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Jordan El Amrani

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  1. Jordan El Amrani
    Price drop : 6.5k + shipping
  2. Jordan El Amrani
    Selling this beauty because i need liquidity for a personnal project. I've shot a couple of rolls with it, mags, lense and inside of the camera is in good condition, battery is new, belt recently replaced in the camera body, all frame rates work perfectly. THIS IS A READY TO SHOOT KIT. I can send more pictures & footages of the 3 magasines & a video of the camera running. Invoice for the buy can be produce through my company. Shipping from europe (france/belgium/holland) I am trying to get back what i've put into it, 7.2k (euro). - 1x ARRI SR2 body - 3x magazines - 1x V-lock battery + d-tap to xlr 4 pin cable - 1x cinematography electronics speed control (5fps to 75fps) - 1x Zeiss 10-100 f3.1 - 1x extender for viewfinder - professional camera bags & cases for everything (lenses, mags, darkroom ...) Cheers
  3. Jordan El Amrani
    hi, I am considering selling mine as i need money to fund my new company. Belgium based - 1x arri sr 2 body - 3x magazines - 1x V-lock battery + d-tap to xlr 4 pin cable - 1x cinematography electronics speed control (5fps to 75fps) - 1x Canon 10-100 f3.1 - 1x extender for viewfinder - transport bag for everything asking 10 k, sell with invoice from my production company. i can send pictures and footages shot with it last month. best, jordan jordan@24fps.be
  4. Jordan El Amrani
    Hello there ! I am wondering about the scan part of the production for upcoming tests on an eclair gv16. Am i suppose to ask to the lab to make the Scan or TC at regular 25fps recommendation or am i missing something ? I understand that it is good to match the frame rate to the scan/TC 'rate' for 25 fps and under, but for the rest, i don't have an idea. thanks in advance Jordan
  5. Jordan El Amrani
    sent you an email !
  6. Jordan El Amrani
    Hello to all ! great topic ! nice videos Marek ! Do you still have one of those GV16 for sale ? i might have some people interested ! i am about to get a GV16 sport model but i am wondering if it will turn on : i just got the 6 pin xlr connector that goes in the motor but how is the polarity suppose to be inside it ? i am planning on making an xlr 4 pin connector to the 24 vdc 6 amp. battery so that the cable linking the motor to the battery is rock solid both ways. have you had experience with running your gv16 without the controller box ? with straight connection from battery to motor , how can we know the frame rate with that ? I just found a GV16 sport and have many question about it. Even though boris's old post is already a goldmine (thanks mate !!!) , if anyone has other infos i am open !! all the best, and keep slo mo analog film alive !!! Jordan
  7. Jordan El Amrani
    pm sent about the aaton m42 adapter
  8. Jordan El Amrani
    hello alex, very much interested, here is my whatsapp +33 7 82 78 54 60
  9. Jordan El Amrani
    Hello guys ! thanks joerg, very illuminating ! https://drive.google.com/drive/folders/1UBxfvi4FQqy-ArcTT124kU25ZxKgCfpI?usp=sharing I concluded after looking inside the camera , the LTR i own doesn't have a beamsplitter installed. Two option remains to make an alternative video tap : - option 1 : 'fixing' the Mokose camera & lense to the eyepiece of the viewfinder - option 2 : fixing the Mokose camera & lense vertical on top of the ground glass (in place of the hole viewfinder piece). 2 problems that coexists about option 2 (only option i am considering at the moment) : CAMERA ERGONOMY ISSUE The LTR body and viewfinder are 2 separate parts screwed together. The top handle of the camera constituates a 3rd part , empty inside and screwed on top of the the prism/mirror of the viewfinder (SEE PICTURE 1 & 2). It serves to handle the camera AND as a dark room around the prism. I could replace this mirror or the hole viewfinderpiece in order to put the lense and camera system in the hole that's underneath, threw wich the (telecentric ?) lense of the viewfinder originally goes and takes the light from the ground glass (SEE PHOTO 3). Problem is that this hole has a diameter too small for the filter thread of the 5-50mm varifocal telephoto lense from mokose (i don't have data about that filter thread, its a guess based on videos i saw). This hole COULD be perfect because the mokose camera and lense shape SEEMS to suit perfectly the area and could also act as dark room and replace the top handle. OPTICAL & SENSOR ISSUE Anyway, lets pretend i can put the sensor or lense there. The 5-50 mm varifocal telephoto lense has an angle of view of 8°~48° but I don't now this about it's close focus. Is there a standard for those kind of 2'8 sensor cameras/lense kit ? this one will be placed where the prism is : approx. 8 or 9 centimeter from the ground glass, but should the sensor be there or the top of the lense ? Tested on my iphone X (SEE PHOTO 4) , i had to place the camera/iphone sensor, approximatively at the same distance the prism is from the ground glass inside the aaton camera. I had to zoom in with the iphone to get the hole frame line, the focal recorded is 28 mm, the iphone X has a 2'5 sensor, it is close to the Mokose' s 2'8 , what does that means in terms of distance and focus ? what can i conclude ? Am i sure to have a full image by placing the mokose at even 15 cm from the ground glass ? Cheers,
  10. Jordan El Amrani
    hello, very interesting subject. i am also lookin for the right model of mini camera to make a video tap for an aaton LTR. after a few research, I also think the mokose is the way to go due to the zoom, the close focus and the sdi output. I am about to order but should it be the wide angle version or the 12-50mm one ? arghhh i dont know !
