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Green Giant store-bought red potato vs. home grown farmers' market potato. Both stored in the root cellar for 6 months. Food photos: D.D.Teoli Jr. I got my start in root cellaring from potatoes. Years ago, I discovered that they treated store bought potatoes not to sprout. They may do this from radiation or chemicals. The store-bought potatoes also tasted different than homegrown potatoes. I could only get homegrown potatoes from summer farmers' markets. So, I tried saving some of the homegrown potatoes in the winter. Now, I don't have a traditional root cellar dug into the ground. I don't have any extra room in the ground to dig it. I got a spot in the garage that gets cold, so I use it. It works pretty good as long as it is cold outside. Temperature varies from 38 degrees F to 56 degrees F in the winter. It only lacks the ability for humidity that is important for storing certain things. I'd go in and out of root cellaring over the years depending on what was happening in my life. Covid revived my interest in root cellaring. Back then I could not get out to shop regularly with all the covid mess. Another year I had hurt my plantar fascia doing some spade work. That took a year+ to heal up and that put a crimp on my regular shopping schedule. It is interesting seeing how food ages when stored in the root cellar. If you keep tomatoes long enough, they start to sprout little tomato plants from within. Beets start to grow in the root cellar. So do carrots. A yam from the root cellar. Squash stores the best. This is a squash stored in the root cellar for 1 year. It gets a little hollow inside after a year, but is still doable. Storing it that long is not my goal, I just get some stragglers I don't get to eating. Even though I do lots of cooking, I don't like cooking. It is one of those love / hate things. It comes under the auspices of...if you want something to eat, then you are going to have to cook something. Most of these people show in the photos are called rehabilitation borrowers. Being an archivist and interested in history I went back in time to see how the old timers did their root cellaring. I learned a lot of things about that era. I will tell you more about it at the end. All photos: LoC All the root cellars I saw use glass jars for canning. This gal must have had an actual canning machine. Can't ask her, she is dead now. That is why we preserve history. Root cellars were built above ground sometimes. If the water table was high or your land had shallow bedrock you built above ground. They would store fermented kraut or pickles in the crocks along with fresh fruit, vegetables, eggs, milk / dairy, lard, canned goods and homemade wine in the cellar. Some people would also store smoked meats. Crock kraut and pickles is different than canned kraut or pickles. Canning with heat and vinegar kills any benefit from fermentation. This setup raised humidity in the cellar. A fan was used to blow air though wet material in the box. Cooperage was a big deal back then. They didn't have plastic, you either used glass, ceramic or wood barrels and crates to store things. Here is a film about the cooper. The Cooper's Craft Williamsburg 1967 VHS D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive This family lived in the cellar. The house burned down and all they had left was the cellar. Some people were very tight on space. Kids made toys out of all sorts of things. My dad said his family gave him an empty can to play with. Blacks were some heavy-duty canners! Some people stored meat in the cellar. Cold storage coops were formed where you could rent a cold storage locker. But that is a different post. This lady has some nice shelving. If you were poor, you stored it on the floor of the cellar. She had to go outside for food and water. (Maybe to poop as well...dunno.) He had to keep the root cellar entrance clean of snow for access and to keep water from melting snow from getting into the cellar. You would have to sort through the food to make sure you didn't have any rotted items that would spread through the food and ruin it. The long, straight squash are Banana squash. Very good cooked as chunks and sautéed in olive oil and garlic. In L.A. they are sold in slabs. Too big for most people to buy. I never knew why they were sold in slabs when growing up. Then I saw what they looked like once I saw some in the Rustbelt. But in the Rustbelt, they are sold as gourd decorations in the Fall. I know what they are, so I buy them for eating. Other than decorations sold at one store, you can't buy Banana squash here. Rehabilitation clients were visited by gov inspectors to make sure they abided by the lending agreement. A more modern-day cellar. Here is the scoop from AI on root cellaring from the late 1930's. A rehabilitation borrower in 1939 was a low-income or struggling farm family who received supervised, low-interest loans from the Farm Security Administration (FSA) to become self-sustaining during the Great Depression. These borrowers were often victims of