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  1. Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small s
  2. Hi im wondering if anyone can answer a question I’ve been pondering, that being...is it possible to change the shutter degree angle on a bolex rex 3?
  3. Hi. I have 2 Arriflex 16BL's (4 mags), and every single time I load film into one, regardless of which magazine I use, this happens. See video posted here.. https://www.youtube.com/watch?v=PmZgD-JbLFI&feature=youtu.be&ab_channel=BrendanCollins Anyone have any idea? Motor seems to slow down with film as well, runs at normal speed when no mag is on the camera. Occasionally will run film just fine without this grinding noise. Both cameras do it. Never have had a problem before. I took the assembly out and I don't see any stripped or worn gears internally... SOS Thanks
  4. Hey everyone, I'm looking for old, expired 400' rolls of 16mm that I can use to practice loading. I'm planning to start shooting 16mm more seriously and don't want to have to worry about potentially wasting brand new film while I familiarize myself with the process. Thanks!
  5. Hello everyone, I am seeking for examples of filter use on 16 mm, anything from glimmer, black promist to effect filters (stars ...etc) will do. If movies also pop in mind don't hesitate 😉 I am in research for an upcoming 16 mm video (dance performance, with natural light) that we'll shot with the aaton xtr , 7219 film, zeiss 12 mm & zeiss zoom 12-120 (by mind). Caméra on dolly or stand, 'black swan' inspired of some sort . Thanks ! Jordan
  6. Hello, I have two zeiss superspeeds MK3 ( s16 ) in fantastic condition. ( 12mm&16mm ) bought them 4719 EUR two years ago. . Willing to sell them for 4100 eur. or 2200/each if bought separately. pm for high resolution pics. Best
  7. I recently got an Aaton LTR 7 serviced and have been practicing loading it and running film through it for a project. It has 2 mags. One of the mags is making a scratching sound and I am not sure what it is. The only difference between the mags is the rubber stoppers on the load in side seem to keep getting ground down everytime I run a roll through the camera on this problematic mag. Is there another reason that the sound could be happening and if not do you know why these are being grounded down? improper loading? The roll maybe has to be completely flat when loading? I'm really not sur
  8. Hey there, I work on 16mm and super 8 film and have a pretty sufficient editing setup in my home studio -- rewinds, splicers, etc. However, I really need to get my hands on a film trim bin (big standing bin on wheels with the muslin bag to catch tails, and rack of pins for organizing clips). I've searched google a million times and can't find any for sale, just posts by filmmakers talking about having one in their studio. I know they have to come from somewhere! I emailed Dwight Cody and he doesn't have any at the moment, though I'll keep checking back. I've been looking for about a year.
  9. Hello, I'm intrigued by the Panavision Elaine 16mm camera which seemed like a good camera that never seems to get used anymore and is largely forgotten. It was introduced in 1987 but the only thing I know was shot with it was some of 'Malcolm In The Middle' back in the 90s. I'm assuming it was used primarily for TV. Has anyone here had any experience with it or used one recently? What are your thoughts on it, what was it like to use? Kind regards - Aren
  10. Anyone have any Arri Ultra Super 16 Primes they can sell? Please send pricing and details to sales@broadcastsolutions.com.
  11. Complete Cinema Products CP-16R Camera Package. Reflex standard 16mm body with 1.33:1 ground glass and mattes. New belts, runs great! Angenieux 12-120 zoom lens with some filters 2 400ft Magazines 2 batteries (only one works) and 2 chargers This is a great sync-sound camera as a starter kit for someone who maybe can't afford an SR. The only thing it really needs is new batteries, as the stock ones are pretty bad. Everything else works great and with a lens, it's a hard to pass up deal at $1500.
  12. Yesterday I shot my first ever roll in my new Eclair NPR. It was a 400' roll of 50d, a short skit with some friends. It was really fun shooting with it and the camera was great to use, I'll remember this first roll. What were your first experiences with the Eclair NPR? What did you shoot? How did it go?
