - $1000 + $100 shipping https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-sale-arri I also have some items for the Bolex Rex5 & Rex4: Bolex Rex 5 Film Magazines - $250 + $40 for shipping You can own two film magazines for your Bolex Rex 5 including a leather sound cover and vintage carrying case today! These film magazines allow you to use 400' rolls of 16mm film with your Bolex Rex 5. They are in good condition and work great. *Note the grey & color cards and scrims in the pictures are not included. https://www.etsy.com/listing/287265553/bolex-film-magazines-sale-16mm-film Sound Blimp for a Bolex Rex 4 - $200 + $40 shipping You can own a custom made sound blimp for your Bolex Rex 4 today! It reduces the noise made by the Rex 4 to near zero. There is a non-crystal sync motor inside that works. Only a Bolex Rex 4 will fit inside this housing. A replacement rubber collar is needed for the power cable to seal it in the opening. Front glass is cracked (not shown in the photos) and will need to be replaced. https://www.etsy.com/listing/273635904/bolex-sound-blimp-sale-custom-16mm-film Shipping costs listed are for buyers in the lower 48 states. I know many of you may be in other countries and as long as we can work out shipping costs, I will ship to most counties if using Etsy to pay. You must cover the full cost of shipping. If in doubt, please ask. Thanks. Shipping for heavy items will be done via Amtrak: Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy. If you don't want to pay through Etsy, and you want the item(s) shipped to one of the lower 48 states, I can accept payments via Stripe as well. Billing and shipping addresses must be the same. Please feel free to ask me if you have any questions about any of these items and I will answer as best I can.

Hello Everyone, I'm back from South America and need to sell my Arriflex 16SR camera with the Arri Talbot sound blimp by December 20th. Shipping is FREE. I can only ship to the lower 48 states. Shipping will be done via Amtrak (so you must be close to an Amtrak station or willing to travel to the closest one). Amtrak is a great, safe way to ship heavy items. You can pay by credit card or Paypal through Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound Please feel free to ask me if you have any questions about any of these items and I will answer as best I can. There are no shipping costs for local pickup in Valrico, Florida. Arriflex 16SR + Accessories It works fine and it works great with the blimp below. I bought this used from a dealer. The viewfinder is clear with no yellowing. The camera runs smoothly. 1 - Arriflex 16SR 16mm motion picture camera 1 - Eyepiece with eye cup 2 - 400' cartridges 1 - Battery Adapter 1 - Power cable 1 - Power adapter for plugging the camera into an outlet, NO LENSES ARE INCLUDED. ARRI BAYONET MOUNT. THIS IS NOT A SUPER 16 CAMERA. Arri Talbot SR Sound Blimp 1 - Arri Talbot SR Sound Blimp with connector cables inside I'm selling a very unique Arri Talbot Sound Blimp for the Arriflex 16SR camera. It reduces the noise level to absolute ZERO! When the camera is inside, you plug in the wires and you are able to completely control the camera from the buttons on the outside of the blimp. The blimp also has rails on the front. I've never seen one of these anywhere else. It's extremely heavy so you'll have to use it on a heavy duty tripod. These two items are being sold together. You can view and buy on Etsy: https://www.etsy.com/listing/195118392/arriflex-16mm-film-camera-arri-sound

Hi I wonder if you can help me. I have the original Arriflex shoulder rig for my Arriflex SB 16mm camera, but it's missing the pistol grip that allows the camera to attach to it. Any ideas what I could use as an alternative? Those original pistol grips are very difficult to come by but maybe there's a modern equivalent I could use instead? Any suggestions much appreciated. Here's an example of the shoulder rig with pistol grip attached: https://www.ebay.co.uk/itm/325520570202?hash=item4bca89b75a:g:cAQAAOSweBlj22bg&amdata=enc%3AAQAHAAAAoJUg8RoNr0CWLuMmY%2BKA7vzslBLbAtGykJI7EZS%2FkMMivYiFf2TApXx6R1Lkwju61PtPmE1HkGS9INUxaDEBI96m9SHeLhH3hFz9husxVGOAVDEj6HrBxLFhxrxKjmGT5ULn62yjfQKaoLKezA%2FXbb2PoYUkiJRVmfqX7drl2m5jTcIajaFvdh9HKR3xcnMEn4NUrfFi8ktxfTHwLlNVgCU%3D|tkp%3ABk9SR7Lop-fNYQ

There were a few threads on widescreen 16mm that had it individually brought up with links to defunct websites that supposedly had more information, but I want it for here, does anyone have any information on the 16mm anamorphic process known as tronchet scope, like what gear was involved? I know it was a system based on an anamorphic adapter placed in front of primes on a 16mm camera and that it was used on a few movies back in the day like Lucile Hadžihalilović's "La Bouche De Jean-Pierre" or "Jean Pierre's Mouth", Gaspar Noe's "Seul Contre Tous" or "I Stand Alone", and Carlos Reygadas's "Japòn". If anyone has any other information on this system please drop it here.

