Tebbe Schoeningh

Hi Mathew, has this camera been sold?

hi! i´m interested! still available?

hi! still available?

Thanks Alexandre!

Hey! Know that they´re hard to find nowadays but if anybody hears about an A-Minima for sale, please let me know. Best!

Hi, I´m selling a set of Arri Ultra16 Primes on Ebay. The lenses are in a very nice shape! Considering any serious offers. http://www.ebay.de/itm/Set-Arri-Zeiss-Ultra16-Primes-T1-3-12-14-18-25-35-50-PL-MOUNT-/191211374989?pt=Filmkameras_projektoren&hash=item2c8516098d

I´m selling a set of Arri Ultra16 Primes on ebay. Possibly the best lenses you could get for S16. http://www.ebay.de/itm/Set-Arri-Zeiss-Ultra16-Primes-T1-3-12-14-18-25-35-50-PL-MOUNT-/191211374989?pt=Filmkameras_projektoren&hash=item2c8516098d

Hi, new link: http://www.ebay.de/itm/190885018608?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649

Hey, I´m selling three Arri Ultra 16 Primes, all in excellent condition. http://www.ebay.de/itm/190880216668?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 Thanks for watching! Best .t

welcome back jean-marie! still remember you!

No problem Noel, I´ll send you a wetransfer or something like that.

that siemens star was a nice gift of carl zeiss when i bought a set of compact primes. ;)

Sorry for the delay: here´s the 35mm

25mm

18mm

12mm & 14mm

Thanks Greg, got it!

Once I get my hands on a BMCC I´ll make comparative tests. I´m interested in the Ultra16´s because those are excellent lenses with a really fast aperture and useable wide open. I don´t know why but I can´t upload any more pictures. Once I can upload again I´ll post the pictures of the missing 6 lenses.

Here a picture of the 9.5mm. Somebody could please change the upload restrictions of the forum? I´ll upload one by one...

Hi, today I shot a quick (and dirty) test with a full set of 9 Arri Ultra16 lenses and a Red Scarlet @ 3K. The active sensor size of the Scarlet @ 3K is almost the same as the one of the BMCC. The Red @ 3K is using 16.65 X 9.36mm of the sensor, the BMCC 15.81 X 8.88mm. This is roughly a difference of 5% in size. Then I upscaled the stills from the Red by 5% in Photoshop to see how much vignetting would be visible. I´ll attach the results. From the 18mm on vignetting is clearly visible. The whole set would be usable by cropping 12-14% which means you would end up with 2.2K - 2.15K of resolution in RAW-Mode. That´s all for today, what do you think?

Hi Mark, CP2´s are FF lenses (only the 18mm isn´t). Using them on a S16 sized sensor you will have difficulties to obtain a wide field of view. Another disadvantage of the CP.2 is that their T-stop is not the same for the whole set (T 2.1 - T 3.9 I think) meanwhile the Zeiss SS are all 1.3 (although I wouldn´t recommend to shoot wide open with them).

WOuld be great to see some proper test comparing those. Would you share? Thanks!

err...sure? - what do you mean by "real modern cinema" - usually 35mm is scanned at 4K and if there is a filmout its mostly at 2K - Arris Alexa is about 2.8K in most cases downsampled to ProRes HQ at HD resolution, Red Epic is up to 5K but very often used at 2K resolution for high speed work The point of making this camera is to offer RAW-capture at an inexpensive price.

beautiful. and this is 12 year old footage...