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Found 14 results

  1. Hey everyone! The production company I work for is parting ways with our Red Weapon Helium 8K S35. It is in great condition, 333.6 hours used. Willing to sell each accessory separately. Red Weapon Helium 8K S35 Brain w/ Skin Tone Highlight OLPF - $30,000 Side Handle DSMC2 - $600 Bomb EVF w/ Spinner (no cables included) - $2,000 Ti PL Mount - $1,000 AC / Wall Power cables x2 - $150 for both. DSMC Canon Mount - $500 All accessories OBO. PM for more details and photos. Thanks!
  2. RED Digital Cinema® is showcasing its latest sensor technology, MONSTRO 8K VV, on Stand 426 at the BSC Expo, running Feb. 2-3 at the Battersea Evolution. MONSTRO is an evolutionary step in large-format sensor technology with improvements in image quality including dynamic range and shadow detail. The new cinematic, full-frame WEAPON® camera with the MONSTRO™ 8K VV sensor that launched in October 2017 is now available for purchase. On Feb. 2 at 11:15 in the Seminar Room, RED and Mission Digital are hosting a conversation with Chris Ross, BSC and Mission Digital Managing Director Mark Purvis. They will discuss the shooting of FX’s flagship show Trust, directed by Danny Boyle and starring Donald Sutherland, Hilary Swank and Brendan Fraser. Attendees can learn how Ross and the post-production team approached the creative and technical aspects of one of the biggest television shows to be shot in the UK. RED will also host a premier seminar with CHEAT colourist Toby Tomkins and Panavision Senior Vice President of Innovation Michael Cioni on “The Benefits of 8K RAW Workflow in High Resolution TV Delivery.” The event will take place Feb. 2 at 15:15 in the Seminar Room. The two will discuss using an 8K RAW workflow on feature films, as well as the recently released Netflix original TV series The End of the F***ing World. The series was shot on RED WEAPON 8K S35 by cinematographers Justin Brown and Ben Fordesman with Tomkins handling final color. Tomkins will share his insights and approach to managing high-resolution workflows and explain the value of RED's new Image Processing Pipeline (IPP2). RED’s newest camera and sensor combination, WEAPON 8K VV, offers cinematic full frame lens coverage, captures 8K full format motion at up to 60 fps, produces ultra-detailed 35.4 megapixel stills, and delivers incredibly fast data speeds – up to 300 MB/s. And like all of RED’s DSMC2 cameras, WEAPON shoots simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD/HR recording and adheres to the company’s dedication to OBSOLESCENCE OBSOLETE® – a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear.
  3. Irvine, CA — October 5, 2017. Today, RED Digital Cinema® announced a new cinematic full frame sensor for WEAPON® cameras, MONSTRO™ 8K VV. MONSTRO is an evolutionary step beyond the DRAGON 8K VV sensor with improvements in image quality including dynamic range and shadow detail. This newest camera and sensor combination, WEAPON 8K VV, offers full frame lens coverage, captures 8K full format motion at up to 60 fps, produces ultra-detailed 35.4 megapixel stills, and delivers incredibly fast data speeds — up to 300 MB/s. And like all of RED’s DSMC2 cameras, WEAPON shoots simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD/HR recording and adheres to the company’s dedication to OBSOLESCENCE OBSOLETE® — a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear. “RED’s internal sensor program continues to push the boundaries of pixel design and MONSTRO is the materialization of our relentless pursuit to make the absolute best image sensors on the planet,” says Jarred Land, president of RED Digital Cinema. “The Full Frame 8K VV MONSTRO provides unprecedented dynamic range and breathtaking color accuracy with full support for our IPP2 pipeline.” The new WEAPON will be priced at $79,500 (for the camera brain) with upgrades for carbon fiber WEAPON customers available for $29,500. MONSTRO 8K VV will replace the DRAGON 8K VV in RED’s line-up, and customers that had previously placed an order for a DRAGON 8K VV sensor will be offered this new sensor beginning today. New orders will start being fulfilled in early 2018. RED has announced a comprehensive service offering for all carbon fiber WEAPON owners called RED ARMOR-W. RED ARMOR-W offers enhanced and extended protection beyond RED ARMOR, and also includes one sensor swap each year. “‘Good’ has never been ‘good enough’ for RED,” says Land. “We put ourselves in the shoes of our customers and see how we can improve how we can support them. RED ARMOR-W builds upon the foundation of our original extended warranty program and includes giving customers the ability to move between sensors based upon their shooting needs.” Additionally, RED has made its enhanced image processing pipeline (IPP2) available in-camera with the company’s latest firmware release (v7.0) for all cameras with HELIUM and MONSTRO sensors. IPP2 offers a completely overhauled workflow experience, featuring enhancements such as smoother highlight roll-off, better management of challenging colors, an improved demosaicing algorithm, and more. Visit red.com for details or find an authorized dealer or rental house in your area.