Hi! I'm graduating high school this year, and I'm eager to learn as much as I can about shooting on 16 and 35mm because that is what I what to specialize in as a DP. Instead of studying film in university, I have decided to take the alternative route of technical skill based learning. Some of the information on these forums is outdated, so what are current running workshops, courses, artist residences, and programs that teach 16mm and analog cinematography? I have experience with teaching myself how to shoot 16mm on a Bolex through YouTube videos, but I would like better professional knowledge that goes more in depth than my online research ever could. I would like to know of any programs out there, whether they are academically or non-academically based.

275 feet for $1600+! Anything vintage L.A. / Bevery Hills / CA related can go for big $$. Same with films of vintage Times Square showing the porn industry back in the day. (1970s) A film student died and left a small outtake 16mm reel of vintage Times Square and it went for about $1400. Apparently, L.A. had a Beverycrest sign in the hills, along with Hollywoodland sign, that was later shortened to Hollywood. L.A. used to have tons of storybook roofs, fairytale roofs, textured roofs, 3D roofs, Hansel & Gretel roofs around town. They had lots of names for them. This is not a great example of the textured roof design, but it reminded me of them. These are what the roofs looked like. This one just off of the Miracle Mile in 2012, near where I grew up. They usually were built up with asphalt shingles. This one was out of wood. I guess people will be going to metal roofs once CA can bans all fossil fuels. Only problem is metal roofs use a rubber membrane underneath...and it is made from crude oil as well! Photo: DDTJR Well, some rich person or institution picked it up. It could also have gone to a stock footage company that sell it to you by the second. Point is, you and me will probably never see much, if any of it. I've closed down my film Archive more or less. Not having any luck raising $ to buy a half-ass scanner, so no use adding more fuel to the fire. But if something comes up that is cheap and would make a good addition to the film Archive, I will try to pick it up. IIn the last year I've only bought a handful of films. I bid on this one, but $88.93 didn't go far in bidding. Most 16mm home movies can be bought for $15 - $35...unless the film nuts get a hard-on for it, like this one. This is the most expensive home movie I've ever seen on eBay. <><><><> Publicity photo Wolfman Jack ~ 'American Graffiti' 1973 DDTJRAC Wolfman Jack Archive.

I've got a few photography related 16mm films in the Archive. One is a fantastic 16mm salesman's reel on flash photography. (non-Kodak.) This one on paper looks interesting. Hopefully it has some of the paper coating production. It will be a long time before it ever gets scanned. You know the story with trying to get a scanner. Some samples from the Kodak paper film... photos: eBay <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

$63.5k 1x ARRI 416 Plus Body brand new and never used bought directly from Arri 1x Arri IVS 3x 400ft Magazine 1x ELOKUVAKNOEPAJA Gold Mount Battery Plate W/ Built In Wicam Analog – HD Video Converter 1x ELOKUVAKNOEPAJA Top Plate, side plate and Top Handle. 1x Arri Rubber Eyecup 1x Eyepiece Extension 1x Dovetail 1x ARRI LWS-5 1x ARRI BP-10 1x SRB-2 1x ARRI 416 Shutter Tool 1 1x Ground Glass 1.78 1x New Custom aluminium case 1x magazine case.

Story of the World's Finest 16mm Movie Camera D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive I've got a ton of books that need to be scanned. Will just put them in this section. Too much work wasting time to see if they get approved to the book section. If they want, they can just move them or put a dupe there. Vast majority are old and deal with vintage subjects. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

I've been a commercial photographer for 25 years, started DP and directing a decade ago, broadcast and streaming commercials, documentary and docu-series working with Arri Alexa, Amira, Red, Sony. A friend picked up this SR2 in Iraq in 2003 from a Brit filmmaker, my friend was there for NatGeo filming. He has a terminal illness and gave me the Arri SR2 w/Angenieux 10-150 and an additional high speed magazine. The SR2 is serial # 63831. I'm planning on filming with it and getting it set up (it needs a new cell or replacement battery - the casing is there but empty inside, just 2 wires). Ideal would be to convert to a V-Mount if possible. And down the road convert to Ultra16 (DeMarco/Aranofsky). I'm curious it has a High Speed magazine, How do I tell if the camera is a High Speed version (10-150fps)? If not can I use the high speed magazine as a standard mag? iPhone snaps attached.

