Ben,
I'm starting to see where you are coming from. I wouldn't quite agree with your gel selection, however.
Daylight seems like the bluer of lights. Depending on the script, I'd imagine daylight to be harsher, meaning to recreate that you'd want to motivate a blue (daylight balanced) light and light with stronger contrast. That being said, the overall light levels of your scene should be far higher than your night-time shots, where background elements can fall off into shadows. In a bathroom and lounge, we'd expect lights from the house to be motivated by softer tungsten (warmer) lighting. I'd light them to a lower contrast ratio than your daytime scenes.
My only fear in your bathroom scene, if you're using your key light to be motivated by the room light and shooting against a blank wall, your shot may appear very flat unless you (more specifically, art dept) creates depth through thoroughly planned set design.
If you're shooting in the daytime and have trouble lighting to suit, always expose for exterior, then dial in your hallway and other shots to match.
Otherwise, you seem to be on the right track. I can't say too much without the script or any other information about your project, but all the best!