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Found 3 results

  1. Digital cameras can do some amazing things nowadays considering where they were just even five years ago. One thing I sometimes struggle to understand is how these newer cameras with 13+ stops of dynamic range are actually quantizing that information in the camera body. One thing we know from linear A-to-D quantization is that your dynamic range is a function of the number of bits of the converter chip. A 14-bit ADC can store, at best (and ignoring noise for the moment), 14 stops of dynamic range. However, when we do introduce noise into the mix (sensor, transfer charge, ADC, etc.) and
  2. Good afternoon, I currently studying (BSc) Film Production Technology and am writing a media technology report on sensors and cameras systems specifically looking at how full-frame sensors/camera systems perform better than cropped sensors in minimal light. The idea I was wondering people had some views on is whether “camera manufactures say their cameras produce 14-bits, however when you look at their own application notes, performance is shown to have a dynamic range of 1320:1” (Motion Video Productions, 2009) because in reality even an 11-bit camera should produce a dynamic r
  3. Hello. I am recording sound on a Nagra 4.2 for a film. It records on 1/2" tape and is crystal sync'd at 60hz. Being that I need to transfer the tape to digital format and need it to sync up with my 16mm film shot at 24fps and converted to 23.97fps for digital editing I need the analog tapes to be resolved so that there is lip sync. This requires the transfer have a resolver capable of this sync time (54.94hz, slowed down from 60hz). Does anybody happen to know any labs that do this in the US? I appreciate your time
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