Premium Member Keith Mottram Posted October 30, 2004 Premium Member Share Posted October 30, 2004 just wondering what happens when you put a pl mount scope lens on a sr3? is it dooable? what are the artifacts that will arise? assuming your shooting regular 16 on the sr3 would you therefor get a 239:1 aspect ratio? I know joe dunton has converted an sr2, but appart from a anamorphic viewfinder what else did he convert? Keith Link to comment Share on other sites More sharing options...
Fredrik Backar FSF Posted October 30, 2004 Share Posted October 30, 2004 I am unsure. but I believe that would equal 1,78:1 times two.... which is 3,5:1 or so, due to the 2:1 sqeeze in the lens.... corrcet me if im talking crap here.... will read up on this and get back.... take care!!! Link to comment Share on other sites More sharing options...
Premium Member Keith Mottram Posted October 30, 2004 Author Premium Member Share Posted October 30, 2004 I am unsure. but I believe that would equal 1,78:1 times two.... which is 3,5:1 or so, due to the 2:1 sqeeze in the lens.... corrcet me if im talking crap here.... will read up on this and get back.... take care!!! <{POST_SNAPBACK}> 1.78:1 is S16 regular is 4:3? Thats why I thought it might be possible, and the SR3 can be either if my memory serves me correctly. look forward to your investigation. Keith Link to comment Share on other sites More sharing options...
Mitch Gross Posted October 30, 2004 Share Posted October 30, 2004 The SR-3 has a Super-16 gate and you can interchange the groundglass for Super-16 or regular 16. Super is 1.66 and reg. is 1.37, so if you use a 2x anamorphic lens you'll double those numbers. on't know of what use this would be to you, and you'd simply need to crop back the sides of the frame if you desired a 2.39 image. The problem with mounting scope lenses is that many are physically quite large so the viewfinder may prevent them from fitting on the camera. And there is not an anamorphic de-squeezing viewfinder available for the camera so everything will look very tall and thin in the eyepiece, which can make operating rather difficult. Link to comment Share on other sites More sharing options...
Premium Member Keith Mottram Posted October 30, 2004 Author Premium Member Share Posted October 30, 2004 cheers for the reply mitch, apart from the operating hassle this could yield nice results with a DI, I might try and do a test if i do i'll post the results up. Keith Link to comment Share on other sites More sharing options...
Premium Member Phil Rhodes Posted October 30, 2004 Premium Member Share Posted October 30, 2004 Hi, I'm sure I worked this out once, and the neg area of shooting scope regular 16 is almost exactly the same as just shooting super and cropping. Phil Link to comment Share on other sites More sharing options...
Premium Member David Mullen ASC Posted October 31, 2004 Premium Member Share Posted October 31, 2004 Yes, we had this discussion before -- the difference between cropping R16 with a 2X squeeze (2.66 : 1) to 2.39 is only slightly better than cropping S16 (1.68) to 2.39. Ultimately, if you just want the 2.39 aspect ratio, save yourself a lot of hassle and use S16 and spherical lenses. If you want anamorphic lens artifacts, then use anamorphic lenses. Link to comment Share on other sites More sharing options...
Mitch Gross Posted October 31, 2004 Share Posted October 31, 2004 Yes we certainly did discuss this one to death. If I recall the math, the difference between the two resulting useable negative areas was less than 1/2 a percent, meaning that they were effectively the same. And it is so incredibly easier and cheaper to shoot in Super-16 spherical than regular 16mm anamorphic that it seems a no-brainer. Link to comment Share on other sites More sharing options...
Premium Member Keith Mottram Posted October 31, 2004 Author Premium Member Share Posted October 31, 2004 apologies for covering old ground, it was the artifacts that i was looking for so that was the reasoning. i was also interested in what Joe Dunton had done apart from adding a new eyepiece. Thanks for the replies anyway. Keith Link to comment Share on other sites More sharing options...
Christian Appelt Posted October 31, 2004 Share Posted October 31, 2004 How about just calling him? Nothing wrong about asking politely... ;) Joe Dunton & Company Ltd Elstree Film Studios Shenley Rd Borehamwood Hertfordshire WD6 1JG t 020 8324 2311 f 020 8324 2336 (from www.joedunton.com) Link to comment Share on other sites More sharing options...
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