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My name is Jamila J. Brown and I'm a screenwriter looking for a cinematographer to bring my short film to life. The film is called "Gofish" and it's about an intercultural friendship between a black and Jewish girl take place in Crown heights, Brooklyn shortly after the riot of 1991. If you're interested in being apart of this project please email me your resume and short clip(if you have) of your work at jamilajjb@gmail.com

RED Camera (Scarlet-X) Camera Package W/ Lenses. ( not insurance necessary ) Hello, I'm a Cinematographer / AC based out of LA and I travel anywhere. I want to learn about your project as I look for best ways to contribute. Demo Reel: http://www.usphotograph.com Please Contact via website or Cell: 310-936-619 four Gear: Red Scarlet-X 4K package w / Great lenses $350/Day ( Promotional offer ) I can DP or AC, Day rate $350. ( Promotional offer ) List of gear http://diegotorroija.com/portfolio-2/gear/ Also available, sliders, steady cam, lights, grip gear, sound gear. Clients include: Puma, PGA, Holiday Inn, Orbitz, Intel, Clairol, Rooms To Go, and more , Camera Operator, cinematographer, Videographer, D.I.T, 1st Ac, Red Epic, Red One camera, Red Scarlet music video, shorts, commercial, Feature films, Steadicam, Canon 7D, 5D Mark III, camera slider, Dolly, Red one camera, Red epic, Red scarlet, HMI, Tungsten, Kino Flo, Hvx200, DVX 200, Sony, Canon 7D Canon 5D Dslr Arri fresnel C stands Red Epic Scarlet Dolly camera HD gaffer cinematographer DP, slider zip lights Led lights flat head 80 lights grip flags apple box light stands joker source four Hmi Par mathews dolly Idx V mount batteries HVX 200 tripod fluid head storm case HVX 200 Red One Camera, Designed, Red Charger, Red Monitor Ikan zip lights Arri tube

I've just finished up my second demo reel ever for 2013 and I'd love to get the communities feedback. I'm working more in the direction of narrative and commercial work. Here is my reel: Let me know what you think!

Hello everyone, I'm new to the forum and the search bar wasn't returning anything (or even loading pages for that matter) on what questions I have, and I wasn't sure where else this thread should go... I'm not very forum-savvy. I'm a sophomore currently attending Northern Arizona University majoring in Strategic Communications with an emphasis in advertisement. I've been strongly interested in photography since I was in 8th grade, but did not think that majoring in photography would be such a great idea, so it's my minor.. Anyways, my original major was Electronic Media and Film, but the program here at NAU isn't very good in that aspect, and I've read that majoring in film for an undergrad degree isn't really that relevant in the industry anyways. So my questions are the following; after I get my BA would it be a good move to go somewhere for a masters in cinematography or film, or should I just relocate to a strong "film making city" and begin internships and working on my portfolio (also, how relevant would stills be)? Now I know that making it big, or even at all, in the film industry is not an easy task, but my ultimate admiration is to become, at least, a respected cinematographer. The main question I have is; what should I do after my undergrad?

Looking for an assistant cinematographer to shoot an opening scene of a 20-minutes independent short film. Cinematographer should have a DSLR camera or access to one and necessary gears (tripod, & slider.) Student DP's with experience are most welcomed. No pay, volunteer only. Shooting will be few locations around Manhattan to show NYC as location. Cinematographer’s name will be added to the credits, and will receive a copy of the film. Food and beverages will be provided. Cinematographer will be working with award winning film director and artists.

A sample of some recent work, most shot in HD but also on Super 8 film format, there's even a sequence that used a LomoKino camera. There are also some 3D. https://vimeo.com/77797742

Hi. Now that the Black Magic have been on the market for a while, I would love to hear any experience shooting with this camera? I am going to shoot a short film soon, where this little camera could be very cool to shoot at:-). Thanks, Henrik A. Meyer www.henrikameyer.com

Hey everyone, This may seem like a double post (as I already posted in "Jobs, Resumes and Reels" some time ago) but this one is more about getting a feedback and because I really would like you guys to critique my work and say anything you think about it, good or bad things, I won't be offended no matter what you say. Oh and I also made things easier and embeeded the video below. Enjoy! (or not!) Click "HD" to view a larger version on Vimeo.

