F Bulgarelli

I don't think we've mentioned the 40's version of "The Killers". Noir at its best.

Although I'm not familiar with the fuji stocks. 7218 is an amazing stock, specially when it comes to its very fine grain structure. if you can, do a comparison. good luck

Hi David, At what point in your career things started happening for you? Was it after one particular film? For some dp's that's all it takes.

Here are some shots from a short I did. We used the squishy lens from Clairmont to get those blurred borders.

Congrats Eric. Looking forward to see it when it comes out.

Hello everyone, I just saw "Pride and Prejudice" Beautifully shot film. Does anyone have any information on lenses, stocks, filtration, etc.? Some really good camera movement as well. Thanks Francisco

Chris, If the camera is still available, could you e-mail me at: bulgarelli@sbcglobal.net Thanks

Congrats David, great way to starrt the new year. Who is the director?

I like your lighting. My only complain is that the models pose seems a bit "unnatural", if you know what I mean.

There are a bunch of production companies that let you access their websites, You might have to do a search for their websites but here is some: pictures in a row plum productions dna mjz radical media anonymous content bob industries backyard atomik pictures bruce dowad hsi hkm believe media

Thank you guys. I'm really gonna look into doing it myself.

Thanks Adam.

Hi Eric, I'm in LA. Yeah, mainly DVD's I already have the new version on digibeta. I need authoring and duplication. Francisco

Hello there, It's that time of year to come up with a new reel. This time around I was able to master to digibeta which is great. Does anyone have any recommendations as far as duplication houses out there, I'm looking for top-notch quality. Any advice will be greatly appreciated, Thanks Francisco

Amazing how some films stay fresh after so many years. The Godfather 1 and 2 Shawshank Redemptio Touch of Evil Elizabeth

Thanks Guys, David, I went on the one you suggested. There are several download sites. Are those updates? Did you just did the top one? Thanks again Francisco

Hello everyone, Does anyone know of a software program for Mac that allows you to grab frames straight from a dvd and convert them to jpg or similar. I've seen people posting frames from movies on this site and I was wondering how they do it. Thanks Francisco

Congratulations David, those are great shots. What lens did you use for those panoramic shots. Francisco

David, How do you personally feel about the films? Are they really that bad? I mean, they were accepted at the Toronto Film festival if that means anything. Francisco

Thanks John

Hi David, You don't happen to remember what RES issue that is article in. I'm going to try to look it up. Thanks Francisco

Hello there, Someone gave me a bunch of 7248 short ends, it's a stock I really like. They are about 3 years old and have been kept in a cellar at very low temperatures. I will probably do a snip test before I use them. Will unexposed filmstocks preserve that long when kept under those conditions? Thanks for your help. Francisco

So I've been getting ready for my hd short and have been looking at a bunch of hd and video films.. Jackpot definetely looks great. David, do you have any articles or info on your shooting approach for that film? I noticed is 2.35. Did you just cropped from 1.78? I think that was the same approach for stas wars. Do you keep a constant eye on a waveform monitor for exposure? Sex and Lucia also looks amazing, does anyone have any technical specs on that one? I also watched Personal Velocity and Bamboozled (spelling?), both film shot on smaller dv cameras, very well done regardless of the fact that they were shot on video. In fact, format becomes irrelevant when the story, the acting and all the other aspects of filmmaking help carry the story along.

Hello everyone, More and more I've come to believe that one of the signs of a truly talented dp is the skill to light interior wide angle shots. There is so much space to play with, there is so many decisions to be made as far as what to keep in the dark, how to use the practicals, how to deal with distortions and the sharpness fall off inherent to wide angle lenses, etc I'm interested to know what's your approach. I'm sure it varies depending on the project but, do you have a particular method to make it look good? Do you find yourself working at high light levels to stop down the lens and get more depth of field and better contrast? Any comments will be greatly appreciated. Francisco

I saw David the other day at cine gear. I decided to approach him to introduce myself and he maybe recognized my name. Let's say I was anonymous, what will I say? "Hi David, I'm "ANONYMOUS", nice to meet you. :blink: