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Showing results for tags 'colour'.
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Hi Guys, I am currently on a hunt for great and affordable LED tube light like the quasar science, to enhance music videos and other projects. When I search online for them, they are like £60 for a 4ft one. Does anyone know any websites, stores, rental houses that provide great & affordable LED tube lights, that work well for filming? I'm writing from the London, so I would preferbally would like things that I could buy over here, thank you! Christopher
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Hi everyone, I'm writing a piece on the history of colour correction/grading through the ages and was wondering if any of you have been in the business long enough to have first hand experience of grading with film before it went digital? If any of you have any information about who to talk to or know of anywhere that still processes film (preferably in London), please let me know!
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Hello, I was wondering, how close the Vision 3 films are to each other? Of course the sensitivity and grain differ, but are there much if any differences in terms of colour, contrast and perhaps sharpness too? After all they are being advertised as being intercuttable. If the obvious things like grain are not taken into consideration, would it be impossible to distinguish the different Vision 3 stocks from each other? To a slighty other thing, if the Vision 3 films are very similar, does it make a lot of sense to have 4 stocks that practically look the same? It shouldn't be a big thing
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Minolta Colour Meter 2 for sale - http://www.ebay.co.uk/itm/301985597261?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649
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Hey guys. Currently writing my dissertation for my university degree. I'm writing on the topic of colour in film and to what extent it evokes emotions in the audience. I have discussed a lot to do with both cinematography and production design, mainly the importance of the collaboration between the two roles. A large majority of my essay is currently discussing modern black and white cinema too. I have a few questions relating to my main question. Would be highly appreciate if I could get some answers/opinions on the topic from some of the DOPs in the group. Would love to hear examples of your
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I've got to light a location where a couple of the walls are pastel green - yuck. Effectively you get a green fill light on everything where the direct light is tungsten. Of course if you adjust the white balance to take out the green fill you end up with a horrible magenta look on the direct light and on the cream coloured walls. Any suggestions? Thanks
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Hi guys, Trying to find what works best - to dial the colour temp manually on camera or use a grey card for each lighting condition (custome balance)? I have used both approaches before, my concern is that sometimes the lighting conditions are more complex, like when using combination of tungsten and kino flos, then what temperature do you need to dial? Is it better to balance it on the grey card at the spot where you'll be shooting? Thanks for your help!
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I've notice that in most movies the set designer and DOP seem to choose white shades for practical lamps - presumably to increase exposure and not mess with white balance. So for example, all white lamp shades and then dim down the practical lamp bulbs to create a nice warm tone. Is there any advantage to using a white shade with dimmed bulb to get an orange effect, as opposed to keeping the bulb at full power and using an orange shade (which I guess will give more a colour contrast between diffussed and direct light)? Both would presumably give a warm effect. What about coloured bulbs/glo
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Hey All, I'm shooting a B&W film soon, 35mm. Does anyone know how different colours look in B&W? Is there a website that compares different colours? Thanks!