  4. Hey, Selling off my gear to finance out next project. I have the following: RED Helium Carbon Fiber Brain 60 Hours - Non- Transferable Arri / Zeiss Ultra Prime 14mm and 65mm PL Mount Cinema Lenses Zeiss CP.2 PL Mount 5 set 15,21,35,50,85 Please contact me directly at anytime. We're located on the East Coast and will travel and ship anywhere under certain circumstances. Thank You. 929 352 5842
  5. RED Digital Cinema will bring its latest DSMC2 cameras to The Media Production Show, which takes place 13th and 14th June at the Olympia London (West Hall). Attendees will see demonstrations of the RED EPIC-W™ and WEAPON® 8K S35 with HELIUM™ sensor in the RED VIP Experience Lounge. Sessions with filmmakers* will also take place in the RED VIP Experience Lounge. Speakers are expected to include Planet Earth II cameraman Rob Drewett and New Earth Films producer Kevin Augello as well as access to 8K footage from The BRITs and more. To register to attend the sessions or visit the Lounge, go to: http://bit.ly/REDVIPMPS 13 June / 10am-6pm 11:00 am - 11:30 am Media Management and High-Resolution Data Capture on Electric Dreams 2:30 pm - 3:00 pm The BRITs 8K Q&A Showcase & Gallery Drinks 3:00 pm - 3:30 pm Exclusive Q&A with Planet Earth II Cameraman Rob Drewett 3:30 pm - 4:30 pm RED Happy Hour 14th June / 10am-5pm 10:45 am - 11:00 am Zeiss VR lens giveaway 12:00 pm - 12:30 pm Lunch with The Production Guild 3:00 pm - 3:30 pm Exclusive Q&A with Kevin Augello from New Earth Films RED cameras will also be on display with select partners at The Media Production Show, including Cooke Optics (#554), Scan Computers (#214), G-Technology booth (#320), and Zeiss (#504). Those heading over to Zeiss will experience the capture capabilities of 6K alongside the new Cine CP.3 XD lenses. In addition, Scan Computers will demonstrate RED’s intuitive workflow within an advanced workstation. All of RED’s DSMC2 cameras offer incredible dynamic range, shoot simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD/HR recording, weigh less than 2 kilograms and adhere to the company’s dedication to OBSOLESCENCE OBSOLETE® — a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new equipment.
  6. RED WEAPON WITH HAWK C-SERIES: THE NEW MEETS THE VINTAGE. This week I would like to share one of my last experiences on set where I got the chance to use a cinema camera and a set of lenses for the first time. On one side, and I don’t exactly know why, it was an incredible long time since I used for the last time a RED camera and I didn’t had tried yet the “new” (even though there is already a newer model out there called Raven) 6K Weapon; plus, I did had seen the Hawk C-Series, but just in rental houses promotional meetings, and we all know that an actual set is a totally different environment. THE CAMERA Truth is that from quiet a few points of view I was gratefully surprised by the camera, since comparing to the RED Dragon it features severals tools that, if you want my two cents, are a consistent improvement, both in the operation of the camera as a 1AC and the performance of the camera itself. First of all... More information: http://www.camaleonrental.com/gb/blog/red-weapon-with-hawk-c-series-the-new-meets-the-vintage-n14
  7. Irvine, CA — January 23, 2017. RED Digital Cinema will be exhibiting at the BSC Expo (booth #223) in Battersea, London, from Feburary 3-4. Those visiting RED’s booth can interact with RED’s DSMC2TM cameras including, RED EPIC-W TM and WEAPON® 8K S35, which feature RED’s newest sensor, HELIUM™. Additional RED cameras will be on display in the Cirrolite, Cooke Optics, Fujinon, Schneider, and Zeiss booths. Exhibition attendees will also have an opportunity to join award-winning cinematographer Michael Snyman, as he discusses his choice of RED to shoot the highly-acclaimed television series, “The Night Manager.” Snyman will explain the technological benefits of shooting in high resolution and how it supported the creative outcome he was looking to achieve. The presentation will showcase footage from the production and will conclude with a Q&A. It is scheduled to take place in the Seminar Theatre on February 3 from 5:45pm - 6:15pm.
