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Sound proofing


Justin Ciminero

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I'm looking to sound proof my noisy bolex camera for sync recording. Does anyone know a flexible material I can tailor & wrap around the camera; reducing the noise to almost 0db? Keep in mind this camera is so loud, a shotgun mic can pick it up 20ft away facing the other direction.

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You won't get it to Odb, even the best silent motion picture cameras only manage 19 dbA.

 

There are so many ways sound can leak, that I don't think there are any flexible materials that will do more than reduce the sound level. I built a blimp for a Bolex and it was still louder than any 1960s camera silent 16mm camera - it was at best mid thirties dbA (it was never tested).

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  • 2 weeks later...
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Yea, the Bolex (except for the Bolex Pro, which really wasn't a Bolex) is LOUD. I have never heard of anyone building a truly effective blimp, it would just about always be cheaper and better to shoot with a camera designed to be silent.

 

"flexible material I can tailor & wrap around the camera; reducing the noise to almost 0db?"

 

That would be a "barney." And they will not silence an MOS camera like a Bolex. Custom Upholstery Products makes barneys for all sorts of film cameras. He has a secret blend of materials (including lead foil I believe) he uses to deaden sound. It will help but not eliminate noise. He made one for my Kinor 35H, a "silent" camera at about 32db, but too noisy in small reflective rooms. CUP's barney brings the noise level down to acceptable in these cases.

 

In general I think you'd be better off with an Arriflex 16BL, an Eclair ACL or NPR or a Cinema Products CP16R. They are all quite cheap these days.

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Do you have a picture of the blimp you built?

 

Sorry, it was years ago, but it did look like something from the 1930s or 40s and was made from chipboard. There was a base and back piece, while the main cover slide forward. The camera was mounted on a metal plate that was mounted on rubber mounts - I seem to recall these being car exhaust suspension mounts. The clear glass was in the front of the main cover and there was a metal sunshade fitted to the front.

 

It was a pain to use and in the end most of the film was shot with an Arri 16BL and that was a breeze by comparison.

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