fabio pirovano

Probably F23 skills is the main reason that permit to be more Filmic than other times On Miami Vice or Collataral I were able to see difference between material shot on Sony and Viper You should watch Brad Anderson's Session 9 for understand or learning the eyesight issue...

I loved the Trailer ,but is just a trailer and I don't feel to add other judgments..As somebody else wrote One of most intresting point is show 30's on HD About F23 I wrote a short article taking info around net and really seem be a great camera free from aberrationsMy Wordpress about PUBLIC ENEMIES ,also I loved the F23 on Bovillain's Cloverfield.... For what I saw from Public Enemies trailer ,despite Collateral and Miami Vice where practical lights been great part of lighting's installations or benchmark,this time seem that the work about lightings been more complex,as they were shoot on Film... I notice some other angles and camera movments that are Michael Mann trademarks and back to me to The Insider ,Ali (Frazier Lenses),Miami Vice(T-Rex) That's just a feeling I could be wrong,& sorry for my english....

Hi Dave thanks for read and appreciate my lines about Event Horizon,I agree too bad what's happen to Adrian,too premature lost.. My best Regards,Fabio

ANAMORPHIC SENSUALITY

Stewart Hendler 's Whisper was pretty good,I would like to see him work again with John Carpenter He was a pioneer of use of Anamorphics for shot in the darkness

just five is an hard quest anyway I would Try DANTE SPINOTTI AIC ASC he really understand the language of a story either his know how permit him to have not a redudandt clichè ROBERT RICHARDSON ASC I was stunned how he prepared The Four Feathers DEAN CUNDEY ASC CSC Memorable Carpenter 's Era,good job on Whisper DION BEEBE ACS ASC I didnt like In the Cut but what he does on Memoirs of a Geisha is amazing GALE TATTERSALL and ELLIOT DAVIS I like both one for VIRTUOSITY-GHOST SHIP and the last for FORCES OF NATURE really an amazing piece of art InMemoriam ALEX THOMSON BSC he really bring to cinematography a great contribute ADRIAN BIDDLE BSC Event Horizon was a outstanding gem

American Cinematographer December 2008 Issue

Edgar,Pfister 's Dark Knight was good but nothing of new if we think about Batman Begins or Insomnia or The Prestige ,I'm boring of that...

I don't know exactly I think that is a matter of training...visual training ,anyway watching any scenes of Miami Vice I could say when they are using Sony and when they are using Thomson or Film

I'm totally a novice,with poor means but these exercise approach me to editing another great aspect. please,be patient I would appreciate any comments(bad included) ,thanks in advice Escape in NY Prefissi Final Cut

I would remake john Carpenter's THE THING with a end addicted to hope,set into a modern Antartica base made of renforced concrete with a pier for a submarine and a visual contrast over the Ice/snow by sodium lights of outside area lamps and cool floresent of inside labs...

Corniglia ,5 terre,Liguria Italy There is an ex railway tunnel that is the only access to a bay named guvano beach....this is and outstanding place for any thriller-horror subject

DECEPTION Dante Spinotti ASC AIC CLOVERFIELD Michael Bonvillain ASC SLUMDOG MILLIONARE Anthony Dod Mantle BSC DFF LET THE RIGHT ONE IN Hoyte Van Hoytema FSF NSC HUNGER Sean Bobbitt BSC

Thanks for read, :rolleyes: probably Panavision UK panavision Uk or here: Joe Dunton & Company Dave Webb 905 North 23rd Street Wilmington NC 28405 USA Tel: +1 910 343 1089 Fax: +1 910 343 0247

I'm a profane but I would say: Steve Yedlin Toolbox Murder Gale Tattersall Ghost Ship Rene Ohashi Higwayman Ward Russel Last Boyscout Fabio my wordpress

The Keep and Manhunter both directed by Michael Mann ,cinematography by Alex Thomson BSC and Dante Spiontti ASC AIC;common denominator Joe Dunton,I really loved these gems into modern cinematography and I wrote a short articles,please take a tour I would appreciate a lot. Manhunter The Keep