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Jeremy Saltry

Basic Member
  • Content Count

    49
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About Jeremy Saltry

  • Rank

Profile Information

  • Occupation
    Director
  • Location
    PHL/NYC
  • My Gear
    Aaton A-Minima + B Speeds
  • Specialties
    Director. Interpersonal+Technical.

Contact Methods

  • Website URL
    ig: jsaltry

Recent Profile Visitors

2260 profile views
  1. Youre looking at 10K USD. A niche cam with niche prices.
  2. We actually offer a home ECN-2 kit that will be available in EU sometime next month. www.qwdlab.com Edit: Thanks Jordan!
  3. This thread is 2-3 years old. It kind of gets confusing when it gets dug up! It looks like its new.
  4. Looking for Kodak 19 SEs and also all ASAs located on the east coast. If anyone has any leads it would be much appreciated
  5. Its designed for 16. It doesn't fully cover s16 but that is what I have used it for.
  6. FS: Angenieux 5.9mm T2 Wide Angle Lens in Arri B Mount This lens is pretty unique and I haven't seem many if any in Arri B for sale at the moment, only Arri Standard. Focus preset at 5 feet giving you 2ft-infinity depth of field, so no focusing is required. Glass is in great condition and body shows normal signs of wear. I have used this on Reds, Arri and SR3 and A-Minima but I really dont use it much anymore and trying to find a good home. DM with inquires or pricing.
  7. Just wanted to update this with some better images.
  8. Sell my full set of Zeiss MK1 B Speed S16mm lenses. This set has been very well maintained, recently serviced, has normal signs of wear and cosmetically are in great shape. Front and rear elements have minimal signs of use. Cinegears with .08 pitch and updated diameter fronts are on all lenses except for the 9.5mm. These lenses are great and have served me well. Included is: 9.5mm 12mm 16mm 25mm X2 PL Adaptors X4 Front Caps X4 Rear Caps I understand that all of us taking a hit with jobs at the moment so I hope its not too inappropriate to post these for sale. When these sell I make sure to reply in this thread and are available unless otherwise noted. PM me for $$$ price or other questions.
  9. One of my good friends just had this upgrade done. I think its the first one done. I can confirm that it is dope.
  10. I am selling one of my 12mm Zeiss B Speeds as I have had this as a backup. This has always been very well cared for and maintained and only had two owners over its life. It was recently put onto a projector in addition to using it on a few different s16mm bodies and looks great. This lens includes front and rear caps in addition to the wings and any original screws and hardware that came with this. There is a very small amount of dust in the front element and the rear element is as perfect as you will get for an older lens. Aside from one lens I have come across that are literally new in box and unused, this is as close as you will get as it has been a spare lens and not seen much use though its life. $1200 USD
  11. Thanks all! Its always great to get a mix of theory and tech. I really appreciate everyone sharing so much knowledge and thoughtful responses! I am excited to try and recreate all of the above. I will report back.
  12. Thats a great observation and very logical. The more everyone saw advances with film stock and then eventually to digital sensors, more boundaries were pushed and the less you would have to light a scene. Thats a cool example of how technology directly impacts the art or aesthetic side of film and how it can shape an era or generation. You're spot on in that it is a culmination of a many things. Do you know how 90's films would typically be transferred to digital? I would assume a print would be scanned. I almost wonder if there was one or two scanners in particular being used. It seems like the difference would be negligible if scanned today on a ScanStation Director vs whatever the capture would be in that generation.
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