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Mag is in beautiful condition, serviced by Andree Martin at AM Camera. One of the cleanest SR3 mags I've encountered, with only minor cosmetic blemishes on the exterior. Mag has been used on a project this past week and works perfectly. Selling this mag because I have 4 total with my SR3 package and don't have a need for a fourth. Pickup in LA preferred but willing to ship. $1000 Photos: https://drive.google.com/drive/folders/1FQkf0rpufyD6I2uV0rgARU7xGfSymo9T?usp=sharing

Hello, I just got the results from a camera test and I'm a bit puzzled about the format test. The camera assistant shot a 1.66 reference but in the result the limits are way too close to the edge. As you can see in the image attached, the top limit is even outside the film frame! I've done this test before so I know how it should look like and I'm also sure the test was done properly. My question is if anyone has experienced something similar before or has any idea what might be causing this? The camera is an Arri SR3. Thanks!

For details email sales@broadcastsolutions.com SR3 Advanced Camera SN 4142, finder, right on/off handgrip, TV/1.78 ground glass, Gold Mount Battery Bracket (NEW) Arri SR3 IVS video assist (SD) SN 5064, power cable Arri SR3 FE-4 extension viewfinder SN 1294 SR3 400' time-code mag SN 3543, cover SR3 400' time-code mag SN 3549, cover SR3 400' time-code mag SN 3645, cover Heated Arri 3-position eye piece w/2 cables SR-3 shoulder pad 2x SR3 Black Battery Cables ARRI SR3 LW15mm rods ARRI BP6 19mm Baseplate ARRI Dovetail 24v on-board battery # 1 SN 4329 24v on-board battery # 2 SN 3711 24v on-board battery # 3 SN 4094 ARRI dual on-board battery charger SN 1070 Assorted SR3 Ground Glasses, various formats The complete system (Body, Mags, IVS) was overhauled in 12/19 but it has not been used since this.

Arriflex SR3 Advance HS Kit Includes: 2x HS magazines (not 3*) 1x Arri right handgrip with start/stop trigger 1x Arri Finder Extension 4 (FE-4) 1x Eyecup 1x Standard Arri SR3 Viewfinder 1x CEI Video Assist NTSC 2x 15mm rods 2x Arri SR3 on board batteries (need re-celling) 2x Battery charger (One original Arri) The camera has been checked and it's in standard working condition but film hasn't been shot in a while. Pictures & video here attached: https://www.dropbox.com/sh/pceyqyto5qfrbjc/AADhZLqtR1cz9yyztsfKBD-ja?dl=0 Camera Located in Milan, Italy & can be shipped internationally. Selling Price: 8K€ Equiries at studio@nicoloterraneo.it

Hello everyone, Is there someone that knows where to get a clean ground glass (no cross hair) for the arriflex sr3? I know it's pretty rare but asking never costs anything. Thank you!

hello interested in buying SUPER16 FILM CAMERA AND ACESSORIES: Arri SR3 or Arriflex 416 Zeiss MK2 or MK3 Super Speed S16 lens set (9.5, 12, 16, 25, 50mm) or similar located in EU/Czech republic and partialy LA or OREGON. You can text/call me at +420777174155 (imessage, whatsapp), text me on facebook "Martin vonkuttenberg Klimpar" or mail me at klimpar@vonkuttenberg.com. Thanks!

Hey guys! Looking to buy a standard 16mm or Super 16 kit. With or without lens. Budget of around $5k Shoot me a PM if you have anything available.

