Jose luis villar
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Be careful with the Beaulieu cameras, are excellent machines, but they need to be reviewed normally, I have two and I know what I'm saying.
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Two examples:
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nizo 561 macro + wittner chrome 200D reversal film
Jose luis villar replied to Hugo Alexandre's topic in Super-8
I don't like this emulsion Agfa for S8, believe that its grain and low definition are not appropriate for this format. -
Hi David, this looks very well!!
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Hi, This is a Telecine s8 4k downconvert to 1080p. Film: Kodak Vision3 50 D. Camera: Beaulieu 4008 4K scan: Ocho y Pico.
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"PERPETUUM IMMOBILE" A Fujica ZC1000 short for Halloween
Jose luis villar replied to Marc Marti's topic in Super-8
Marc, excellent sample of the use the s8 today, superb. -
I say it again, in Europe the right choice is to develop ANDEC or Super8 Reversal Lab, in the Netherlands, if it is reversible.
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Btw, why 16.66 fps? For recording with a camera at 50i, this frame rate is needed to avoid flicker.
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This is digitalized with a Panasonic GH2 and a reformed Bauer T502 projector to 16.66 fps. The lens of the gh2 is a macro Sigma 105 - 2.8, and I used the option to cut that has this camera to fill the frame s8. To remove the extra frames and converted to 25 fps, I have used the software P10JMC v8.
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28 days later was shot with this?????
Jose luis villar replied to Hrishikesh Jha's topic in General Discussion
It was shot with a Canon XL1 mini dv, real garbage on a large screen. -
I do not understand all this discussion, if someone wants to picture stability and not want to spend much money, run to buy a Bmpcc.
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Why convert to B/W?
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Flat Applying RGB curves:
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Hi Anthony, David is right, Ochoypico give me a flat telecine and I do the color correction using curves. I don't use the pressure plate with the Canon, did a test and it gave me problems of drag, only used with the Beaulieu.
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I have several shots with 1014xls closed 5.6-8, and are a little sharper but nothing compares to Beaulieu sharp. I think my Canon has a problem.