16mm film in early stages of vinegar syndrome. Daniel D. Teoli Jr. Small Gauge Film Archive This post is about various tests I've done over the last 5 years looking to halt the progression of and reverse the degradation of film suffering from Vinegar Syndrome. Vinegar Syndrome (VS) is a big problem with acetate cine' film. Maybe 15% to 20% of my cine' film Archive suffers from it in some form. Heat makes acetate film off-gas acetic acid + no ventilation in the sealed film can, for the acetic acid gas to escape = VS. The films then start to shrink and buckle. They become brittle, emulsion can flake off and in extreme cases solidify into a blob. If you want to allow for ventilation with film storage, get vented film cans. The only surefire way to halt the progression of VS is to vacuum seal the film and freeze it subzero. Photo: D.D. Teoli Jr. Screenshot Google image search: D.D. Teoli Jr. Chest freezers are an economical way to buy freezer space. You can get a 5 cubic foot model for about $180. Or for $800 you can buy one big enough to hold 3 or 4 human bodies. 16mm humidor film can Daniel D. Teoli Jr. Small Gauge Film Archive Back in the day, they had humidor film cans. They had an absorbent material in the center to add water or chemicals to. Originally, they were made for water humidity. Later on, film users used various chemicals to try and preserve the film, such as camphor or from the smell of it, some type of naphthalene. Daniel D. Teoli Jr. Small Gauge Film Archive Vaporate - Peerless Film Treatment was a commercial treatment done to film to protect it from deterioration due to handling. I've only seen one example of Vaporate. That sample showed no deterioration from VS. But, being I've only seen one sample of Vaporate, there was not enough confirmation to draw any conclusions. Vaporate trademark embossed on 16mm film leader Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Small Gauge Film Archive 16mm film with Vaporate film treatment. Daniel D. Teoli Jr. Small Gauge Film Archive To save money, some film collectors made homemade humidor film cans by taping blotter material in the center of the lid. Homemade 16mm humidor film cans. Daniel D. Teoli Jr. Small Gauge Film Archive <><><><> 16mm film in lab can soaking in Vitafilm treatment. Photo: D.D. Teoli Jr. The tests I ran for Vitafilm & Film Renew covered 5 years using Kodachrome and B&W stock suffering from VS. Photo: D.D. Teoli Jr. Here were some of the tests I conducted on 16mm films. All aging was done in a tape sealed film can to maximize absorption and slow the evaporation process. Some films were reverse wound during the soaking and aging process, others were not. Reverse winding didn't make a whole lot of difference once it was returned to normal wind. A few of the tests were not aged and just wiped down after treatment. Most of the testing was done with black and white film stock, although I did test a number of Kodachrome reels suffering from VS to see if there was any difference in results. List of Tests: Generous application of Vitafilm or Film Renew and aged 1 month. Soaked 1 hour in Vitafilm or Film Renew and wiped down. Soaked 1 day in Vitafilm or Film Renew and wiped down. Soaked 1 day in Vitafilm or Film Renew, drip dried and aged 1 month. Soaked 3 days in Vitafilm or Film Renew, drip dried and aged 2 months. Soaked 1 week in Vitafilm or Film Renew, drip dried and aged 3 months. Soaked 1 month in Vitafilm or Film Renew, drip dried and aged 6 months. Soaked 3 months in Vitafilm or Film Renew, drip dried and aged 2 years. Soaked 6 months in Vitafilm, drip dried and aged 4 years. Then it was soaked again for 2 days and aged another year for a total of 5 years aging. (Vitafilm tested only.) Photo: D.D. Teoli Jr. Irrespective of color or black and white film stock, none of the treatments I did fixed the film shrinking and warping. They may have halted the VS decay, but I can't attest to that one way or another, since it will take a few decades to determine if that is the case. The vinegar smell was replaced by a chemical smell and no further deterioration was noticed after the treatment. That is all I can say. Below are the results of the multi-soak 5-year test with Vitafilm. Before treatment Photo: D.D. Teoli Jr. Same film as above after soaking in Vitafilm for 6 months. It was drip dried and aged 4 years. Then it was soaked again for 2 days and aged another year for a total of 5 years aging. Photo: D.D. Teoli Jr. A-D test strips give you an objective method to test for VS. Photo: NYC Department of Records & Information Services Photo used under auspices of Fair Use. Background shows dirt on just a few feet of film using Film Renew as a cleaning agent. Photo: D.D. Teoli Jr. Irrespective of whether there is any halting of the VS from Film Renew or Vitafilm treatments; they both are excellent cleaners and lubricators for film. There is no comparison with the cleaning action you get with slow drying Film Renew compared to a fast-drying cleaner like Edwal that leaves a lot of the dirt behind. Fast drying cleaners evaporate before they get all the dirt. They also do not offer any lubrication if you are projecting a film. I cannot attest to the long-term archival effects of using film cleaners. That will have to be revisited a few decades from now. Photo: D.D. Teoli Jr. <><><><> Camera Store - Glendale, CA Daniel D. Teoli Jr. Archival Collection <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