  8. Just got a complete set of the Cooke Speed Panchro ser II + III's, all geared: 18-25-32-40-50-75-100mm D.F.) All lenses have serial numbers above 700000. Gently used, some lenses have light cleaning marks, minor specs of dust. Would consider offers for the six lenses 18-25-32-40-50-75 (without the 100mm D.F.) They all focus fine. Price $19.5k Pics here
  9. Irvine, CA — November 4, 2016. RED Digital Cinema will be exhibiting at Camerimage International Film Festival in Bydgoszcz, Poland from November 12-19. Those visiting RED’s stand can interact with RED’s DSMC2™ cameras including the newest cameras, RED EPIC-W and WEAPON® 8K S35, which feature RED’s new HELIUM™ sensor. These RED cameras will be featured alongside Dedo Lights and Cooke Optics within the Main Foyer of The Festival Center. This stand will use a mock set displaying the Camerimage Frog Festival Trophies, rarely seen on the exhibit floor or outside the awards. Additional RED EPIC-W cameras will be featured on the Leica and Angenieux stands as well.
  10. RED Digital Cinema has begun shipping two new cameras - the highly anticipated RED EPIC-W and the newest WEAPON®. Both cameras feature the compact and intuitive design of the DSMC2™ form factor as well as the new HELIUM™ 8K S35 sensor. HELIUM - RED’s latest sensor technology - allows for higher resolution in an S35 frame, while maintaining the superior dynamic range found in the award-winning RED DRAGON® sensor. The EPIC-W 8K S35 camera carries on RED’s tradition of putting industry-leading cinema tools in the hands of the many. EPIC-W captures 8K Full Frame motion at up to 30 fps, produces ultra-detailed 35.4 megapixel stills and offers Super 35 lens coverage. Additionally, EPIC-W is capable of incredibly fast data speeds up to 275 MB/s. Best of all, it is priced at $29,500 (for the camera BRAIN), setting a new standard for making 8K accessible to professional filmmakers. The WEAPON 8K S35 is the latest option in the WEAPON line of cameras, featuring data speeds up to 300 MB/s, the ability to capture 8K Full Frame motion at up to 60 fps, and a sensor upgrade path to the RED DRAGON 8K VV. It is available for the same price as the WEAPON 6K with RED DRAGON sensor, at $49,500 for the BRAIN. “From the very beginning, we’ve strived to not only develop the best imaging technology on the planet, but also make it available to as many shooters as possible,” says Jarred Land, President of RED Digital Cinema. “The WEAPON remains our premier camera - and now comes with the option to either go with the 8K HELIUM sensor or 6K DRAGON sensor. “Since we began shipping the EPIC in 2010, it has been the workhorse camera of the industry,” continues Land. “Our latest camera, the EPIC-W, continues that legacy and features our current-gen DSMC2 form factor as well as the 8K HELIUM sensor." RED also announced special pricing on these new cameras for registered RED camera owners - as well as those that have placed a deposit for RED RAVEN and SCARLET-W – starting at $14,500. See details on eligibility at red.com. “As RED technology advances, we always strive to give our customers the opportunity to update their gear along the way,” says Land. “Our pricing for RED owners-only will allow them to move into either an EPIC-W or WEAPON with the 8K HELIUM sensor." In related news, RED has pre-announced that it will introduce an improved image processing pipeline, including new color science, in the coming weeks. These improvements will be available in-camera on all BRAINs with a HELIUM sensor, and will be available to all footage shot on RED cameras in post production. The new image processing pipeline will be made available soon via free firmware and software upgrades. All of RED’s DSMC2 cameras offer incredible dynamic range, shoot simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHD/HR