I bought this ARRI SR3 Super16 camera at the end of 2015 in the Visual Products eBay Store, it is an excellent acquisition, the camera is fully functional and ready to shoot. I use it in 2 shorts and everything is great, I love this camera and I do not want to sell it but I need the money for other projects. Arriflex SR3A Camera Package Package Includes: Arriflex SR3A (Advanced) Camera Body (with port cover) PL Lens Mount (centered for Super 16) 1:78 HDTV Groundglass (3) 400' Magazines IVS Flicker-Free Video Tap Arri RCU-1 with Cable SRIII Eyepiece Arri FE-4 Eyepiece Extension Arri EL-2 Eyepiece Leveling Rod Arri BP-7 Studio Sliding 15mm Baseplate with (2) rods Arri Sliding Dovetail Arri DC/DC-2 24/12 volt Splitter w/ Right Side Camera Run Switch Arri Right Handgrip with Camera Run Swtich (2) Freshly RECELLED Arri Onboard Battery Onboard Battery Adapter (1) Arri Dual 24-Volt Battery Charger (1) Fitted Pelican Camera Case with wheels and slide-out handle (1) Fitted Magazine Case ARRIFLEX 16SR3 FEATURES: The ARRIFLEX 16SR3 Camera System is designed to meet all modern film production requirements. The Integrated Video System (IVS) offers maximum video quality. With its off-set PL lens mount it is easy to change the recording format from Regular 16 to Super 16. Format Normal 16 / Super 16: The format change from normal 16 to super 16 is fast and simple. With the off-set design of the PL-mount, the center of the image is precisely adapted to the format required. This guarantees optimum lens performance for Super 16. To convert the universal film gate only a small change is necessary. There is no need for a new film gate, which also leaves the original adjustments untouched. Fiber optic screens with all common markings and format combinations can be interchanged. Control Panel with LCD-Display: A large LCD-display on the left camera side clearly shows information of all adjusted settings. Below the display, a control panel is integrated offering simple and precise access to the most essential camera functions. Arri SR 16mm cameras are world-renown for their rugged reliability and time-tested performance. Arriflex SR cameras set the standard for a small, lightweight, flexible 16mm camera. From the introduction of the first SR camera in 1975 to the current day, no other 16mm camera has been used to shoot more documentaries, commercials, feature films and television programming than the Arriflex SR line of cameras. ARRIFLEX SR3A Details : The ARRIFLEX 16 SR3 Advanced incorporates all the elements of the ARRIFLEX SR3 with the enhanced features of a brighter viewfinder with ARRIGLOW, a modified gate design that makes the format change from Standard 16 to Super 16 fast and simple, a control panel with LCD display and Time Code. CAMERA SPECS: Frames per second capability: 5 to 75 fps (crystal accurate to 0.001fps) Shutter: 180°, 172,8°, 144°, 135°, 90°, 45° Film format: Super 16 mm, conforming to DIN 15602 and ISO-5768-1998 Lens mount: 54 mm stainless steel PL mount Sound: 20 dB(A) + 2 dB(A); Viewfinder magnification: 10 x (10/17 times with viewfinder extension) Dimensions: L 264 mm B 172 mm H 195 mm (viewfinder in horizontal position) L 264 mm B 100 mm H 298 mm (viewfinder in vertical position) Weight: app. 7 kg (15.4 lbs) with loaded 400 ft magazine and on-board battery 24 V Power Requirement: 24 V Temperature range: -20°C to +50°C (+4°F to +122°F) Product Description:This is a very complete Arri SR3 package with many accessories not found in many SR3 kits. It is a turn-key system that will arrive READY TO WORK!! A lessor, "bargain" camera that fails on a shoot (when time truly is money) can be the hardest way to learn the old adage: "Sometimes cheap is expensive." Actual camera and accessories shown. Any item not pictured will not be included.

Just completed post on my first feature, "The Eastsider" (www.theeastsidermovie.com), a comedy/drama set in suburban Detroit. Shot it on Kodak 7222 with the Arri SR3, an amazing camera. Nothing will ever beat the look of celluloid. Here is the trailer (contains coarse language): I'm putting this thread in the "in production" section, since I don't even have a festival premiere date yet (not sure if this thread belongs elsewhere).

Arri SR3 16mm Film Camera Package Available - located in Seattle, Washington. Arri SR3 Camera Package Please contact me with any questions 206.605.0510. Roland Morgan

hey everyone, here is my latest work, shot on 16mm film stock and arri sr3 film camera: https://vimeo.com/62775779 please check and tell me what you think ;)

I'm a film student currently in pre-production for my first 16mm film. We have three rolls of film stock, and can choose from 50T, 250D, 250T and 500D We have three different aesthetics: One indoor scene in a swimming pool, where we will hopefully have 3/4 natural light and I'm hoping we will be able to use 250D Kodak stock, using only natural light. Two outdoor scenes (although in the English countryside, in May) in one of which we are hoping to acheieve a look similar to 70s photographs of Californian swimming pools, such as http://www.latimes.com/features/home/la-hm-backyard-oasis-photos,0,7657842.photogallery?index=la-hm-backyard-oasis-photos-002 while in the other, we are hoping to acheieve a colder 90s style such as this film demonstrates: http://vimeopro.com/yvonlambert/sallatykka/video/40155357 Sorry for the very long post, but does anybody maybe have some advice on which film stock to use? We are using the Arri SR3 and have access to 'basic filters' Thanks!

I'm looking to buy a super 16 package in great condition and working order, any one of the following camera kits would be amazing - AATON XTR PROD or XTERRA or ARRI SR3 or ARRI 416. I need the kit to be usable straight away once a lens is added - so no spares or repairs. If anyone knows of any for sale please let me know, other s16 kits considered as well as long as they are ready to shoot once a lens is added. I'm working on a small budget. Thanks, Ian