Jump to content

sr3 pl mount scope


Keith Mottram

Recommended Posts

  • Premium Member

just wondering what happens when you put a pl mount scope lens on a sr3? is it dooable? what are the artifacts that will arise? assuming your shooting regular 16 on the sr3 would you therefor get a 239:1 aspect ratio? I know joe dunton has converted an sr2, but appart from a anamorphic viewfinder what else did he convert?

 

Keith

Link to comment
Share on other sites

  • Premium Member
I am unsure. but I believe that would equal 1,78:1 times two.... which is 3,5:1 or so, due to the 2:1 sqeeze in the lens.... corrcet me if im talking crap here.... will read up on this and get back.... take care!!!

 

1.78:1 is S16 regular is 4:3? Thats why I thought it might be possible, and the SR3 can be either if my memory serves me correctly. look forward to your investigation.

 

Keith

Link to comment
Share on other sites

The SR-3 has a Super-16 gate and you can interchange the groundglass for Super-16 or regular 16. Super is 1.66 and reg. is 1.37, so if you use a 2x anamorphic lens you'll double those numbers. on't know of what use this would be to you, and you'd simply need to crop back the sides of the frame if you desired a 2.39 image. The problem with mounting scope lenses is that many are physically quite large so the viewfinder may prevent them from fitting on the camera. And there is not an anamorphic de-squeezing viewfinder available for the camera so everything will look very tall and thin in the eyepiece, which can make operating rather difficult.

Link to comment
Share on other sites

  • Premium Member

Yes, we had this discussion before -- the difference between cropping R16 with a 2X squeeze (2.66 : 1) to 2.39 is only slightly better than cropping S16 (1.68) to 2.39. Ultimately, if you just want the 2.39 aspect ratio, save yourself a lot of hassle and use S16 and spherical lenses. If you want anamorphic lens artifacts, then use anamorphic lenses.

Link to comment
Share on other sites

Yes we certainly did discuss this one to death. If I recall the math, the difference between the two resulting useable negative areas was less than 1/2 a percent, meaning that they were effectively the same. And it is so incredibly easier and cheaper to shoot in Super-16 spherical than regular 16mm anamorphic that it seems a no-brainer.

Link to comment
Share on other sites

  • Premium Member

apologies for covering old ground, it was the artifacts that i was looking for so that was the reasoning. i was also interested in what Joe Dunton had done apart from adding a new eyepiece. Thanks for the replies anyway.

 

Keith

Link to comment
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
×
×
  • Create New...