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Jonathan O'Neill

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About Jonathan O'Neill

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  1. Hi, I'm trying to work out a compared database of photometrics for bebee lights, wendy, maxi-brutes, 18k's etc etc. Is there a generic photometrics calculator / app / website, where you can key in the company supplied photometrics data of each light, then chose to see the reading at your desired distance? Thanks a lot
  2. Great , thanks a lot AJ I'll check these out 🙂
  3. Yeah that's a good channel! I watch that too. I've got all my gels marked up with his method 🤓
  4. Hi, I recently read "Film Lighting" by Kris Malkiewicz which I found very informative, especially the chapter on "lighting on location". David Mullen and other ASC DOP's and gaffers had a ton of tips and tricks to share. Just wondering if anyone had more recommendations along the same lines books wise? I liked the first hand accounts from DOP's and the practical lighting related tips. I do read ASC magazine which also is a great resource. Cheers Jon
  5. Hi, has anyone seen any collections/databases of gel combinations used by DP's for moonlight, sodium vapour, firelight, fluorescent etc etc, along with the camera kelvin settings? Their go to favourites, or particular looks used on films? Every so often there is mention of these in ASC magazine, which is interesting Cheers
  6. Ahh nice I'd not seen those, they are a touch lower wattage than I was looking for but defo better than the ikea ones I've been using. Do you have any recommendations for what to use in china balls if you need a good kit of light? maybe when using battery operated on a pole?
  7. Hi, I'm looking for: High CRI LED 15w or higher e27 & B22 corn type lamps dimmable daylight & tungsten kelvins To be used in chinaballs, and practicals, do these exist? Thanks!
  8. Hi, I've watched a few Youtube ArriChannel ASC master class videos, are there any other databases of these kind of seminars online? or just one-off videos people recommend, mainly lighting based if possible? Thanks a lot
  9. Hi, I'm looking for a similar look to this attached image. Does anyone have a good way to work out what the combination of gels and in camera kelvin which are needed to achieve the warm lamp light vs the cooler green backlight? i.e. an app which you can input the RGB picker info, and it will give you a corresponding LEE filter combination? Alternatively, do you know what the in camera kelvin is likely to be, the kelvin for the lamp light, and what the kelvin and gel for the backlight is likely to be? Cheers Jon
  10. Does a 1/8 Formatt Black Supermist, have the same look as a 1/8 Tiffen Black Pro-mist? It's just that Formatt seem to have stopped making Supermist and I need a replacement. Cheers Jon
  11. Just wondering where you guys find your work mostly? Through directors, producers, production managers etc? And does this differ for music videos, commercials, short films, features? How much is it through referrals vs you approaching them? What do you find best works for drumming up work? a great reel, awards, mass emailing, physical mailers, in person ‘networking’...? Cheers
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