(LOS ANGELES, CA) - Cinematographer Robert Yeoman, ASC will headline the annual Kodak Focus program at this year's Los Angeles Film Festival. The intimate conversation will spotlight Yeoman's artistic and technical accomplishments by screening scenes from 35mm prints of Moonrise Kingdom, Drugstore Cowboy and The Royal Tenenbaums. The Kodak Focus takes place on June 16 at 1:10 p.m. at the Regal Cinemas at L.A. Live. The seminar is free with a festival ticket. Yeoman won an Independent Spirit Award for his memorable cinematography on Gus Van Sant's Drugstore Cowboy, and was also nominated for Wes Anderson's Moonrise Kingdom. Yeoman has photographed all of Anderson's live-action features, including Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic With Steve Zissou, The Darjeeling Limited and Moonrise Kingdom. Yeoman also photographed Wes Craven's Red Eye, Roman Coppola's CQ, Noah Baumbach's The Squid and the Whale, Drew Barrymore's Whip It, Paul Feig's Bridesmaids, and the soon-to-be released The Heat. The LAFF festival, which runs June 13-23, celebrates independent and international cinema. This year's festival in downtown Los Angeles will screen a diverse slate of nearly 200 feature films, shorts and music videos, representing more than 40 countries, along with such signature programs as the Filmmaker Retreat, poolside chats, master classes and more. There will also be a number of free community screenings. Kodak's Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Follow us on Facebook (facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm), and YouTube (youtube.com/KodakShootFilm). For more information on LAFF, visit www.lafilmfest.com. # # #

Love his work. The Limey. Erin Brokovich. Good, good stuff. Love this chat too. Really informative.

Kodak Goes Behind-the-Scenes With Acclaimed Cinematographers at Cine Gear Expo; Eric Alan Edwards, Giles Nuttgens and Rachel Morrison Headline Panels LOS ANGELES, May 29, 2013 — Kodak will host two discussions with acclaimed cinematographers at this year’s Cine Gear Expo on the Paramount Lot in Los Angeles. On Friday, May 31, at 5:15 p.m., Kodak will sit down with award-winning cinematographer Giles Nuttgens, BSC for a conversation in the Paramount Theater. On Saturday, June 1, at 11:45 a.m., the “Sundance in Summer” panel will feature Eric Alan Edwards (Lovelace) and Rachel Morrison (Fruitvale Station) in The Sherry Lansing Theater. In a candid conversation, Nuttgens will reveal the thinking behind his extensive body of work -- including the imagery, technology, career choices, and his collaborations. The seminar will offer a glimpse into the mind of one of today's more innovative artists. Nuttgens shot the recently released What Maisie Knew with the directing team Scott McGehee and David Siegel, and Midnight’s Children, based on the best-selling Salman Rushdie novel. Nuttgens’ extensive feature resume also includes Mehta’s elemental trilogy Fire, Earth and Water, which received a 2007 Oscar® nomination for Best Foreign Language Film and earned Nuttgens the 2006 GENIE Award for Best Cinematography. Nuttgens first worked with McGehee and Siegel on The Deep End, a film which earned him the 2001 Sundance Film Festival Award for Best Cinematography, and a nomination in the same category at the 2002 Independent Spirit Awards. His next films include the upcoming features Young Ones and God Help the Girl. Both Edwards and Morrison recently had movies that were stand outs at the Sundance Film Festival. This panel conversation will delve into their creative and budgetary considerations made prior to and during production. The cinematographers will also give the audience behind-the-scenes insight on the collaborations with their directors – Ryan Coogler who took his first turn at the helm on Fruitvale Station; and the dual visionary team on Lovelace comprised of Oscar®-winning director Rob Epstein and Emmy®-nominated Jeffrey Friedman, both with documentary backgrounds. Edwards’ film Lovelace is the story of adult film legend Linda Lovelace, who starred in the 1972 film Deep Throat. The film will hit cinema screens in August. Edwards received an Indie Spirit Award nomination for My Own Private Idaho, and has an eclectic list of credits including Gus Van Sant’s Even Cowgirls Get the Blues, Judd Apatow’s Knocked Up, David Dobkin’s The Change-Up, and the upcoming Delivery Man from director Ken Scott. Morrison lensed Fruitvale Station, which was the winner of both the Audience Award and Grand Jury Prize at the 2013 Sundance Film Festival. Based on real events, the film follows Oscar Grant on the final day of 2008, and his untimely death New Year’s Day at the hands of a transit police officer in Oakland, Calif. The film will be released by The Weinstein Co. on July 26. Morrison’s credits include Palo Alto, CA; and the upcoming thriller The Harvest, among others. Morrison will receive the Kodak Vision Award at the 2013 Women in Film Crystal + Lucy Awards® on June 12. The panel is free with admission to Cine Gear Expo. Advanced registration for the Expo can be done at www.cinegearexpo.com. The website also includes directions and additional information. To learn more about Kodak, visit www.kodak.com/go/motion, or follow Kodak on Facebook at http://www.facebook.com/KodakMotionPictureFilm and Twitter (@Kodak_ShootFilm). (Participants subject to availability.) # About Kodak’s Entertainment Imaging Business Kodak’s Entertainment Imaging business is the world leader in providing motion picture film and imaging products, services, and technology for the professional motion picture and exhibition industries. For more information, visit www.kodak.com/go/motion. Follow us on Facebook (facebook.com/KodakMotionPictureFilm), Twitter (@Kodak_ShootFilm), and YouTube (youtube.com/KodakShootFilm).