For Sale : Fuji 35 & 16mm 400ft. stock new & sealed. Stored in a temperature controlled environment. Purchased new in 2011 & 2012.

Aaton A Minima Camera in excellent working condition + Aaton A-Minima Camera + HD tap by Oli Millar 4x 200' mags (2 are brand new) 4x batteries Charger + cables Powerbase + top handle Rods Wooden Handle Custom Pelican Case 20+ 200' Kodak Spools (+ cans) just got it serviced at AM Camera in Los Angeles as of March 2023 Located in Los Angeles

Hi Guys, I own a Krasnogorsk K-3, I purely use it for fun, not professionally. I've put about three rolls through it at this stage, and although I'm happy with the quality of the footage, I notice a large dust build up on all the the footage, as well as some continuous straight scratching on the right side of the film. Have been quoted £400 to have the camera professionally cleaned and serviced, but it's not worth that so I'm not really willing to fork out that much just for a camera that I use for fun. Was wondering if anyone here has experience of cleaning this camera themselves? And if they could give any advice to potentially fixing this at home? I gave the camera a good blow with compressed air, and a little brush the last time I put a roll through it, but still got the recurring issues. Any other help would be massively appreciated! I have attached some images for reference. Best, Jack

Hello all! A few weeks ago, I put my first test roll through my new Bolex EBM camera. Unfortunately, it turned out the shutter and claw system were completely out of sync. I took it upon myself to do the repair as I couldn't not afford to send it for a general overhaul and fix abroad. I've spent many weeks going through the repair manual and reading plenty of helpful posts on this forum, to understand how the system operates before I even try to disassemble it. I got the right tools and after some time, I think I've managed to perfect it. Here are links to some slow mo footage of film passing through the system: https://www.youtube.com/shorts/1zNsxUi_lp0 (the first second when the film is passing through the gate, you can see the film move as the shutter is open, but that's only as the film is not yet engaged with the sprockets and claws, once it engages, it seems to properly stabilise). https://www.youtube.com/shorts/jiuQj3iaar8 I was wondering does this now seem to be properly in sync? Obviously I'll have to have another test roll shot and developed before any conclusions but I was wondering what's your opinion just by looking at the footage above. Many Thanks!

Look at this 16mm print of Taxi Driver that sold on eBay. With shipping and sales tax, it is about $420 for a faded red print. Film collectors would rather project a faded print than watch a restored version on Blu-ray or 4K. Now, I got lots of faded red films. But usually they cost $5 - $20. And the only reason I have them is there are no other options, and they are rare. But I'm talking about short subject films, not feature films that are available on disc. I'm thinking if this was a pristine, grade A color 16mm print it would be $2,000 - $2,500...but just guessing. Full rundown: https://archive.org/search?query=taxi+driver+teoli On the Blu-ray bonus features, Martin Scorsese talked about having to desaturate the blood at the end of Taxi Driver to avoid an X rating. He never did fix it and come out with an uncensored version. Maybe he is waiting until 50th anniversary in 2026. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Hi all! I'm selling my fully functioning Arriflex 16BL with its original lens (Angenieux 12-120mm) and plenty of original accessories. Quite a unique collection of items that include: - 3 400ft magazines (two functioning - one untested) - 1 1000ft coax magazine - Blimp for prime lenses - Minilock for crystal sync (untested - motor in the camera is different) - Two motors (untested, one is 42v for use with power supply) - Camera top handle - Multitude of filters (can provide more details by email) - Plenty of magazine cores for the 400ft plastic cores - Remote control for camera - 4-pin XLR to D-tap for power - Original box - Power supply for 42v motor - Periscope viewfinder for when operating with a shoulder rig Most recently used for a short film that was shot in 2022 and 2023, no issues at all with the camera. Very stable gate, great image. I can ship to UK and maybe EU but collection in London is preferred. This is the eBay link for the camera: https://www.ebay.co.uk/itm/374789398236 There are some pictures on the eBay listing too. Happy to receive offers through eBay or directly on here if you prefer. Sad to see this one go because I really love shooting on the 16BL, but I'm selling it to finance my next short film!

