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  1. hi ppl ! Kindly give me 30 secs of ur time and tell me what u think of my movie teaser ! shot on RED as well as ALEXA. graded on Davinci resolve. and made with lot of love !!! http://www.youtube.com/watch?v=2uI9TbmqvvU
  2. Hello there, I am a freshmen undergrad in film school and recently got the position to work as a DIT and editor on an upcoming short. The short is a collaborative effort of one of our school clubs where we managed to get together to funds to shoot with an epic. During the shoot, which is coming up this spring, I am to apprentice a professional DIT and learn the ropes. Eventually taking over once I am comfortable with the procedures and so forth. I am also going to be grading and editing the RAW footage. So prior to when my apprenticeship begins I would like to have a firm knowledge of wha
  3. I am color grading Red epic footage and was looking for the best workflow option since time remapping (slowing down/speeding up clips) is needed for some of the clips. I know the current Davinci Resolve 9 does not accept xml files with time remapping done in premiere. Storage space and time is not the biggest issue for me. Im more concerned with getting the best color grade and highest quality image from my camera since im going to be integrating VFx work and green screen for some of the clips.
  4. coming to houston for a music video shoot coming up on the 26th and 27th of this month (may). looking for a 2nd AC to help me out as im by myself as of now. looking like a clapper/loader situation. coming out of LA. shooting red Epic, panavision package, c-series anamorphics. Let me know!!! also could use a camera cart... stevetw103@gmail.com
  5. Hi. Most of my narrative films are shot on RED camera┬┤s. I have a job where we might shoot on Arri Alexa camera. I heart that post production and color correction is easier with Alexa. Any in here with great experience with the Alexa workflow:-)? Best, Henrik A. Meyer. www.henrikameyer.com
  6. Hi, I have a couple of questions for our next (student) short we will be shooting in the first half of April. At first we wanted to go 16mm (anamorphic), but it's quiet expensive for us. And wide angle anamorphic is a problem with 16mm. We're still thinking about it though. But it's probably going to be the digital way. Now the short is about half and half daylight and nighttime. Probably a bit more at daylight. We're thinking about renting a Red-epic since it's a lot cheaper (than an Alexa). But I'm a bit "scared" for the nighttime shots with the epic. We will be passing neon street
  7. CANON 11.5-138mm T/2.5 ZOOM CINEMA LENS SUPER 16 PL for sale ONE OF THE BEST SUPER16 ZOOM LENSES AROUND. SUPERB CONDITIONS. PERFECT GLASS. SMOOTH FOCUS. NEVER RENTED. Lens: 11.5-138 Canon T-Stop: 2.5 Mount: PL Min. Focus: 3ft. 6in. Weight (lbs): 3.75 Front Dia.: 95mm PL Mount. Perfect for Arri and Aaton super16 cameras and digital cinema cameras with sensor size up to Super16 .It works on RED cameras if these are used in 2K resolution (I personally shot a music video in this way and the images looked great). It should be perfect for the new Digital Super16 cameras
  8. http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=300860063669 SMALL HD DP-4 EVF - GRAB A BARGAIN! - USED FOR ONLY 2 PROJECTS - COST $599.00 + I HAD TO PAY HEFTY DELIVERY AND IMPORT TAX. FULL PACKAGE INCLUDING CANON BATTERY PLATE AND AAA BATTERY PLATE. CONDITION IS LIKE NEW.
  9. I'm shooting a short period drama in February 2013 in Thurso, Scotland. This is right at the top of the country! I was wondering whether anyone could give me some advice on shooting in such cold conditions. General tips/lessons learned/ dos and donts. I've never shot anything in sub zero temperatures and gale force winds - the last thing I want is to be losing/ breaking a HMI or camera. Just want to be really prepared so any advice would be greatly appreciated. Thanks, Dan
  10. Hi all, this is the international trailer to my first theatrically released feature film Bela Kiss: Prologue. It currently runs in German theaters. http://www.bela-kiss.com/#en_trailer Staring Kristina Klebe and Rudolf Martin, it was shot mainly on location in Germany, using a Red One camera with Zeiss High Speed lenses. The "found footage" sequences are shot on 16mm black and white reversal with a Bolex H16. It was an independent production with a fairly low budget. Please feel free to comment. Sven
  11. I am a low budget Indie Film Maker. Please advice 1. Which HD Camera - ARRIE or RED or Panasonic etc gives the BEST RESOLUTION? 2. For screening in a Theatre which uses Film prints what is the most cost effective way to print films to show in theatre screen Your help in explaining the process is highly appreciated
  12. The quick release bridgeplate is compatible with Arri camera's (like the alexa) and the Red One. It goes for 299 euros. For the Red Scarlet and Epic you need an additional bottom plate. For the Arri Alexa you need the plate that already comes with the camera. You can also use it as a more heavy weight rods system for your big zoom lenzes on the Canon C300. For this several options are available. Just ask if you want to know more. I also have 12" Rods 19mm that go for 25 euros each. Have a look at my website www.petergosens.com to for more info.
  13. I have an opportunity to pick up a clean set of these 5 lenses for $12.8K for use with my Sony PMW F3. I know they are external focusing and even the focus ring moves forward, as well as being big beasts. Great bokeh and no breathing that I can see. But the price seems very interesting. Any other opinions ? Trying to see if it would be wiser to go with either Duclos Zeiss ZF.2's or Compact Primes instead, as I own a Canon 5D Mark III and often have shoots where we are mixing RED, my Sony PMW F3 and DSLR's. One thing purchasing would mean, would be to find a more solid follow focus
  14. Has anyone had trouble using either the Sonnett PCIe Thunderbolt Expansion Chasis or the Magma Thunderbolt Expansion Chasis with a Red Rocket installed?? I am running 10.7.4 Lion, so the OS is not the issue. I get incredibly unpredictable behavior, such as drives ejecting out of nowhere, drives going bad randomly, transcodes failing, and other strange things. I think it may have to do with the newness of Thunderbolt, mixed with high bandwidth processing. Advice? Ideas? Cheers, Joe
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