Killian Lassabliere Posted November 28, 2018 Share Posted November 28, 2018 Hello, Next week I will be shooting for the first time on 16mm. I'll be renting a Bolex EBM Super 16 ( PL mount ) as well as a Hawk V-Lite 16 Anamorphic 1.33. ( only one focal length for budget reasons ). I've been looking all around the internet and I can't seem to find any information on that specific combo. So I was wondering if any of you ever used a similar setup? I'm mainly concern about focusing on the fly without a monitor desqueeze ? We'll be filming at two locations, one indoor ( natural light coming thought sheers ), and a rooftop at dawn/dusk. I'm thinking about getting some Kodak Vision 3 250D. I read that it is recommended to overexposed quit a bit, ( which is the opposite of what I've been doing on digital ). Would you guys have any advice on how to expose in those lighting conditions? Thanks a lot for your help, Link to comment Share on other sites More sharing options...
Phil Connolly Posted November 28, 2018 Share Posted November 28, 2018 In terms of not having a desqeeze viewfinder, 1.33X squeeze isn't too drastic - so its still possible to compose with care when looking at a squeezed image. I used a 1.33X anamorphic back in the miniDV days to shoot 16:9 on 4:3 cams. Once you get your eye in, its surprising how quick you adapt. Link to comment Share on other sites More sharing options...
Premium Member Dom Jaeger Posted November 28, 2018 Premium Member Share Posted November 28, 2018 I'll be renting a Bolex EBM Super 16 ( PL mount ) as well as a Hawk V-Lite 16 Anamorphic 1.33. ( only one focal length for budget reasons ). I've been looking all around the internet and I can't seem to find any information on that specific combo. Probably because most productions with the budget to rent Hawks would rent a more modern S16 camera, and PL isn't the standard mount on Bolexes. Also the Bolex prism introduces aberrations when shot at apertures under about f/3.5, which is why it's generally better to use RX lenses on a reflex Bolex, at least for focal lengths under 50mm. Since they open to f/1.5, you might want to test a V-lite 16 on the EBM first to see how noticeable the abberrations are if you want to shoot at larger apertures. Link to comment Share on other sites More sharing options...
Killian Lassabliere Posted November 30, 2018 Author Share Posted November 30, 2018 Thanks for the answers, Probably because most productions with the budget to rent Hawks would rent a more modern S16 camera, and PL isn't the standard mount on Bolexes. Also the Bolex prism introduces aberrations when shot at apertures under about f/3.5, which is why it's generally better to use RX lenses on a reflex Bolex, at least for focal lengths under 50mm. Since they open to f/1.5, you might want to test a V-lite 16 on the EBM first to see how noticeable the abberrations are if you want to shoot at larger apertures. I will do some tests when picking up the lens, ( hopefully I'll be able to spot any aberrations thought the unsqueezed viewfinder ) Thanks ! Link to comment Share on other sites More sharing options...
Jean-Louis Seguin Posted November 30, 2018 Share Posted November 30, 2018 You should really do an actual film test first. Link to comment Share on other sites More sharing options...
Killian Lassabliere Posted November 30, 2018 Author Share Posted November 30, 2018 You should really do an actual film test first. Yes that's true ! I should of mentionned that the pretext of this shoot is to try out 16mm film, I'm paying for it myself so no clients are involved. Link to comment Share on other sites More sharing options...
Joao de Botelho Posted October 10, 2019 Share Posted October 10, 2019 Hey, did you get some footage out of this killer setup? Interested costumer here ? 1 Link to comment Share on other sites More sharing options...
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