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That's a pretty easy split screen. Shoot it in two passes and comp it together. The timing of the camera move is the only tricky thing, but a motion control rig solves that easily.

 

Or the mirror could have been clear glass on a set and it was shot in a single pass.

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When I first saw it I was tempted to say it was done by using a mirrored set and doing the effect in camera. But the stuff on the right of frame looks to me like it's behind the mirror. Unless they shot it as a mirrored set and then comp'd in the stuff on the right.

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  • 2 weeks later...

Shoot it in two passes and comp it together.

 

i agree 2 passes would be there best bet. Much easier to shoot it twice, then have to build a set with 2 sides. They also have a nice line down the mirror, so they have a good guide as the where to spit the frame.

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