foreclosure, drought, or falling prices, and they received not just funds for seeds, tools, and livestock, but also direct guidance on modern, efficient farming techniques to "rehabilitate" their financial position. Key aspects of a 1939 rehabilitation borrower included: Supervised Credit: Loans were provided based on careful planning with FSA agents to ensure the family could repay, while also covering necessities like food, clothing, and health. Purpose: The funds aimed to help farmers move away from dependence on relief and become self-supporting. Resettlement: Some borrowers were assisted in relocating to more productive land. Eligibility: These were farmers who had fallen behind due to the Depression and could not secure credit from standard, commercial banks. By 1939, this program was a core part of the New Deal's effort to stabilize the agricultural sector by providing a lifeline to, as some reports indicated, nearly 95,000 farm families for debt adjustments. Rehabilitation borrowers under the Farm Security Administration (FSA) and related federal programs in the late 1930s were strongly encouraged, and in some cases required, to construct root cellars as part of their efforts to become self-sufficient. Goal of Self-Sufficiency: The rehabilitation loans, which grew out of the Resettlement Administration and then the FSA (1937), were designed to help low-income farmers survive the Great Depression and Dust Bowl by promoting home food preservation. Alternative to Refrigeration: In 1939, when most farms lacked electricity for refrigeration, root cellars were vital for storing produce like potatoes, onions, and canned goods over the winter. Agency Guidance: FSA agents and Home Management supervisors, who closely monitored the borrowers' farm and home plans, provided technical advice and blueprints for constructing these "dugouts" or root cellars. Specific Contexts: Similar programs, such as those overseen by the Bureau of Indian Affairs (BIA), specifically provided loans and grants to enable borrowers to "construct or repair houses, barns, outbuildings and root cellars". These structures sometimes doubled as storm cellars or "fraidy holes" in regions prone to severe weather. Families who received grants or loans under the Farm Security Administration (FSA) rural rehabilitation program in the late 1930s, including around 1939, were generally expected to preserve eighty (80) quarts of canned food per person. Goal: This requirement was part of a broader effort to ensure food security for farm families, aiming for self-sufficiency to last through the winter months. Requirements: In addition to canning, these rehabilitation plans often required families to build specialized food storage to handle this volume. Scope: This was a significant part of the rehabilitation, aimed at moving families away from a limited diet (often described as "meat, meal, and molasses") to a more sustainable, self-sufficient, and healthy diet. Some broader recommendations during the era, particularly leading into the World War II period, ranged from 85 to 115 quarts of produce per person. Root cellars were often built above ground or partially embanked in 1939 to overcome high water tables, rocky soil, or shallow bedrock that made deep excavation difficult. These structures allowed for crucial, natural, and inexpensive food preservation, using thick walls, soil insulation, and ventilation to maintain cool, humid conditions for storing produce. Key Reasons for Above-Ground Construction: Environmental Constraints: In areas with high water tables, digging deep would result in flooding. Above-ground or "banked" cellars (built into a small slope) provided the necessary cold, humid environment without the risk of water damage. Soil Conditions: Where the bedrock was too close to the surface, digging down was impossible. Construction Ease & Efficiency: They were often easier to build than fully subterranean, allowing farmers to use local materials like rock, timber, and earth to insulate, ensuring temperatures stayed just above freezing to prevent produce from rotting or freezing. Accessibility & Function: Above-ground cellars were easy to access for storing heavy, bulky, or large quantities of produce, such as potatoes, turnips, and apples <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Here is a full-res screenshot of what is offered for a PDF. You never know when you work will be the last extant copy of something for the historical record. If the original is a poor reproduction, then record it in the archives as a low-res original. Sometimes all the archivist has to work with is shit, so then it is not your fault. No one will hold you accountable for doing crappy work. But if you have the control over the end result...don't produce garbage with your archival work. I've surveyed tons of online archives over the years. The vast majority of them produce low-res garbage. It is really sad how most archives are run. Don't sign your name to shit for the historical record. Have some pride in your work. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