I’m having a problem loading my film. When I load the feed side of the mag and run the film through the take up side, I plug the mag into the camera and do a test run but there’s a bad sound and the film gets spooled up in the feed opening, there’s too much slack that doesn’t go away when winding, and the stock gets punctured. Is there any way to fix this? I changed to a different mag and it’s still a problem.

After seeing some old forum posts talking about creating a DIY video tap for older 16mm cameras, I thought I’d give it a shot. There’s an old thread about exactly the camera I’m using, an Eclair ACL, but the photo of the rig that they posted is no longer on the internet. So I put a super rough $20 thing together (plus an iPhone 8+). You can see it here: https://imgur.com/gallery/aNxfqXV Any suggestions? There are definitely some things that could be improved. It takes a while to set up since it doesn’t want to stay in place unless I use tape. It’d be nice to have a more rigid arm, but I’m not sure I could find one that’s the exact length and angle needed (that’s why I ended up with the “gooseneck”). And for actual shooting I’ll need to make sure that I’ve covered up all possible points where light can come in the viewfinder so it doesn’t cause light leaks.

I entered a local Ministry of Culture visual arts competition a week ago…..and I won the ‘video’ category with this piece (originally just intended as a family heirloom). I re-edited the footage processed for me by Cinelab London in DaVinci Resolve. Not many entries from our 33,000 population, so not exactly a Cannes winning equivalent haha but the prize money will be used to shoot something else on my beloved 16mm film. Watch in 2K if you can. The grain is a bit sludgy no thanks to YouTube…..and no I will not be adding ‘award winning cinematographer’ to my legend hahahaha wtf as if

Survey of expired film prices eBay 2022. Expired 16mm Sealed Film eBay 2022 D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Hello all, I am hoping that someone can answer my questions here. I am planning on shooting a 20 min. narrative short on a BMPCC 4K Cinema Camera. I will be using the BRAW 3:1 at 2.6K in a 16:9 aspect ratio, at 24 FPS. Once it is edited and color corrected and sound design is applied, I will take a digital file and send it to either CineLab in Massachusetts, or Colorlab in Rockville, MD for a filmout negative and a 16mm print. I am thinking that the lab will be able to make a 4:3 squeezed print from the 16:9 image. Is this even possible?

COIFFEUR EXTRAORDINAIRE - WAITING FOR LEGROS teaser: This was a very challenging film project! Three years in the making! How do you bring 1700s France to Colorado? Movie magic, of course... Shot on film with a 16mm Aaton prototype of the Aaton 7 model and with a Double 8mm Keystone K 27 Capri. Film stocks: KODAK 500T 7279, 250D 7205, 500T 7219. We pulled out all the stops to make this film spin-off the BOB: NON-UNION PSYCHIC graphic novel. Many old-school film techniques were used in order to bring Coiffeur Extraordinaire - Waiting for Legros to life: shooting on real film, elaborate costumes, amazing wig constructs, miniatures, paper cutouts, green screen, live action, illustrations, still photography, digital effects, and more. People are asking, "Where do I see the film?" Well, the film has just begun festival submissions, but a private online screener will be available to all those who buy the BOB: NON-UNION PSYCHIC graphic novel. When you purchase the book, paperback or digital, you will receive a GOLDEN TICKET, which will grant you a link and password to watch the film. The screener will be unlocked this Friday at 10:00am Mountain time. Go here to get the book: https://asapimagination.com/collections/bob We can't wait to share this epic short film to our fans and colleagues! Thank you for your support! FILM ROCKS!