  11. Jordan El Amrani
    Hello Community ! (picture from the aaton ltr7 manual) - This might sound like basic questions but i must ask : 1) HOW DOES THE BEAM SPLITTER ON THE AATON LTR 7 WORKS what does the manual means by 'aaton VR30' system in the first paragraph ? 2) how do i know the one inside my LTR works ? how do i get the beam splitter signal out on a monitor ? 3) there is no connection whatsoever for video output on my ltr (no BNC - as it is sometimes apparent downside the magazine near the iso adjustment - or connector apparent near the beam splitter and so called aaton VR30), i do understand this beam splitter has an on/off position. I also do not possess the m3 allen wrench mentionned in the second paragraph but i can't even find the screw i should access to switch the BS position , or maybe it does not exist ? 4) Should i consider a better and easier alternative way to video tap on my aaton ltr7 with a micro camera through the viewfinder ? what camera and lense model is best suited for this configuration Thanks in advance, J aaton manual p20 png.zip
  12. Jordan El Amrani
    CAMERA ARRIFLEX + SCHNEIDER CINE-KREUZNACH SET aSKING PRICE : 6000 Euros / Location : Paris, France THIS KIT IS TESTED AND READY TO ROLL. The camera number shows it is one of the latest model, the body and the mags are in perfect condition, so as the lenses. This kit contains : - 1x Camera body ARRIFLEX 16 s + Matteboxe - 4x lenses + focal extender x2 : 16, 25, 50 & 75 - 2x 300ft Magazine (122 meter) - 1x 8 volt Battery + case - 2x Motors (1x 25fps motor & 1x Variable speed motor from 8 to 48 fps) - 1x Viewfinder extension - 2x Flycase All the material are like new, no sign of use (NO SCRATCH, NO TECHNICAL PROBLEM). The photo tripod in the pictures is not included in the kit. Here is some pictures of the hole kit, and multiple footage that i shot with it, it includes an audio sync shot with the 25fps motor : https://drive.google.com/drive/folders/15O28olFOoT8RYyXCPoNKTD2SjgrYUTBi?usp=sharing Here is the ebay link to the offer : https://www.ebay.fr/itm/144256898217
  13. Jordan El Amrani
    Hello ! I am sadly parting away with this beautiful set-up. PRICE : 5500 EUROS The kit contains : - 1x AATON LTR 32 body - 2x magazines (400 ft / 122 m) - 2x recelled batteries - 1x ANGENIEUX ZOOM 9.7 - 57 mm - 1x Wood-hand grip + Square rode - 1x Matteboxe - 1x Flycase The camera format is standard 16. Here is a video i shot with the kit, i can also share many more.
  14. Jordan El Amrani
    Hi , Just purchased a beautiful old lady in perfect working condition (still got to do some test next week but motors are running pretty well) : an Aaton Ltr 7 from the first era (1974-1982) 1) It came with two mags that are a bit different one from another. Any tips about the serial numbers and the pressure plate (see photos) is welcome. 2) Is there anyone in europe making this kind of video output/assist : http://www.visualproducts.com/storeProductDetail01.asp?productID=741&Cat=11 3) any comments about the camera electronics, what to take care of etc ... is very much welcome ? photos : https://drive.google.com/drive/folders/1oh1TppG0EFdFYhjaO6_K7DUtGjWVuGoj
  15. Jordan El Amrani
    Hi , Just purchased a beautiful old lady in perfect working condition (still got to do some test next week but motors are running pretty well) : an Aaton Ltr 7 from the first era (C405). 1) It came with two mags that are a bit different one from another. Any tips about the serial numbers and the pressure plate (see photos) is welcome. 2) Is there anyone in europe making this kind of video output/assist : http://www.visualproducts.com/storeProductDetail01.asp?productID=741&Cat=11 3) any comments about the camera electronics, what to take care of etc ... is very much welcome ? photos : https://drive.google.com/drive/folders/1oh1TppG0EFdFYhjaO6_K7DUtGjWVuGoj
  16. Jordan El Amrani
    wow Thanks , specially for the footage, mindblowing fishing party ! what lenses were used ? how do you handle the lines and edges of the frame on the viewfinder of the bolex that is in 4:3 ? @Nicholas Kovats if 'Double 8mm is 16mm film stock' , what's the exact ref. i have to give kodak ? 'We have converted approximately 16x Bolex' - so this half frame format is possible on regular camera model such as arri sr's or aaton ?
