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I was reading the year 2000 edition of the Kodak cinematography field guide and among the essential supplies for a ditty bag it listed orange sticks, which I believe are thin, 4- or 5-inch long sticks used by manicurists. They have tapered ends. Is that what Kodak is talking about? If so, does anyone know how camera operators and cinematographers used them? Do they have any relevance today?
Hi, I'm having a little research. Usually cinematographers or directors (ask) to use blue tone when lighting night scenes and moonlights effects. I believe it's a creative choice but some would make it their standard. Personally, I don't want to use blue in lighting night/moonlight scenes unless it is a creative decision. I'm discussing about this with some of my friends. I want a little help in finding out the background behind it. Where did the idea came from? Who and what film started it? Any links and information about this? Thanks.
I just bought krasnogorsk-3 and while i'm waiting for it to arrive i started to search for some data about it. To be quick here are the two main questions that i can't find any reliable answer to: 1. When did the production of k3 start and when did it end (- i guess with the collaps of ussr)? 2. Are there any movies that were shot with k3 (- i'll have to wait for a week or two until it arrives from Russia to Croatia, so i would like to watch some movie filmed with k3)? Sorry if there's already a post that answers this questions, i went through a lot of posts about k3 but i c
Hi guys i was wondering if anybody out there could point me in the right direction in finding out about the history of Grips in the film industry ether a book or website or personal knowledge. As i need to find out for my final year university project about grips ( as i would like to pursue a career as a grip when i leave uni) and other crew members who are seen as lower down on the film making hierarchy but are vital to a film set. any help would be appreciated