Jared Hoy

Adam, Thanks a lot for the input. Yeah that play bar has been a pain thus far. I'll have to take a look at the air plane dolly shot and check it.

if your using it for framing & composition no worries. As far as colour, I suggest getting a dvd (i bleieve most FOX has them) and running the THX calibration in the special features.

i love this shot. back lit the group using 2 fresnel 300 clean. the glow comes from nook with i believe 1/4 cts + 1/4 cto (i could be mistaken, its been about a year or two) on a hand squeezebox to about 70%. fill w/ a 1k open face blonde through 216 & 1/4 O. also from the same show 650 fresnel through 1/2 O & a nice bush to get the play on our back wall. filled with 4foot/4bank KINO tungsten tubes. Keying from camera right with i believe another 650. And she has a top down 200w pepper as a special on her hair. dvx-100a can do some nice things (don't kill me)

gaffer reel - through my website not that a gaffer reel is anything but a lot of people ask for samples. take a look and please give some feedback. -- jrh

well i know its like asking for a black crayon on white poster board to look like an ansel adams photo but I'm just after what i can get.

Hey guys & gals, So apparently I am going to DP my first short this weekend, as I come from the lighting side of things my camera knowledge has some holes in it. I was wondering if any one had any advice on camera settings for the DVX100a. I want the image to appear as close to 35mm as possible. Any suggestions? Thanks In Advance

thanks a lot!

Don't want to sound like I'm stealing your sources -=- but i'm new to Los Angeles for the most part and know NOONE - so i need to find the info on jobs where I don't need to know anyone, knowing people will come. what sites do you use?

not sure. i believe it was the chip having an issue w/ the proper exposure off the colour, always under exposed all red/blue -- myabe i am competly wrong and sound drunk to the lot of you, but i swear i read/heard something. let me phrase it this way: those of you who've shot w/ the f 9/700 cameras; any issues w/ red or blue exposures?

i remember, maybe, reading somewhere a while back that the 700/900 sony HD had a slight problem with colours, However I can not remember if it was the blue or red spectrum. has anyone heard this or is it just a buncho of miscommunication?

there is a submission portion - you must register for a user-id - it is free so no worries. find the film & update the information - may take up to a month to update. when it is updated you will see your name, click your name then that should take you to your profile. update the information here the same way -=- kinda lame but IMDB is entirly user updated information but can be quite handy.

i remember, maybe, reading somewhere a while back that the 700/900 sony HD had a slight problem with colours, However I can not remember if it was the blue or red spectrum. has anyone heard this or is it just a buncho of miscommunication?

we're going with a full paid crew, well not full but (gaff/BBE+1) 4or5 production side, a PA or two - you know the task. The cost isn't an issue between the decision. the XL-1 could use the Prime lenses, and the XL-2 as well? I will definatlly check out the HDV thread and will be spending a day at the rental house in early January. thanks for your input.

set up: I'm going to be directing a "quaint" little short that is mainly for myself to work with the actors for a feature that is coming up next fall and to try a few things. question: what are your pro's and con's against/for the perticular pro-sumer cameras. response: thanks ahead of time.

i've heard they make pretty films there, as in, well teach you to get a job films. as far as production experiance, i recomend LAFS (lafilm.com), though i know you people are sick of hearing about it....