CINEMATOGRAPHER wanted for documentary Personal story interviewing family members - friendly interrogation! PAID. First film - yes! low budget, hello, this is a documentary?? But, I believe everbody deserves a wage for services. Will not pay for traveling. Must have experience and own digital camera. Lighting a plus. Sound important. Send a reel if you have one. We'd love to see your talent. For more information email/contact veronicagilmore101@gmail.com I will try to respond to each email. Project - This film captures similar truth/struggle's to Sarah Polleys recent documentary "Stories We Tell", although very different. This is a non fiction story that I own rights to. Subject matter is a love story with layers about family secrets, blended families, reuniting, adoption, adoptee's, politics, secular humanist issues, and the human right to love whom ever we choose to. Today is her Birthday Where are you from Productions Film students encouraged to contact me. Locations for 2013 (general locations) Dates TBD Indian Wells, California Beverly Hills, California Daily City, California San Bruno, California Tallmadge, Ohio (outside of Akron, OH) - if you have minimal experience and live in this area - please contact me ASAP! Sarasota, Florida Please reference which location you are available for and dates you are NOT available for. I realize this can change. My time at each location will be minimal and timing is everthing. We are set to begin filming in the Richmond, Virginia area on May 27th, 2013 with two very Amazing VCU film graduate's. Thank you! I look forward to hearing from you!

CINEMATOGRAPHERwanted for documentary Personal story interviewing family members - friendly interrogation! PAID. First film - yes! low budget, hello, this is a documentary?? But, I believe everbody deserves a wage for services. Will not pay for traveling. Must have experience and own digital camera. Lighting a plus. Sound important. Send a reel if you have one. We'd love to see your talent. For more information email/contact veronicagilmore101@gmail.com I will try to respond to each email. Project - This film captures similar truth/struggle's to Sarah Polleys recent documentary "Stories We Tell", although very different. This is a non fiction story that I own rights to. Subject matter is a love story with layers about family secrets, blended families, reuniting, adoption, adoptee's, politics, secular humanist issues, and the human right to love whom ever we choose to. Today is her Birthday Where are you from Productions Film students encouraged to contact me. Locations for 2013 (general locations) Dates TBD Indian Wells, California Beverly Hills, California Daily City, California San Bruno, California Tallmadge, Ohio (outside of Akron, OH) - if you have minimal experience and live in this area - please contact me ASAP! Sarasota, Florida Please reference which location you are available for and dates you are NOT available for. I realize this can change. My time at each location will be minimal and timing is everthing. We are set to begin filming in the Richmond, Virginia area on May 27th, 2013 with two very Amazing VCU film graduate's. Thank you! I look forward to hearing from you!

Hi, I'm a student from the University of the Arts London. Currently doing an interesting project for Selfridges&Co Concept advertisement film. This 2-3 minutes film will be advertising sportswear, underwear, womenswear, menswear and home products. Brands such as Alexander McQueen, Anglomania, Astley Clarke, B. Tempt’d, Carvela, Donna Karan, Emilio Pucci, Helmut Lang, Louis Vuitton, Maison Martin Margiela, Paul Frank, Saint Laurent, Ted Bakers, Tods, Victoria Beckham, etc. will be included in the ad. I've already recruited a crew for my fashion ad, two models, one male one female, make-up artist, hair stylist and two photographer for additional editorial shoot. Currently trying to find a cinematographer for this video. 1-2 days of shooting only. I will be handling the role as Creative Director, Stylist, Producer and Post-production. If you are interested, please reply asap or contact me via e-mail - jensenhoi@gmail.com Thanks, Jensen Hoi University of the Arts London BA (Hons) Creative Direction for Fashion

Hi. I am going to shoot a short film on Canon 1D C camera. I love Marvel´s cine style set up on the Canon 5D mark III. Is it possible to use the same Marvel´s cine style for the 1D C camera? Or do you recommend another cine style for that camera? I just want to use the best cine style possible so I can do the best color correction in the end. We´re going for the "Amelie" look:-). Best, Henrik A. Meyer www.henrikameyer.com

Hi. I shooting a little narrative film on the Arri Alexa camera. We don´t have the time to shoot a test before we start shooting and I watched some test online about how high you can go with the ISO in the camera in low light locations. Do anyone in here have good experience with the Alexa camera? And how high can I put the cameras ISO with out seeing to much noise in the blacks? Thanks, Henrik www.henrikameyer.com

Hi. I am a new Cinematographer that need your opinion about my showreel/homepage:-). www.henrikameyer.com Best, Henrik A. Meyer

http://about.me/adamlcohen *click on the vimeo or youtube links at the bottom of the page to view my reel. Thank you for your time! Adam Cohen

Hi Im David. Here is my new showreel. And my website with other works. Check it out! http://vimeo.com/user4690595 www.hartungdavid.com

I've just finished my first demo reel online: check it out here I'm looking for feedback on the reel itself and some advice on the industry. I know its hard to share where I'm at, but I'm looking on advice for my next step in the industry. This is my second year out of high school. I choose to not go film school, but right now I'm a little lost in what my next step should be and am second guessing my decision to go to film school. I feel like it would help me out in networking and meeting people. I want to do more dramatic work in short films and music videos. What are your thoughts?