Kyle Geerkens Posted January 3, 2006 Share Posted January 3, 2006 I'm about to do a shot with a dolly back following the subject down an appartment hallway. and ive heard that these are notoriously difficult, and im starting to agree! i dont have the access to light from inside other tenants doorways so here's what i was thinking i would do? i have to keep this simple and the track is about 7 seconds long at a slow walking pace. im thinking i will affix a soft source 250 on the dolly above the eyeline and use a barrauda pole to hang another one above and behind the subject as a backlight motivated by the overhead lights in the middle of the ceiling do you think this will work? Thanks Link to comment Share on other sites More sharing options...
Premium Member Adam Frisch FSF Posted January 4, 2006 Premium Member Share Posted January 4, 2006 They are tricky. Try to build the lights into the set or/and beef up existing lighting. That's usually the only way on long corridors unless you're on a set. You can try to swing a light on a pole from the dolly, but chances are it's going to end up compromising your framing and it's hard to make it interactive with other sources in frame comvincingly. Link to comment Share on other sites More sharing options...
Steve Zimmerman Posted January 4, 2006 Share Posted January 4, 2006 If you don't see the ceiling in the shot you could hang chinese lanterns along the ceiling, taping or tying up the stingers or extention cords. Use tungsten photoflood bulbs if you are concerned about color temperature, or higher wattage household bulbs for a warmer look. Link to comment Share on other sites More sharing options...
Premium Member Paul Bruening Posted January 4, 2006 Premium Member Share Posted January 4, 2006 It would be much easier on you if the director would dump the dolly and find another way to achieve an effective shot. Just a thought. Link to comment Share on other sites More sharing options...
Premium Member Luke Prendergast Posted January 4, 2006 Premium Member Share Posted January 4, 2006 If the ceiling is out of shot I like to bounce something big and spotted off it. Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted January 4, 2006 Premium Member Share Posted January 4, 2006 I've had the art department put fake header beams in hallways to hide lights behind them -- sometimes you can get away with some foamcore painted to match the walls and ceiling. Link to comment Share on other sites More sharing options...
Premium Member Paul Bruening Posted January 4, 2006 Premium Member Share Posted January 4, 2006 Hey, David's suggestion is really good. I remember the barracks scenes in Stripes They used the rafters to hide lights and still get up-angles. I'd go with David's idea. In fact, I'm going to steal it and use it myself. Link to comment Share on other sites More sharing options...
Jeremy Posted January 5, 2006 Share Posted January 5, 2006 What kind of natural lighting is in the hallway? And how can you augment it? Flourescents? Tungsten? I lit a 120 ft long hallway by replacing the flourescent bulbs that were overhead, and then every now and then had a fixture out, so the character would run in and out of darkness. I also hid 650s behind a wall indention and bounced them into the ceiling which added some nice bright patches for the character to walk through as well. Each hallways is different, but start by seeing what natural light you have and go from there! Link to comment Share on other sites More sharing options...
Recommended Posts
Create an account or sign in to comment
You need to be a member in order to leave a comment
Create an account
Sign up for a new account in our community. It's easy!
Register a new accountSign in
Already have an account? Sign in here.
Sign In Now