  17. Jordan El Amrani
    Question : Shooting anamorphic in super16 mm film, Is there a way to exploit the black space between two frames the same way it is done with the in 35 mm with 2 perf for 2:39 and gain time on you 400ft roll I am shooting with hawk vlite16 1.3 anamorphic , probably sr1 but i am wondering if there is a camera model that can allow to expoit more surface on the negative (and so, having more time per roll than the usual 10 min/400ft) by having the frames close to each other. I'm thinking why wouldn't that be possible, 16 mm anamorphic withmore than 10 min per 400 ft mag ? (the small size of the 16mm film ? the small size of the mechanic that pull the movie down ? so 1 perf is all there is for super 16 ? does anyone have a movie in mind that was shot anamoprhic 16mm film ?) I know high frame rate cameras exists, with precise mechanics that allows to have that maybe ... i am looking for a professional regular model though ... Cheers, J
  18. Jordan El Amrani
    Hello Uli, is this still available ?
  19. Jordan El Amrani
    Thanks Giray, I am now considering making a test roll on a side camera during the both shoot. Have you got any footage or examples of reversal 16 mm stock ?
  20. Jordan El Amrani
    Forgot to add : Shooting with aaton xtr, arri zeiss 10-110 zoom t2 and 12 mm t1.3 Any experience shooting with reversal film at 54 fps and 12 fps or under would be also great
  21. Jordan El Amrani
    Hi, Does anyone knows how to expose this film in the two configuration mentionned ? is it possible to have good result in low light by pushing in development ? (any experience with that ?) I am opened to any tips regarding reversal film treatment as a 1st AC (conservation, use and elese ...) For upcoming projects, i am wondering how it would look like. The first one is a low light / hangar / industrial environment with light coming from a dancefloor with 5 people on it (the aim would be to have color effect / aberration and dynamism like in the 'domino' movie, the dancefloor lights would help accomplishing this nighclub ambiance) The second one is more of a natural ambiance in bright daylight with characters in the frame running on a road and other narratives sequences in the city ... Thanks in advance ! cheers
  22. Jordan El Amrani
    Oh thanks Heikki, really cool example ! As the lightning will be natural in my case and because of the location and choregraphy, i do not intend to put lights in the field of view as you did with candles and reflection, although i really like the look of it. Therefore i think stars filters would be under-used in my case, it would make the skin of the singer and dancers very 'creamy' , and i do not see the advantage of it in a naturalistic approach of the location (a hangar/industrial loft), let me know if i am mistaken ? here is something i shot with glimmer filter and zeiss cp2 50 mm macro on alexa mini ? cheers and thanks ?
  23. Jordan El Amrani
    Hi Luis thanks for your experience thats really cool. I am Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light coming from the top, in a hangar/industrial location that has about that offers a T4 level at 500 iso. I am therefore seeking for example of filter use on 16 mm. It can go from glimmer, black promised to much stronger effect filters like stars . As the lightning will be natural and i do not intend to put any lights, i am asking myself if there is a way to have a strong and radical effect with a filter that is monochromatic and what it would look like (i suggested stars filter but i do not see their use in my configuration given the natural light and the fact that i will not have sources in the field of view that can play the effect, so it might be underused ...) if that can inspire you or someone else who has experience and footage to share , i am all ears ! PS : non-chromatic special FX filter are prefered ? Thanks to Moritz for the thread ? and best regard to all technicians and artists here Jordan
  24. Jordan El Amrani
    Hi to all, I am seeking for example of filter use on 16 mm. It can go from glimmer, black promised to effect filters like stars and else (ideally from footages, test or existing movies) Shooting soon on aaton xtr, zeiss 12 mm + zeiss zoom 20-120 + eventually 7219. A dance performance in a studio with natural light , about T'4 coming from outside with top windows. Thanks in advance
  25. Jordan El Amrani
    Hello everyone, I am seeking for examples of filter use on 16 mm, anything from glimmer, black promist to effect filters (stars ...etc) will do. If movies also pop in mind don't hesitate ? I am in research for an upcoming 16 mm video (dance performance, with natural light) that we'll shot with the aaton xtr , 7219 film, zeiss 12 mm & zeiss zoom 12-120 (by mind). Caméra on dolly or stand, 'black swan' inspired of some sort . Thanks ! Jordan
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