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Donald Riley

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    Los Angeles

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  1. Will a viewfinder on a Konvas 1M work on a Konvas 2M?
  2. The FPS tachometer on my Arri 2C sits inside the camera a few millimeters from the edge. Is this normal? When I look at it through the magazine port, I can see light coming in (pictured below).
  3. I have a video door that has three connectors (pictures below). BNC is for video. I believe the four pin is for power. Does anyone know what the 12 pin connector is for?
  4. I recently bought an Arriflex 2C and noticed something was missing inside the door. I have three pictures below. Pic 1: This is from a YouTube video. There’s a part in the blue square that my camera doesn’t have. Pic 2: My camera. Pic 3: This is from a manual. There’s no part there, but a plate is screwed in there. Does anyone know what this part is and what it does and why it’s not in every Arri 2C?
  5. Below is a video of a video assist on an Arri 16S. I know that such a thing exists, but they seem to be harder to find than gold. If anyone can give me any hope of finding one, please do.
  6. Can anyone think of an ingenuous way to get a 2.35 frame into a Filmo viewfinder?
  7. Thank you, Tyler. I'm wondering if lossless color grading is overkill for a music video instead of color grading with Prores 422 or 4444.
  8. Would a music video look better if it was color graded with a lossless file rather than a lossy file?
  9. Is it possible for a 17EP motor to not be crystal sync? I shot footage for a music video and the sync is way off. The video is faster than the audio. The song is at 91 beats per minute while the video seems to be at about 96 beats per minute.
  10. Would 2k compressed to H.264 produce a better picture than 1080p compressed to H.264? Is 2K telecine only used for film prints and digital projectors?
  11. Also, how about the new Cooke Panchros compared to Zeiss Super Speeds?
  12. I have a Super Baltar, but I'm wondering if a Zeiss Super Speed would be higher quality.
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