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CJ Wallace

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  • Occupation
    Cinematographer
  • Location
    new york

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  1. Also be very careful about frame aspect terminalogy. For film cameras its 1:33, 1:66, 1:85, 2:39 The formats 16:9, and 4:3 are television formats. You can crop cinema formats to tv. But cant do vis versa. Widely used aspect ratios include 1.85:1 and 2.39:1 in film photography, 4:3 and 16:9 in television This will come to bite you when you try to sell the movie and its not properly formatted
  2. I've been looking to do this to my ARRI S for years. This rig would work really well for with a 400ft mag. https://www.youtube.com/watch?v=_IqUhkIwuL8
  3. Nothing wrong with shooting in 1:33/R16. If seen quite a few films shot on 1:33 and the audience is not jumping out of their seats. Actually shooting in a different format makes you stand out. And yes, a well maintained R16 camera is worth investing in.
  4. This great looking stuff!! Greys and the whites and blacks are stunning. Nice work
  5. Meter as accuratly as you can. 7222 is a very good stock but its still B/W. Your range of latitude is narrower that color
  6. Hi I'm shooting on 16mm and will be editing on Final Cut Pro 7. I plan to get a negative cut (yes old school) for archival reasons. I've learned that FCP 7 does not allow film keycodes in its EDL. Is this true? Is there an alternative way to add keycodes into FCP 7 Also, is the only option when it comes to keycodes, is to have them 'burned into the picture" during the film to video transfer. Any suggestions Thanks
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