  13. Eclair ACL Super 16mm Camera with Zeiss 10-100mm lens and Bescor 12v li-ion bat. Condition is "Used" French made, the better of the models, with Bescor 12v XLR battery, recently serviced and converted by Les Bosher to super 16m looking for offers around £2300, open to conversation, if bought outside of ebay. Eclair ACL converted to super 16mm by Les Bosher, recently serviced, variable speed motor and rotating eye peice, and handle. Fully working XLR power input 2x 400ft french made magazine recently servi
  14. Hi, I've worked mainly 7222 with self processing(D76/Dektol), now I wonder what type of film can be used for print stock. I've read from the list of motion film, Kodak 7202/7203 is used for BW print stock. But when I check from resellers 7202 is colour negative film. So I am bit confused now, is anyone could recommend suitable print stock for projection? What I want to try here exactly is, I want to make positive duplicate from my negative which is possible to project. I guess slower film(lower ISO) would fit for duplication and control the contrast, it seems really hard to find p
  15. Hi everyone, I recently bought a very early Eclair NPR from France, serial no 199. The lens turret on it is a c-mount on both bottom and top mounts which is quite uncommon. Does anybody know where I could get a turret that has the Cameflex mount or know someone who might have one or a parts camera that I could have one off? Kind regards Aren
  16. Shot my first short film this last Summer. It took two and a half days and went really really well + the weather was excellent! Editing took a while as my experience is very limited, but learned a lot from it 🙂 Hope you all enjoy it! (Shot with my Eclair ACL and on Eastman Kodak Double X 7222 film)
  17. I recently got an old CP-16A and am trying to restore it to working condition however it has one problem. When I plug it in to ac and run it nothing happens. If I leave the run button on for several minutes it will eventually start to run but very slowly. After a few more minutes it will start to run faster but never reaches sync speed (the red light is always on). If at any point I turn the run switch off the process starts back from the beginning. The power supply is good, it's giving off 20 vdc at 3 amps and I tested the camera with another power supply alligator clipped to the battery term
  18. I'm looking to purchase a Bolex 16mm non-reflex camera, that takes single perf film (serial numbers above 76471). I'm in Spain, if anyone in Europe has this type of Bolex available for sale. Thanks!!
  19. Anyone interested in buying these machines. I never use them anymore and since the cameras stopped working I haven't been able to put the time or money into getting them up and running again. Comes with everything you need besides the camera's to transfer your 8mm/super 8 and 16mm films to digital. If anyone's interested I can take some pictures. Thanks! - Hunter
  20. I've ordered a Bolex REX 3 and I am so excited! I've also gotten a Sekonic L398, so I've really got the cliche film student package, haha. Honestly, the simplicity/limitations of the tools is what I find inspiring and fun. A few things I'm still trying to grasp: - Shutter angle: When to adjust and how, for effect or utility - Aperture: How to compensate for the viewfinder? - In what situations is it practical to push or pull the film more than an aesthetic choice? - common pitfalls to avoid? - best places to buy film stock? - Is using a digital camera for re
  21. Hey there. Question pertaining to an Arri SR2 and the Cinematography Electronics Precision Speed Control 2. I’ve got the Precision Speed Control 2 hooked up to my SR2 and set to 24fps. When I run the camera, there’s a bit of a clanking sound and it sputters around 10fps for about 5secs, then ramps up to 40fps for about 5secs, then ramps back down to around 10fps. All in all, pretty out of control. As I’ve messed with it, it has hit 24fps for a sec, then starts running wild. I ran the camera without the Speed Control and it ran smooth. Two questions.
  22. Hello, I have 3 packages of 16mm cameras to sell. They are supposed to be sold as a sets, but I will also consider offers if someone would like to buy a lens or camera separately. Cameras are located in Warsaw, Poland. SET NR 1: 1. Camera: - Bolex EBM Super16 2. Lenses: (all those lenses were serviced, lubricated and collimated. All covers Super16 format) - Kern Vario Switar POE 16-100mm F/1.9 - Switar 10mm f/1.6 - Switar 16mm f/1.8 - Switar 25mm f/1.4 3. Accessories: - 2x 400ft mags and 1x MM motor for 400ft mag - Battery charger - Power gri
  23. Hey there. Got a question regarding an SR2 and low frame rates. I own an SR2 with a speed control. I know at 24fps it's 180 degrees or about 1/50th of a second. If I change the fps on the speed control, to say 12fps, does the camera stay fixed at 1/50th or is it locked on 180 degrees and result in 1/24th a second? Hopefully that makes sense. Thanks!
  24. Just want to know for sure while I’m planning a project. Can I switch lens (in daylight) while in the middle of a 16mm 400’ roll? My camera, an Eclair ACL, doesn’t have a multi-turret design. Does the shutter protect the rest of the roll (as long as the camera isn’t running)?
  25. Hi Group, I've just joined. I recently bought an Arri S 16mm on ebay. The camera has come from Italy and used to belong to RAI in Rome (Italian Public Broadcasting), which may explain some of the quirks; I live in the UK by the way. My intention is to use it to make a short 16mm film later in the year. Before that though, I need to get it working and to run a test film through it. Hopefully you'll be able to help me. I have included photos of all the issues raised below. I've attached all relevant photos. The camera came with two battery packs that don't work - the elements need chan
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