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Showing results for tags 'CP-16'.
Found 7 results
Are regular 16mm cameras worth investing in?
Brett Allbritton posted a topic in 16mmI work in TV, so when it comes to 16mm I'm just an enthusiast, and all of my 16mm footage so far has been on my Krasnogorsk-3, which has served me well. Having said that, I would like to eventually shoot some more ambitious projects on film (requiring sound, longer takes, etc), but unfortunately the closest place I could rent a film camera from is about five hours away. Because of this, I occasionally find myself browsing eBay for cameras, and often Regular 16 cameras such as Arri SRs, Aatons, or CP-16s are available. I can't help but wonder how worthwhile buying a Regular 16 camera is though; Super 16 seems to be preferable in every way. I guess Regular 16 is good if you want a 4:3 aspect ratio, but it seems like most people would prefer to shoot Super 16 and crop the sides instead. Likewise, if you wanted a wider aspect ratio, you could crop the top and bottom of your Regular 16 image, but Super 16 would require less cropping and give you a bigger image area. It's also worth noting that many Regular 16 cameras can be converted to Super 16, but for the cost it seems like you might as well have just bought a Super 16 camera in the first place. As I said, I'm not a professional when it comes to film, so I'm not sure if I will ever be able to justify purchasing my own professional-level 16mm camera. However, the (generally) lower cost of Regular 16 cameras does make it a little tempting sometimes. What do you guys think, are Regular 16 cameras worth investing in? Note: Yes, I recognize that both Regular 16 and Super 16 would widely be considered "obsolete" these days, so strictly speaking they probably aren't worth "investing" in. I just mean this in the context of those who enjoy shooting celluloid.
Power supply for CP-16R
Aren Madsen posted a topic in 16mmHi, I have a cinema products CP-16R and I was wondering if it would run off a DC power supply of 19v, 2.5A connected to the battery terminals. I know it's supposed to be 20v but maybe it can still run off of 19v. What are your thoughts? Thanks - Aren
CP-16 Motor Issues
Andrew Brady posted a topic in Cinema ProductsI recently got an old CP-16A and am trying to restore it to working condition however it has one problem. When I plug it in to ac and run it nothing happens. If I leave the run button on for several minutes it will eventually start to run but very slowly. After a few more minutes it will start to run faster but never reaches sync speed (the red light is always on). If at any point I turn the run switch off the process starts back from the beginning. The power supply is good, it's giving off 20 vdc at 3 amps and I tested the camera with another power supply alligator clipped to the battery terminals and got the same results. Any help would be greatly appreciated. I'm trying to repair this myself without having to send it in. I'll link a video where you can see the speed ramping up and down on it's own. At the point I'd taken the video the camera had been powered on about 10 minutes.
Jay Young posted a topic in Cine MarketplaceCP-16R 16mm Cinema Products camera. Its not the best, its not the worst. Its available in a flight case, but I can ship without to save on shipping cost. Includes Angenieux 10-150mm zoom in CP mount. Includes Arri B-mount to CP mount adapter Includes 3 mags Includes AC power cable Includes custom block battery Recent film shot on this camera / lens: https://vimeo.com/222511546 Name a fair price. I would love to get $600 shipped, open to offers.
What is causing light streaks?
Omar Lopex posted a topic in General DiscussionHi, not sure what forum this belongs in. I did a very short camera test for my CP-16R. I have a CP-16A which I've shot with and never had problems, but I bought this R model to use prime lenses on it instead of the standard angenieux. I have the bow-tie or butterfly model that is infamous for light streaks in the upper right corner, so I was testing for that. It doesn't look like I got any of the streaks people associate with this model (maybe I didn't have bright enough subject matter in the upper corners?) but... there is a subtle (but constant) flicker in the center of the frame. It looks like what might happen when you take your eye away from the viewfinder, but a camera operator of mine made that mistake once last year and I since then I always make sure to keep my eye firm against the viewfinder. Wondering if it could be because I shot at 12FPS (to save film stock and development/telecine $$)? I did forget to tell the lab that I shot in the slower frame rate. Could that affect the way they telecined it and caused flicker during telecine that aren't on my negative? I remember when I tried to DIY telecine some Super 8 footage at home by removing my DSLR's lens and projecting straight onto the sensor, the image was great but I ended up with white streaks and flicker every 4-6 frames, and I guessed it was because the projector was old and I couldn't get an exact frame rate out of it (adjusting the frame rate knob would worsen or better the light streaks). Or is it more likely a light leak somewhere? If it's a light leak could I solve this problem by enclosing the camera in a dark bag during filming (which could also act as a second sound blimp anyways)? I'm going to run another camera test before I start principle fotography, but wanted some advice on what to try and change for the second test. Here is a link to the video of the test: https://vimeo.com/226261458 Any help/input is appreciated. -Omar Lopex ana-film.com
Cinema Products Charger NCC-6
Daniel Peebles posted a topic in Cine MarketplaceHi, I'm looking for a Cinema Products NCC6 battery charger for my CP GSMO 16mm camera. I know Whitehouse sells them but I'm wondering if anyone may have one available to sell. Thanks.
CP-16 sound camera and maintenance
stephen solar posted a topic in Cinema ProductsSo I was looking at !6mm cameras and wondering, what am I getting myself into with one of these, a CP-16 camera. I know it was a professional piece of film gear for news organizations and probably need all kinds of extras, also what are the chances of some catastrophic failure on these old film cameras. I've got a canon AZ super 8 and it's time for an upgrade. I think I'd like a 16mm, preferably crystal synced. Any suggestions or opinions would be appreciated.