They got lots of steam thresher shows around the country. You can see some of the steam shovels in action there. I don't get out much anymore, but I acquired a collection of about 40 steam shovel video shorts while they were in operation. I also acquired about the same number of diesel cable shovel videos. DDTJRAC Steam shovels are the more interesting, but diesel cable shovels are also interesting. They seldom do, but if a catalog of steam shovels comes up for sale, it is $400 - $600, easy. Sometimes lucky pickers find them at yard sales for next to nothing. Steam shovels are a fascinating area for the preservationist to work in. Most of the online video and photos are amateurish and low quality. If you are looking for a photo, cine' film or video project to work on...this would make for a good one. Do you remember what I told you about the importance of projects for the photographer / cinematographer? Find a project to work on and it gives you direction and purpose. Photos: LoC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

When on the incline the steam box was straightened out. That was what I was told anyway. LoC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Arriscan is pretty slow...how long does it take to scan a big film? Scoped screen recording of original on YouTube. It looks like this is how fast it scans. Look at the movement of the core hubs to get a better idea of speed. Just guessing, maybe 1 or 2 frames per second. Is it triple exposure HDR? <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

DDTJRAC https://archive.org/details/trichrome-printing-autotype-carbro-d.-d.-teoli-jr.-a.-c.-22 Carbro was the predecessor of the dye transfer process. I don't have any video on carbro, but here is an old VHS video on the dye transfer process. (In 2 parts) https://archive.org/search?query=bo...er-process-parts-1-5-vhs-d.-d.-teoli-jr.-a.-c. https://archive.org/search?query=bo...r-process-parts-6-11-vhs-d.-d.-teoli-jr.-a.-c. I did some fade tests on a c1940s -1950s carbro print for a year in the sun. But I can't find the other half of the test print. I lost it in the cine' film room. Maybe it will turn up when I clean up the room. From what I recall, carbro didn't fade. But I need the other half to compare the results. Dye transfer prints will fade, but the Kodak dyes got better, albeit slightly with fade resistance, with every decade that went bye. I've sun tested Kodak dye transfer prints from the 1950's to 1980s. Don't have them handy, but here is a 6-month Agfa C print test. <><><>> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

One of the areas of collection in my archive is back yards. When I looked closely, I found this row of boulders. Screenshot 01-06-2026 08.40.061076×868 98.1 KB Screenshot 01-06-2026 08.39.081494×525 129 KB Photos: LoC I guess if you like climbing you got your own bouldering gym right there. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

I Love Lucy LOS ANGELES - SEPTEMBER 21: A behind-the-scenes shot on set of I Love Lucy. In center, Lucille Ball and Desi Arnaz rehearse a dance number in living room set. Image dated September 21, 1951. (Photo by CBS via Getty Images) General View Of The 'I Love Lucy' Set General view of the cast and crew during the filming of an episode of the 'I Love Lucy' tv show, Los Angeles, California, 1950. Visible of the ÔTropicana set,' a man holds a clapboard, in front of actors Lucille Ball (1911 - 1989) (half covered by the clapboard), Desi Arnaz (1917 - 1986) (in tuxedo at right), and others. (Photo by Ruth Orkin/Getty Images) I Love Lucy LOS ANGELES - SEPTEMBER 25: Actors Desi Arnaz as Ricky Ricardo and Lucille Ball as Lucy star in episode #2, "The Girls Want to Go to A Nightclub," of CBS television's "I Love Lucy" on September 25, 1951. (Photo by CBS via Getty Images) <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Screenshot 01-01-2026 10.07.061028×806 94.6 KB 1900s LoC I wonder if people went up to the horses and petted them or made over them in the cities; like they do with peoples’ dogs they see in public. Or if horses were so common that people looked at them like machines, and it was no big deal. Horses had to be taken care of more than cars and trucks. So, you would think people had more of a connection with them. I asked AI about the horse poop. AI Cities in the late 19th and early 20th centuries had professional “poop scoopers,” known as “White Wings” in NYC, who were part of municipal crews that collected massive amounts of horse manure, often selling it as fertilizer, though the sheer volume overwhelmed cities until automobiles emerged. These workers, sometimes called “dirt-carters” or “crossing sweepers,” used carts to gather the waste, but the problem was so big that cities struggled, leading to filthy streets and health issues. How it worked: Official Crews: Cities hired workers, like New York’s “White Wings” in all-white uniforms, to clear streets, especially main avenues. Private Contractors: Initially, contractors collected manure, which was valuable for farming, but demand couldn’t keep up with supply. Crossing Sweepers Some individuals, often paid by pedestrians or shopkeepers, cleared paths through the muck on corners. Manure’s Fate: Collected manure was sold to farmers, used for fertilizer, or dumped in vacant lots, creating huge piles and attracting flies. The “Great Horse Manure Crisis”: By the late 1800s, cities faced a crisis, with projections suggesting streets would be buried in manure. Health Issues: Rain turned streets into filthy sludge, attracting disease-carrying insects, and dry manure became choking dust. The Solution: The rise of automobiles eventually solved the problem by replacing horses, but not before creating immense urban pollution.

