Richard Roepnack

Can you tell me or show the serial number (contains the manufactures year date code) ?

NYC Fuji Fan here ! also filmmaking in general ... up for beer or ...and filmmaking fanatics.

I'm interested ; pics ?

Hi I think I replied to the wrong area earlier today; I wanted to find out if you still have the Arri III for sale ? Regards Richard Roepnack

Call Paul Tomasco - he is the last word in the New York City area on available Flatbeds. He has some in stock at extremely reasonable prices, & he found me 2 great machines at great prices and followed up with delivery, set up testing and calibration. He does maintenance if you need, has used and new parts, knows the history and proclivities, advantages and disadvantages of all models of Steenbecks, and is all around a solid guy. One of the 16 mm 8 plates he set up is synched to a 35mm 6 plate and he sold me some encoders so that I could have PRO TOOLS chased the steenbecks timecode via a SMPTE stripe on some full-coat that goes through the sound head. A hybrid analog digital system that works perfectly; FRAME ACCURATE!! His # is 212 316 1920

If you want to try for outdoors - to give it that "on location" feel - I've got a small grip truck , some "daylight", a geeny and an E-Z UP.

I'm down for it. It be great to connect with NYC filmmmakers.

photos etc on ebay: http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...E%3AIT&rd=1

I just put my BL-16 on ebay, I may have a few things after the auction. "Arriflex Arri BL-16, video tap, crystal sync...." http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...E%3AIT&rd=1

Cinematographers own gear. Arri 16 -BL: Rock steady, pin registration -standard setting ARRI movement: this is a very late model "FLAT SIDE" ARRIFLEX - utilizing Arri's own crystal control - built in. This also has a 11 PIN FISHER pin out: crucial for IRIS/SPEED control, single framing/animation controllers etc, etc! It comes stock with the Arriflex BAYONET mount [also accepts standard mount ARRI lenses], this is a self-blimped, RARE factory supplied ARRIFLEX X-tal sync [this was the last of the BL-16's and this cyristal sync/drive was the template for the SR series which followed it] and variable speed [9/12/24-48 fps] camera. The controller drives 9/12/24/48 crystal speeds and can run at any and all speeds from 4 fps up to 60 fps with any Fisher pin external speed control [external speed control not included] running into the FISHER connector. This exceptionally built up package also features a state-of-the-art AZ Spectrum BLACK & WHITE video tap AND includes a 3.5" X 6.0" DSP LCD monitor - with PAL/NTSC inputs, mirror image option and all related 12 volt and 120 volt power supply & cables [TAP & Monitor can run on 12/120 volt]. Monitor can stand alone or mounts to camera [camera to monitor mount & remote monitor stand supplied]. The camera features an extremely rare Arri FIBER OPTIC ground glass with "TV SAFE", framing brackets, and crosshairs which are also transmitted to the color monitor via the built in video tap - great for watching microphone placement down into the frameline. Camera package also includes RARE - ARRI SR; EXTENDED, very BRIGHT viewfinder [pictured], a CARL ZIESS 10 -100 blimped zoom lens (T2.8) . PLEASE NOTE: - this is a three gear BLIMPED lens with 3, seperate, 32p aluminum gears for iris control, zoom control and pulling focus, THIS PACKAGE ALSO INCLUDES: an ANGENIEX 5.9 super wide angle lens with sunshade, front & back covers, original case. Also included is an ARRI SR sliding dovetail base with a pair of 15 mm rods, and an offset riser to accomodate focus, iris, and zoom drives [motors not supplied]. Additionally, this set-up includs a Huco follow focus & ff bracket & gears, a removable 3" X 3" Arri Matte box as well as a ARRI removable dual filter slot module. Also included are SIX (6) 400' Arriflex magazines with 12 ARRI expansion cores, 6 collapsable film cores, 6 film keepers, and a clean, Arri dedicated, 4 magazine flight case . This Package INCLUDES (2) TWO 7.2 a/h Bescor battery belts [less then 20 cycles each], with dual option outputs for XLR style and cigarette lighter (can be used simultaneously), charger inputs with 2 BESCOR smart chargers, and dedicated flight case! SYSTEM ALSO INCLUDES: ARRI remote start switch with 10.5 meter [!] cable, XLR 4pin power input cable, BNC vid tap cable, 12 volt and 120 volt dedicated power supply cables for the video tap and LCD monitor [2 each]. Additionaly, this package includes 12 various glass 3" X 3" filters cc, diffusion, optical glass [filter list provided on request] in a dedicated filter case. YES, THIS LIST CONTINUES ... There is a CALZONE style flight case for the camera and a PELICAN case for the acessories, an ARRIFLEX magazine barney, and a copy of the owners manual. This camera was completely overhauled, & lens collimation by Axel Broda - ARRI techik - EXTRORDINAIRE: just one year ago. Full documentation on all service work. Camera strobes to 24.000 fps to three decimal places. This is a pro shooters set-up, plain and simple. COMPLETE : READY TO ROCK... and roll because I'm including (8) 400 foot factory fresh, factory sealed cans of KODAK color negative film! Convert to S16 at THE ARANDA GROUP, add a Hedon/microforce zoom and you have a complete studio package. PAY PAL accepted. BUYER PAYS SHIPPING. Upon request - I can accomodate the buyer and subtract the ARRIFLEX dovetail sliding base/15mm rods, offset riser, and follow focus from the sale, for a savings of: -$ 600.00. Additionally, the 5.9 Angenieux lens [complete] can be witheld from the final sale for $400.00: for a combined TOTAL of $ 1,000.00 off the winning bid [no other subtractions/substitutions will be allowed]. $ 5,800.00 [sEE AD ON EBAY FOR FULL PHOTOS or email me.]

