Jump to content

Search the Community

Showing results for tags 'arri sr'.



More search options

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • Cinematography Forums
    • General Discussion
    • News & Press Releases
    • Lighting
    • Camera Operating
    • AC's & DIT's
    • Grip & Rigging
    • Visual Effects Cinematography
    • Grading, DI and Telecine
    • Students and New Filmmakers
    • Cameras Systems and Formats
    • Lenses & Lens Accessories
    • Camera Accessories & Tools
    • Film Stocks & Processing
    • Books for the Cinematographer
    • Cinematographers
    • In Production
    • On Screen
    • Cine Marketplace
    • Business Practices
    • Jobs, Resumes, and Reels
    • Please Critique My Work
    • Regional Cinematography Groups
  • Not Cinematography
    • Producing
    • Directing
    • Sound
    • Editing
    • Off-Topic
    • Forum Support

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


Website URL


Skype


Location


My Gear


Specialties

Found 4 results

  1. New and ready to ship! http://www.visualproducts.com/storeProductDetail01.asp?productID=727&Cat=11
  2. I recently acquired a Clairmont Camera breakout box and have fallen into a small conundrum. It is a 12v breakout box with three 3-pin 12v outputs, two 11-pin 12v outputs, and a 2-pin 12v input. It also features a 3-pin cable to connect to a remote switch connector and has a 'start/stop' button. I was going to use this for an ARRI SR I. Being relatively new to the SR camera, the 2-pin 12v input is what baffles me. Would I need a 11-pin to 2-pin male-to-male cable running from the camera to the box? How might the 11-pin accessories I power with the box be compatible with the 2-pin input? Here are some photographs of the unit: https://postimg.cc/gallery/hew90pve/ Any help would be appreciated. Thanks!
  3. Hi everyone! I have an upcoming shoot where we need to have a 180° rotation (around the lens axis) It´s a short film with very low budget so expensive options such as Cartoni Lambda Head or Weaver Steadman are not going to be posible We´re shooting on an Arri SRII with Zeiss Primes T1.3 Any thoughts on a low budget solution? Thanks in advance! Joaquin
  4. Does anyone know if using anamorphic lenses on S16mm was common before the release of the Hawk V-Lite16 lenses? I'm looking to shoot a project on these lenses soon and am hoping to use an Aaton XTR, just wondering if it will be easy to find an anamorphic viewfinder attachment for the camera. Or if it would be better to go with a SR camera. A 416 seems to be out of the question for now due to budget reasons. I believe this camera shares the viewfinder design with the SR cameras anyway. (the 416 I used just had SR ground glass in it.) Alternatively what other (if any) Anamorphic 16mm lenses are available in Los Angeles. - M
×
×
  • Create New...