DDTJRAC Advertising Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

I like their silver safe. Must have been one of many. The Home Of Kodak 1929 D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive The I.A. has a low-res PDF copy of it if you prefer a PDF. I like individual, decent res scans for my archive. Plus, I don't have any PDF software. Download JPEGs at link to view without moiré pattern. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

New Jersey Railroad Wikipedia The turntable was used to move trains into service or for repair into the wheelhouse. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Highlight toned Shadow and highlight balanced toned Shadow toned Not toned Mills on the Niagara Gorge 1905 Source: LoC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

How kids kept milk cold at a rural school in the 1900s. VHS clip from 'Anne Of Green Gables' (1934) D.D.Teoli Jr. A.C. : D.D.Teoli Jr. A.C. : Free Download, Borrow, and Streaming : Internet Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Was this an everyday deal? Once a week, once a month or just a Hollywood creation? Anne Of Windy Poplars (1940) Grand Procession Clip VHS D.D.Teoli Jr. A.C. : D.D.Teoli Jr. A.C. : Free Download, Borrow, and Streaming : Internet Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Here is a fascinating glimpse back in time to 1952 and Westinghouse refrigerators for the homemaker from a dye transfer sales film. Refrigerator clip from 'Ellis in Freedomland' (1952) D. D. Teoli Jr. A. C. : D. D. Teoli Jr. A. C. : Free Download, Borrow, and Streaming : Internet Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Source: LoC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Fiberglass 16mm 400-foot film reel Daniel D. Teoli Jr. Small Gauge Film Reel & Can Archive <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Breckenridge, TX Poultry Plant 1927 Photographer: Basil Clemons Source: U.T. Arlington Special Collections Post Processing: D.D.Teoli Jr. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

I always tell you my middle name should be scanner. Well, screen recorder is right up there as a 2nd choice. Today I hit 30,000 knives in my online knife and sword survey. ...all made with a screen recorder. Gold is always in the news nowadays. I did multiple surveys with the screen recorder on gold, silver and other metals. Lots of companies don't make catalogs any longer. I wrote to Black Diamond and asked if they had a 2025 catalog. Answer was no, not even a PDF catalog. So, sometimes I make catalogs myself. I make a screenshot survey of a company's website with a screen recorder. OK, this isn't a screenshot. But I did originally shoot it as a screenshot. Then went to eBay to buy it and scan it proper with my large format 11" x 17" scanner. You see photos online you can't download, movies, gif, etc. Downloading is blocked. Use a screen recorder. People will say they can take a screenshot without a screen recorder. OK, go do it for hundreds of thousands of images. I blast out screenshots like a machine gun...7 days a week! I'm not a sociologist, but I am kinda like a sociologist. A section of my archive's scope deals with houses and how people live. This house has an interesting feature, a movable Island. I'm not interested in buying the houses. I just like to record how people live. Each house may have 80 - 130 screenshots in the survey. Tens of thousands of photos all done with a screen recorder. Here is a movie called 'China Doll' I made with a screen recorder. It is made from +/- 450 still screenshots I shot in a couple of hours and is about Chinese silicone love dolls. When younger I was a street photographer. I am trained at fast shooting, not in f'ing around. This is the kind of movies I like to make. Boom, you are finished with them in a couple days and on to the next project. To do moviemaking right you have to be very anal aka methodical. That is not me. Sure, I like high quality work, but it also has to be fast. ADD won't go for much analness. That is why running a movie archive fits my personality best. I scan, I post-p, I upload and boom...all done! I learned early on I'm not cut out for on-set work and bullshit. Plus, most everyone in the archival films are dead. No personalities to deal with! NSFW China Doll D.D.Teoli Jr. : D.D.Teoli Jr. : Free Download, Borrow, and Streaming : Internet Archive You can copy movies with a screen recorder, but I don't have any samples handy. I didn't bother to distinguish the few videos I did as being made with a screen recorder. Sometimes I will copy a video with a screen recorder just to watch it later and relax with TV viewing instead of computer. Then I trash it as it didn't have that much interest in it after all. Whatever, you can record online video fine. You like to archive things, get a screen recorder. An outstanding tool for the archivist! I use it multiple times per day. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Source: LoC Post Processing: D.D.Teoli Jr. <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

La Habra, California 1920s RPPC DDTJRAC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

Farriers 1904-1918 RPPC DDTJRAC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography

You screwed the appliance into the light socket overhead. 1906 ad DDTJRAC Even big washing machines were screwed into the socket. 1909 ad DDTJRAC <><><><> Daniel D. Teoli Jr. Archival Collection Daniel D. Teoli Jr. Small Gauge Film Archive Daniel D. Teoli Jr. Advertising Archive Daniel D. Teoli Jr. VHS Video Archive Daniel D. Teoli Jr. Popular Culture Archive Daniel D. Teoli Jr. Audio Archive Daniel D. Teoli Jr. Social Documentary Photography