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I have one ( a bit odd) quastion ... Could a -best of the bests- TELEVISION cameraman, experienced in major LIVE broadcasting football matches (and also in series, shows etc) work for FIRST TIME as A Focus Puller on an Arri Alexa Mini ?? Thanks for your thought
I have been trying to figure out the cam set-ups for live "concert" style shows like American Idol, The Voice, and music award shows. I see cam shots that look like they are moving right in front of the performer about eye level, but when they cut to a wide shot, I cannot spot any jibs or cam ops (and I'm not talking about a stationary long-lens back cam). I also see crazy fast jib shots that go over the crowd and right up on stage - even around the performers, but again never catch any equipment in the wide shots. What are they doing for these cam shots? Are they on wires? Is anyone using drones inside? I direct for a megachurch and we use 5 cams (3 stationary, 1 large jib and one roaming stage cam) and want to see how we can get some of these kind of shots. Our worship (singing) sets are just like a rock concert, and we give it that feel as much as possible, but what are these shows doing for cam setups that I'm not catching? Does anyone have a shot diagram of this stuff? Thanks
Hi everyone Was hoping for some advice I'm shooting a live event this weekend where I will be positioned on a little stage to film a catwalk having done the show last year I was infuriated by bouncing from people sitting on the stand, stills photographers moving etc. As the flooring is not even and bounces. Does anyone have any tips to help alleviate this? I was thinking of going to a local DIY store and purchasing a big thick block of wood to place the tripod on top of but if anyone had any equally practical ideas short of screaming my head of at people moving inconsideratly it would be a big help. Chris