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Abdul Rahman Jamous

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About Abdul Rahman Jamous

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    2nd Assistant Camera
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  1. get an interesting story that has interesting characters. hire actors who would execute it well. and then you may shoot it by using your Sony A7 III. just make sure the sound is right. I don't thing that you need to upgrade anything. but if you are insisting of buying a new camera. I suggest that you rent some of them for couple of days and then you see with which one you would fall in love with. all the best. Spain must be cold right now. but beautiful as always!
  2. Super interesting! these dailies are necessary when the DP is making his/her reel
  3. I'm at the start of my career and as you know it's a very sensitive phase. The last few months were very hard and I felt that every decision I made was crucial. Luckily for me the quarantine has given a lot of time to reflect and to find out how to deal with others and more importantly how to deal with myself. Nowadays things are getting better and hopefully a great opportunity will come to me and I would have my chance to shine. Right now my priorities are to learn focus pulling and camera operating, then I'm eager to have some sort of intership with a mastercraft Giffer and Keygrip. Hopefully by 2022 or 2023 I would have my debut as a DP. wish me luck. I seriously need it!
  4. Apparently this is something I have to really put my mind on.....
  5. The struggle is real... As you know I'm a 2nd camera assistant and I'm really struggling because my seniors don't believe in testing and do so little in preparation. I imagine that once I have the chance to become the one who manages the camera department I would absolutely create a system that limits improvisation. everything gonna be labeled and every thing is identified. I know for sure in the beginning I would have a bad reputation in the industry and I know for sure that I would have hard time to build up my team. but after a while people would respect me and actually be eager to work with me because I have created a system that works. I guess the problem with new DPs is that they don't do the efforts to find a good mentor to learn from. and also they don't give themselves time to really absorb the information that they get.
  6. 100% agree Instead of making your essay based on what types of flares are desirable and what types are not. I think you might make a list of what type of flares each lens produce and what time a DP might desire this type of flare. (I hope that what I said does make sense lol) Flares can be beautiful, ugly, charming and scary. A flare can ruin your shot, but in a lot of times it can be a happy accident. I highly recommend you to have as much references as you can in your essay. Capture a frame that has a flare and you may discuss how does this flare affect the mode of the scene. one of my favorite usage of flares is the one that used in the film "Harley Quinn: Birds of Prey". It makes the scene even more psycho.
  7. I find it a bit witty that DPs instead of discussion the necessity of an establishing shot for storytelling. They insisted that it's necessary for directors to do their homework and be precise about what they want to shoot. movies cost money, but nowadays filmmaking has became much cheaper than before and budget shouldn't be the cause of canceling shots. I mean if your budget ain't enough to shoot your movie than don't shoot it. and shoot another movie that suits your budget. I don't think that DPs are the ones who choose whether to shoot an establishing shot or not. I mean of course DPs may suggest what shots should be taking. But at the end of the day the shot list is the responsibility of the directors. I used to work in a project called "Saudi Heroes" and in a lot of times we shot in a hospital. Yes taking establishing shots there was very demanding. but it was almost the only time where the whole crew worked together as a team. you got the production department trying to block people from entering the mise en scene. the production design and the DP walking around the place to figure out how to make the shot (nicer). and the audio engineer is talking to the camera operator about the shot so he may know where to place his boom-mic.
  8. Nowadays I think the DP would look at the production design department and request more practical lighting.
  9. I hope this video is useful for you to understand the relationship between the sensor and the focal length of a lens.
  10. I love how film is wrapped like a candy, except films are sweeter!
  11. you are welcome. to answer your question, I don't think that anyone here can explain what Roger means, but here is something you need to understand. No single camera is suitable for all motion pictures. The fact that Roger found that Alexa mini LF is suitable for the film "1917" doesn't mean that Alexa mini LF is suitable for all films. There are a lot of cameras out there. you got a lot of options, a lot of brands and a lot of sensor sizes. you and the DP need to find out what camera is suitable for your film. it's your decision, not Deakin's
  12. https://en.wikipedia.org/wiki/Baby_(Supernatural) This episode was shot entirely inside a car. hope you get inspired by it.
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