Cinematographers own gear. Arri 16 -BL: Rock steady, pin registration -standard setting ARRI movement: this is a very late model "FLAT SIDE" ARRIFLEX - utilizing Arri's own crystal control - built in. This also has a 11 PIN FISHER pin out: crucial for IRIS/SPEED control, single framing/animation controllers etc, etc! It comes stock with the Arriflex BAYONET mount [also accepts standard mount ARRI lenses], this is a self-blimped, RARE factory supplied ARRIFLEX X-tal sync [this was the last of the BL-16's and this cyristal sync/drive was the template for the SR series which followed it] and variable speed [9/12/24-48 fps] camera. The controller drives 9/12/24/48 crystal speeds and can run at any and all speeds from 4 fps up to 60 fps with any Fisher pin external speed control [external speed control not included] running into the FISHER connector. This exceptionally built up package also features a state-of-the-art AZ Spectrum BLACK & WHITE video tap AND includes a 3.5" X 6.0" DSP LCD monitor - with PAL/NTSC inputs, mirror image option and all related 12 volt and 120 volt power supply & cables [TAP & Monitor can run on 12/120 volt]. Monitor can stand alone or mounts to camera [camera to monitor mount & remote monitor stand supplied]. The camera features an extremely rare Arri FIBER OPTIC ground glass with "TV SAFE", framing brackets, and crosshairs which are also transmitted to the color monitor via the built in video tap - great for watching microphone placement down into the frameline. Camera package also includes RARE - ARRI SR; EXTENDED, very BRIGHT viewfinder [pictured], a CARL ZIESS 10 -100 blimped zoom lens (T2.8) . PLEASE NOTE: - this is a three gear BLIMPED lens with 3, seperate, 32p aluminum gears for iris control, zoom control and pulling focus, THIS PACKAGE ALSO INCLUDES: an ANGENIEX 5.9 super wide angle lens with sunshade, front & back covers, original case. Also included is an ARRI SR sliding dovetail base with a pair of 15 mm rods, and an offset riser to accomodate focus, iris, and zoom drives [motors not supplied]. Additionally, this set-up includs a Huco follow focus & ff bracket & gears, a removable 3" X 3" Arri Matte box as well as a ARRI removable dual filter slot module. Also included are SIX (6) 400' Arriflex magazines with 12 ARRI expansion cores, 6 collapsable film cores, 6 film keepers, and a clean, Arri dedicated, 4 magazine flight case . This Package INCLUDES (2) TWO 7.2 a/h Bescor battery belts [less then 20 cycles each], with dual option outputs for XLR style and cigarette lighter (can be used simultaneously), charger inputs with 2 BESCOR smart chargers, and dedicated flight case! SYSTEM ALSO INCLUDES: ARRI remote start switch with 10.5 meter [!] cable, XLR 4pin power input cable, BNC vid tap cable, 12 volt and 120 volt dedicated power supply cables for the video tap and LCD monitor [2 each]. Additionaly, this package includes 12 various glass 3" X 3" filters cc, diffusion, optical glass [filter list provided on request] in a dedicated filter case. YES, THIS LIST CONTINUES ... There is a CALZONE style flight case for the camera and a PELICAN case for the acessories, an ARRIFLEX magazine barney, and a copy of the owners manual. This camera was completely overhauled, & lens collimation by Axel Broda - ARRI techik - EXTRORDINAIRE: just one year ago. Full documentation on all service work. Camera strobes to 24.000 fps to three decimal places. This is a pro shooters set-up, plain and simple. COMPLETE : READY TO ROCK... and roll because I'm including (8) 400 foot factory fresh, factory sealed cans of KODAK color negative film! Convert to S16 at THE ARANDA GROUP, add a Hedon/microforce zoom and you have a complete studio package. PAY PAL accepted. BUYER PAYS SHIPPING. Upon request - I can accomodate the buyer and subtract the ARRIFLEX dovetail sliding base/15mm rods, offset riser, and follow focus from the sale, for a savings of: -$ 600.00. Additionally, the 5.9 Angenieux lens [complete] can be witheld from the final sale for $400.00: for a combined TOTAL of $ 1,000.00 off the winning bid [no other subtractions/substitutions will be allowed]. $ 5,800.00

Arriflex S [body, etc.] I am intrested in discussing purchase of this machine. Rich 917 655 5790 rroepnack@yahoo.com