recording and adhere to the company’s dedication to OBSOLESCENCE OBSOLETE® — a core operating principle that allows current RED owners to upgrade their technology as innovations are unveiled and move between camera systems without having to purchase all new gear. Visit red.com for details or find an authorized dealer or rental house in your area. Product photos here: https://www.dropbox.com/sh/4126wyp69ta3fw5/AAByp5vz_1YbtYLLvUsZ-cH0a?dl=0 Product videos here: https://youtu.be/SB19g9Zs0yI https://youtu.be/pRm4pdkhnqE https://www.youtube.com/watch?v=9FSwQpnqqvY
  11. Irvine, CA - September 7, 2016. RED Digital Cinema is heading to IBC (booth #12.C71) in Amsterdam from September 9-13. Those visiting RED's booth can interact with RED's entire line of DSMC2TM cameras - RED RAVEN™ 4.5K, SCARLET-W 5K, WEAPON® 6K and WEAPON 8K VV, as well as the limited edition white WEAPON 8K S35 featuring RED's newest sensor, HELIUM™. This creates a unique opportunity for visitors to experience two industry-leading 8K sensors, RED DRAGON® VV and HELIUM S35, side-by-side. All of RED's DSMC2 cameras offer superior image quality, incredible dynamic range, and are capable of shooting simultaneously in REDCODE® RAW and Apple ProRes or Avid DNxHD/HR. WEAPON cameras upgraded to a RED DRAGON 8K VV sensor boast up to 75 fps at 8K resolution, 35 megapixel stills from motion, 300 fps at 2K resolution, and incredibly fast data speeds (up to 300 MB/s). RED will also highlight the flexibility of its cameras' modular design by showcasing a variety of third party accessories and peripherals designed specifically for RED cameras. Companies represented in RED's booth will include: * FOOLCOLOR * OFFHOLLYWOOD * RT Motion * Bright Tangerine * Gates Underwater
  12. Irvine, CA - August 16, 2016. RED Digital Cinema® is returning to The Beijing International Radio, TV & Film Exhibition (BIRTV) at the China International Exhibition Center from August 24-27. Located in booth 1A108, visitors can interact with RED's line of DSMC2™ cameras, learn about RED's intuitive workflow, and see the latest software and accessories from third party partners like Bright Tangerine, Gates Underwater Products, RTMotion, and S.G.O. RED will showcase the WEAPON® Carbon Fiber camera, which boasts 6K resolution at 75 frames per second, ultra-detailed 19.4 megapixel stills from motion, and blazing fast data speeds up to 300 MB/s. In addition to the WEAPON, RED will also show the 5K SCARLET-W and 4.5K RAVEN™ cameras. The SCARLET-W blends flexibility and accessibility with high-end performance; while RAVEN, the smallest camera in the RED ecosystem, has a lightweight durable design that makes it perfect for operators looking to shoot on the move. All of RED's DSMC2 cameras offer superior image quality, incredible dynamic range, simultaneous recording of REDCODE® RAW and Apple ProRes or Avid DNxHR/HD, and adhere to the company's dedication to OBSOLESCENCE OBSOLETE® - a core operating principle that allows current RED owners to move between DSMC2 cameras without having to purchase all new gear.
  13. I have some Zeiss Super Speeds for sale. Pics here They are:::: Distagon 35mm f 1,2 Planar 50mm f 1,3 Planar 85mm f 1,4 All of them are in Arriflex bayonet mount, and the 35mm Distagon does have the adapter to PL. So it's easy to move the adapter around to either lens. All three lenses are in very nice shape, no issues on the glass, focus and iris are perfect. The 50mm might have some very faint haze or just need a cleaning, but this is very minimal. All the lenses have an 80mm exterior front ring diameter. Price is $15,000
  14. Hey guys i need to take a decision on this issue. I'll be renting it most of the time. I'm not sure which one is more demanded.
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