Jon Myers

I have a few questions for you... Could I get a phone number too call....thank you

Arri SR-3 Body 2 Timecode 400' Mags Long Eyepiece 2 Onboard Batts Charger Right side grip IVS Tap 2 Cases I have pictures to send if you're interested. I'd like to get 17,500.00 for everything. If you have any questions please feel free to give me a call. Jon Myers 818-282-5274

Cartoni Dutch Head for sale $2000.00. If you have any questions please feel free to give me a call. Jon Myers 818-282-5274

(2)400 foot timecode mags ARRI IVS NTSC video tap (2)Onboard batteries with adapter Charger FE-2 Eyepiece extension Right handgrip 2 Custom cases ARRI SR3 Body I also have a Cannon 11.5-138 zoom lens. I will not sell the lens separately. The body and mags are in good condition. Some of the paint has been pulled from assistants putting tape on certain areas. I'd like to get $20,000.00 for the camera and lens, $15,000.00 OBO for just the camera. If you have any questions please feel free to give me a call. Jon Myers 818-282-5274

The camera is still for sale. Until April 1st I'll let everything(lens and camera) go for $20,000.00. If you're interested give me a call. Jon 818-207-9900

Still for sale.

ARRI SR-3 super 16mm camera for sale. 2-400' timecode mags, rightside handheld grip, 2 onboard batts with charger and adapter and extension eyepiece. I also have a Cannon 11.5-138 zoom lens. I'd like to get $25,000.00 for the camera and if you want the lens I'll throw it in for $5000.00. If you only want the lens that will be $10,000.00. I have more pictures if you're interested. Thanks. Jon Myers 818-207-9900

Give George a call at Optical Electro House in Culver City, CA at 310-204-6577. I know that he rents them and sells them. Jon Myers

I shot a movie in March on the JVC GY-HD200U. When we were shooting everything looked great on the monitor. I used a 9" CRT field monitor. We recorded to tape and to a hard drive (firestore). Now the producers are trying to cut some footage together and it seems like the footage is degrading. First they tried using the footage that was recorded on the hard drive and it just kept getting darker and darker, to the point were they couldn't use it any more. They then tried to capture the footage from tape and the same thing happend with that footage. We've been to several post houses, JVC and spoke with the people at Apple to see if it's a FCP or Quicktime problem. What's really weird is that we went to a post house and captured some footage and it looked great, then they went back and couldn't reproduce what they had captured last time they were there. It seems to have everyone stumped. They went to NAB and went to several different booths and no one had any idea. Not only does the footage get darker but the color has changed. When I shot it, it looked really warm and now some of it's turning yellow. They let me know a couple of weeks ago about the problem but the way they told me it didn't sound that bad. I'm going to get more involved now. This is the third movie that I've shot with a variant of this camera (I've shot with the 100, 200, and 250). The first movie everything went ok. The second movie some of the tapes would have nothing (no video or audio) for the first 30 minutes into the tape and then all of a sudden the picture starts and the timecode is correct. So we lost the first 30 minutes on about 1/3 of the tapes. All I can say is that beware using these consumer cameras. Jon Myers

Try calling George at Optical Electro House in Culver City, CA at 310-204-6577. He may have something. Jon

I have an SR-3 with an IVS tap, ground glass has 1.33, 1.85 and 16x9 framelines that work with the ARRIGLOW, 2 400' mags, long eyepiece, 2 onboard batts, adapter and charger, handheld grip with 2 cases, one for the body and one for 3 mags. Everything is in really good shape. I bought it from Visual Products in January of 07'. I've shot 3 movies with it. If you have any questions please feel free to give me a call. Jon Myers 818-207-9900 I'm looking to get 45,000$ for it.

"As with any monitor you need to view it in proper conditions" What the viewing angle like on it?? Do you have problems with it? Jon Myers

Try Band Pro at 818-841-9655 ask for David Jones and tell him that I told you too call. They might have them. I haven't tried to buy one in a long time. I didn't realize that they were already getting hard to get. Jon Myers

DO NOT use a LCD monitor for lighting purposes. When you change your viewing angle it looks like the exposure changes. It doesn't but if you're not on the right viewing angle then you're not going to get the correct exposure. Only use a tube monitor. I haven't seen one LCD that I would use. Look in any top post house in a room where you need to see color and exposure correctly and you won't see any LCD's. If you can't afford a big monitor get at least a 9" field monitor from sony. You can always get a big LCD for the clients to use. If anyone does know of an LCD that will work please let me know. Jon Myers

Be a camera operator for a couple of years first and by then you'll know where to go.